sonido veraniego,para escuchar una madrugada de verano lo mejor, muy sexy

𝓇𝑒𝓁𝑒𝒶𝓈𝑒𝓈

With snowmelt, a vast forgotten place has reemerged. Rumors started circulating amongst people in the city nearby, and a few decided to go. These pilgrims could access the place only by moonlight, down long dirt paths. Amongst the ruins of this partial town, they found a funhouse, tavern, and cathedral. One of the visitors later described them as three different structures. Another swore it was a single space. The only certainty was that the structures shared a bright, blue-green mold.

On "Waiting + Remixes", two compositions by Emily Berregaard bookend five remixes. Each artist redraws a map from Berregaard’s: the areas where glacial expanse meets the heat of touch. These documents are devout as they are erotic, mirror images of the prayerful originals. The two tracks by Berregaard—extended abstractions of voice and saxophone, with dashes of textural field recordings—sourced from the artist's archives—are treated differently by each interlocutor.

Wilted Woman adds rhythm, darkly carnivalesque. Florian T M Zeisig, a celestial scrim. Angelo Harmsworth’s interpretation sees the place as a factory for affect, while Glyn Maier provides an asynchronous almanac. Alie draws an absorbing series of loops, a lacy garland made of Berregaard’s dreamy cantos.

released July 21, 2021

“Come Inside” originally released via lathe cut 7” by Primitive Languages (now psychicliberation.bandcamp.com) in 2018

Audio finalized by Glyn Maier

Waiting + Remixes

Emily Berregaard - Waiting (ENMB08)

Lament

• 𝘁𝗵𝗶𝘀 𝗿𝗲𝗹𝗲𝗮𝘀𝗲 𝗰𝗼𝗺𝗲𝘀 𝘄𝗶𝘁𝗵 𝗮 𝗣𝗗𝗙 𝗯𝗼𝗼𝗸𝗹𝗲𝘁 • 

For its third release, forms of minutiae presents ‘possible moistures’ a non-profit compilation of field recordings and soundscape compositions derived from various aqueous environments and their autochthons. 

This gathering is made of 16 sonic encounters collected by field recordists and sound artists across the world. Artists were invited to submit sounds from marine and aquatic-related events, phenomena, geologies, fauna, flora, geographies, and technologies. From the thawing acoustics of Icelandic and Antarctic glaciers to the non-human voices of Australian wetlands, while meeting sea and river dwellers, the listeners embark on a sonic journey across the globe’s possible moistures. 

All proceeds from this release will be donated to the organisation Atelier Bleu - Centre Permanent d'Initiatives pour l'Environnement de la Côte Provençale to support them in their aim to conserve and protect Posidonia Oceanica seagrass species and to accompany ecological transitions on the Mediterranean coastal lands of the Côte Provençale (France) by encouraging eco-responsible behaviour through education, training and awareness actions. They especially work closely with the region’s youth to raise their environmental awareness by offering workshops and activities to discover the maritime and terrestrial environments: underwater snorkelling trails, guided walks, etc. 

This compilation has been made available to the Atelier Bleu as a resource which they can present to the children as part of their educational workshops. 

> more visual and textual info about each contribution available in the PDF or by clicking on them above. 

> Atelier Bleu: www.cpie-coteprovencale.org  

PDF → texts and pictures by each artist - unless mentioned otherwise
cover picture by stéphane marin 
curated by mathieu bonnafous and pablo diserens 
forms of minutiae — fom03 — 2021

pdf & digital

pablo diserens — tidal dwellers

Honoring the 8 March week with beautiful tunes, voices, dreams of our women & non-binary residents and guests throughout the weekend! Next 2 days, they will be, singing, dancing, laughing and crying; being in solidarity with one another, reminding to all the womxn around, far, close, that they will never walk alone.

rootradio.live

SMASH THE PATRIARCHY

PORTRAITS OF SEATED WOMEXN VOL.2 | Root Radio 12/03/2022

1. Arcane Device Mixes Merzbow (29:30)
2. Merzbow Mixes Arcane Device (21:50)

Japan's leading noise luminary Merzbow meets American electro-feedback artist Arcane Device as they mix and manipulate each other's work. The result are droning, bubbling sonic textures that are as serene as they are extreme pushing the boundaries and meeting in the middle. Both artists contribute long-form manipulations that inspire contemplation as much as highly caffeinated charges of sonic skullduggery. Sonic textures take center stage on Merzbow & Arcane Device.

