@eddy-dillon: aware this is very late but all guitar man

This is simply perfect. The drums, the guitars, the vocals are so well mixed and put together. Great job!

stuff

Spotify: http://bit.ly/teedspotify

Facebook: https://www.facebook.com/totallyenormousextinctdinosaurs
Instagram: http://instagram.com/teedinosaurs
Twitter: http://twitter.com/teedinosaurs

Disclosure - F For You (Totally Enormous Extinct Dinosaurs remix)

Palace (2014, work in progress)
Demo
Written by Palm Honey
Produced by Harrison Clark
Artwork by Harrison Clark


Palace (Demo)

a collection of beats that sound like december to me. 
all the money i receive from this i will be put towards new equipment 
if you wanna rap on any of these beats email me - sugiwaaa@gmail.com 
thx for all the support - merry christmas x

https://sugiwa.bandcamp.com/album/december-ep
https://sugiwa.bandcamp.com/album/december-ep
https://sugiwa.bandcamp.com/album/december-ep

follow me
twitter.com/sugiwaaa
instagram.com/sugi.wa
facebook.com/sugiwaaa

december.. [ep]

Recorded and Produced by Vinyl Staircase.
Mastered by Metropolis