David Lee Myers aka Arcane Device has been building electronics and creating feedback based electronic music since the late 70's. He has collaborated with Tod Dockstader, Kim Cascone, Asmus Tietchens among others.

Masami Akita's legendary Merzbow project has established him as an international electronic phenomenon and this collaboration with Arcane Device is being released at the same time as a 20th anniversary reissue of his Merzbeat album and a CD reissue of his 1983 album Material Action, all on Important Records.

Merzbow & Arcane Device CD - Collaborative CD - Available Now

Published on @audiovisualsatmosphere [cassette / digital - 2022]

Originally conceived and shown as a sound installation, "dusk — dawn" invites the audience to listen to a city from dusk to dawn by embodying a figure who wanders from one acoustic encounter to another. What happens to the urban soundscape once its human population is asleep? Putting the emphasis on the little heard sounds of a city, this field recording composition allows listeners to dive in buildings’ drafts, bats’ calls, empty train stations’ ultrasounds, singing escalators, talking swans, humming electrical junction boxes, and
birds’ dawn choruses. Documentary at times, surreal at others, the piece proposes an electroacoustic excursion by mixing and processing a set of sounds recorded at night in the city of Berlin during the lockdown and curfew period of spring 2021.

Recorded and composed by Pablo Diserens
in Berlin, Germany — June 2021

Recorded with Sound Devices MixPre-6 II, Sony PCM-D100, LOM's Usi Pro, and LOM's Geofón

Mastered by Adam Badí Donoval

Pablo Diserens – dusk — dawn [AVA99]

Track list:
Modeste - Reverence
Precipitation - Falling
EVITCELES - Нелюбов
FH HF - 13 Syrupy Rings In The Glass Shield
Eyyes - Omma
Glyn Maier - Arranges & Processes excerpt
Anasisana - Stay (ft. Zhe Pechorin)
bad lsd trips - Lavadora Levitando
Nils Quak - Ghosts Walk Among Us
Night Foundation - Sonder
El Fugue - Fulcanelli
doris dana - t.s. eliot in marseille intermezzo
Geklaper - Ordonnance
doris dana - lullabye
Little Annie meets Night Foundation - Inertia dub

Noir Age on Internet Public Radio - March edition

Dee Dee’s Picks is a platform that releases music and promotes culture from Switzerland. Currently a host on Echobox Radio, Amsterdam.

Summer’s around the corner yet ashened morning clouds linger above. I was invited by Comme Des Larmes for an upcoming podcast they had in mind. The instructions were simple:  "something that lets tears flow when listening…"

Therefore I compiled a selection of musical pieces coming from a different place, from a different time, written by different people. Songs about sleeping with your friend’s significant other, songs about deception, songs about blue skies being perceived as the premise for a saddened day… A collection of works that got me through bad times, as well as happier moments.

Music to the likes of the mysterious darkness of forests, the expanses of scenic plateaus and the ruggedness of the rock’s edge. Music that leads to the inevitable confrontation with the loneliness of your ego. Music to explore new soundscapes. Music with sound cascades derived from melodic lines that turn into narrative elegies, creating sound images that lie down melancholy like a fine morning mist. May every square wave oscillator produced by the synths used on these songs shine over your tiring efforts to become a better person and leave you in cathartic bliss as they pierce your heart like a knife.

You be the judge. Without further ado, hereby an hour mix of pain relief; heartbreak songs from Switzerland.

Division of one, splitting and multiplying.

• https://www.instagram.com/dee_dees_picks/
• https://soundcloud.com/deedeespicks
• https://www.deedeespicks.com/
• https://www.facebook.com/deedeespicks
• https://www.instagram.com/__deandrah__/
• https://deedeespicks.bandcamp.com/


Follow us:

• https://linktr.ee/commedeslarmes

Art/Designer CDL by Rennst

• https://soundcloud.com/RENNST
• https://www.instagram.com/_rennst_


#podcast
#deedeespicks
#mix
#idm
#commedeslarmes
#cdl
#newbeat
#79
#electronicmusic
#leftfield
#industrial
#balearichouse
#minimalsynth
#techno
#leftfield
#amsterdam
#netherlands
#electro
#ebm
#deandrah
#patouu
#mixtape
#Switzerland

Comme des Larmes podcast w / DEE DEE'S PICKS #79

DEE DEE'S PICKS

forms of minutiae presents 'live at kwia’, a fragment of a recorded electroacoustic performance by field recordist and artist @pablodiserens

→ f-o-m.bandcamp.com/album/live-at-kwia

Amid winter, on one of the last nights of 2021, a group of people gather in the welcoming womb of a listening bar. Bordered by tiled walls and embraced by a simulated fog, cradled listeners soon forgo outer fluctuations. From a distance, dogs’ barks and bats’ calls reverberate into the space, Pablo Diserens’ concert has begun. What unfolds next is a weaving of biophonic field recordings with hums of blown and stroke glass bottles. The emerging electroacoustic ecoscape oscillates between animal stridulations and Helmholtz resonances. Wavering wind pulses and mirroring clangs intertwine with ultrasonic drones bringing the audience into oneiric realms. Ants, grasshoppers, and crickets infuse the room with vespertine warmth. Windows ooze with condensation. Winter seems far, as if morphed into a balmy summer night. A new landscape materializes, birthed by the set of frequencies at play. Buccal air gently throbs in and out of the glass vessels in glistening gestures. Pablo blows into their empty bottles one last time before handing the stage to a sizzling underwater mixture of rain drops and insectean accents. 

The recorded fragment stops here, yet, that night, the formed sonic window into this temporary landscape pursued its course. The auditory encounters that followed now only exist in the hazy memories of wintertide listeners. 

~ 

Pablo Diserens (they/she) is a field recordist, musician and artist devoted to non-human realities, attentive listening, and possible forms of interspecies coexistence. In solidarity with a wounded planet, their practice invites people to attune to the present moment in an attempt at rethinking caring strategies and our relationship with the world and its biotic communities. → www.pablodiserens.studio 

• 

performed live by pablo diserens for 'weich', a queer ambient event series at kwia (berlin) in december 2021. 

photograph and design by pablo diserens 
mastered by mathieu bonnafous 
duration — 34'22'' 
tape production by tapedub (berlin) 
performing photograph by Elisa Cucinelli 
published by forms of minutiae — fom04 — 2022

cassette & digital

pablo diserens — live at kwia [fom04]

Acidic Male has an interest in industrial sounds, hypnotic drum patterns and experimental vocals. Having her performer name as a revenge title, she searches to “other” herself into the position of a poetic perpetrator. Her sounds have been described as “elegant industrial”, yet in her selections she attempts to showcase her love for genre-wide experimentalism. For Current Moon Phase she curated a few current uptempo electronic favourites with a few 80’s tape digs and more.

Tracklist:
Earth’s Epitaph - Yesterday’s Child
Master/Slave Relationship - Ground Zero pt. 2
Entire City - Zombie Companions
DJ Marcelle / Another Nice Mess - Smacznego!
Richard H. Kirk - Agents With False Memories
Lennard Ypma - Paniek In De Polder Van De Bangert
Blackhouse - What Do You Know About Me?
Privacy - Network Reset
E-Mertz - Stillwrong
Chloe Lula - RBB (forthcoming on Phases label)
The Mall - Behind Heat
O:M:E:N: - SBTMSK
Animistic Beliefs - It’s Called A Dip
Bitter Babe & Nick Leon - Delirio
Morah & Hauff - Segment 3
Dominatrix - Beg 4 More
Drvg Cvltvre - You Got Me Running
R-Zac - Untitled

Links:
https://soundcloud.com/acidicmale, https://www.instagram.com/acidic____________________male/, https://acidicmale.bandcamp.com, https://deadchannelrecords.bandcamp.com/album/rat-spirited-dweller

Current Moon Phase 015 w/ ΔreamCcore Invites Acidic Male

CS/DL : f-o-m.bandcamp.com/album/upstream-ensemble

@forms-of-minutiae and TBA21–Academy present "upstream ensemble", a communal happening and aqueous sound piece initiated and composed by field recordist, artist, and f–o–m co-founder Pablo Diserens (@pablodiserens)

During the 2022/23 digital residency hosted by TBA21–Academy’s Ocean-Archive.org, Pablo Diserens launched an open call inviting members of its online platform ocean comm/uni/ty (and external enthusiasts) to venture into the world and record aqueous sonic encounters. The aim of this collective liquid attuning was to gather sound recordings from various wet ecologies while stimulating listening and field recording gestures regardless of any previous experience.

Recordings from 35 contributors were woven into the long-form sound composition "upstream ensemble" which navigates between the multiplicity of the water cycle as a sounding body. The work moves upstream through oceans, rivers, pipe networks, ponds, and glaciers while investigating the continuous flow of water and the environments that surround it. Listeners encounter drifting habitats trickling with the songs of sea lions, dolphins, blue whales, humpback whales, Arctic terns, and algae photosynthesis – as well as with the invasive hums of submarines’ sonars, boats, and naval industries. With "upstream ensemble" some of the world’s aqueous fauna, flora, geologies, and technologies mingle into a synchronized motion that documents the sonic articulations of these wet zones.

In resonance with Pauline Oliveros’ Deep Listening practice and inspired by Rachel Carson’s exploration of the intertidal zone in her book "The Edge of the Sea", this project contributes to an ever-expanding list of works that propose a focus on listening as a way of engaging and existing with the planet’s waters. By stimulating shared listening and attuning practices, Pablo Diserens aims to develop a sense of interconnectedness by blurring the boundaries between species as well as environments. Experiencing aqueous biomes both individually and collectively acts as a way of rethinking our relationships with the world. Despite these being mostly solitary experiences, Pablo believes that field recording and listening are communal and environmental practices that form gateways for earthly synchronicity and world mapping in time and space. Thus listening in turn can become a political act that sparks emotional bonds with the world and its biotic communities.

˜

concept: Pablo Diserens and Fiona Middleton (TBA21–Academy)

composition and mixing: Pablo Diserens

with sound contributions by: Alëna Korolëva, Alexandros Maragkoudakis, Bence Kovács-Vajda, Christopher Dean, Cyane Findji, Damian Pace, Elise Rigot, Eliza Collin, Fiona Middleton, Francesco Previtali, Ilù Seydoux, Irene Mansoldo, Isabel Val, Jakob Köchert, Jean-Baptiste Geoffroy, Joana Moher, Katy Lewis Hood, Kosmas Phan Dinh, Kseniya Lushnikova, Leo Maassen, Ludwig Berger, Mat Eric Hart, Mathias Arrignon, Matty Yeomans, Mélia Roger, Moritz Zeisner, Nikos Sotirelis, Nina Blume, Ocean Networks Canada, Pablo Diserens, Sem Zeeman, Slavek Kwi, Surrealich, Thibault Noirot, Varoujan Cheterian.

all profit of the release will be donated to the Blue Marine Foundation.

listening with good speakers or headphones is recommended as the piece features a large range of frequencies (notably blue whales' subsonic calls).

cassette mastering by Mathieu Bonnafous

graphic design by Cecilia Murgia

cassettes pictures by Camille Blake

duration: 30’29’’ — C60
piece repeats on both sides — limited edition of 100
published by forms of minutiae & TBA21–Academy — fom09 — 2023

special thanks to all the contributors, Fiona Middleton, Markus Reymann, Michal Kucerak, Petra Linhartova, TBA21, Madelyn Byrd, Diane Barbé, Lou Croff Blake, Thom Lucero, and Mélia Roger.

pablo diserens & the ocean comm/uni/ty — upstream ensemble [fom09]

"waterlilies in fontiform" [framework editions, 2023] 🪷

Such an honor to be part of framework radio’s seasonal issues with a new piece of fontiform music! 

> listen/download: frameworkeditions.bandcamp.com/album/framework-seasonal-issue-14-summer-2023

Thought as a continuation of the work "for scarpa's fountains” [forms of minutiae, 2020], the composition "waterlilies in fontiform" weaves field recordings made in, on, and around the Tomba Brion in San Vito d'Altivole. Designed by the Venetian architect Carlo Scarpa in the 70s, this burial ground materializes as a garden guided by a multitude of lines made of concrete, metal, marble, and glass. Yet as one wanders in this peculiar landscape, one soon realizes that concrete isn’t the tomb’s primary material, water is. As if submerged, the graves are encircled by basins interconnected by a network of fountains, rivulets, and pipes. Water striders, sporadic frogs, vibrant fish and tapestries of waterlilies glide over sunken pyramidal stepped edges, echoing ruins of bygone architectures. An aqueous rhizome at the heart of the garden which steers us through the whole sanctuary. The composition brings listeners into the various materialities of the space and the underwater hums of the fontiform network's machinery. Moreover, subtle algae photosynthesis, muffled voices of human visitors, and the garden's avian inhabitants infuse with life the architect's carefully organized matter. Ambiguous feelings arise as if perched in equilibrium on the crests of the tomb's multifarious structures. The piece ends with openings (both geographical and temporal) as the uncanny murmurs of the flowing waters are joined by the drones of another (temporary) Venetian fountain, Claire Tabouret's sculpture "Deux Baigneuses'', before fading into the vespertine soundscape of a small Portuguese village. A midwife toad calls in the darkness, bells resound in a valley, as Brion Tomb’s architectonic specter lingers in the flowing waters.

> Note: Tomba Brion is also the resting place of Scarpa himself, who shared that "the place for the dead is a garden".

> Recorded in the Tomba Brion in Altivole (april 2022), Palazzo Cavanis in Venice (april 2022), and in Peneda-Gerês National Park (may 2023).
Recorded with Aquarian H2a-XLR hydrophone, LOM Uši Pro, LOM Geofón, SoundDevices MixPre-6 II, Sony PCM-D100.

download

waterlilies in fontiform [framework editions]

Fragments Of Delta

Veil Of Speech

Hdsp : Veil Of Speech

New track inspired by the Devachen beach on the Montenegrin coast, where I spent hours during sunset this summer. Several photos here: (coming tomorrow morning…)

https://zuunzug.com/2025/11/11/montagne-noire

Nouveau morceau inspiré par la plage Devachen sur la côte monténégrine où j’ai passé des heures au coucher du soleil cet été. Suivre le lien pour des photos (à partir de demain matin).   

Music: Manu - Artwork: Malka

Devachen

Dark ambient soundscapes for your pleasure. Relax, chillout and enjoy.

DARK AMBIENT - ECHOES FROM THE VOID

tuned to various biomes and phonographies 𓆏
> www.pablodiserens.studio
> co-founder @forms-of-minutiae

Pablo Diserens (they/them) is a field recordist, musician and artist devoted to non-human realities, attentive listening, and possible forms of interspecies coexistence.

Pablo Diserens – dusk — dawn [AVA99]

Pablo Diserens

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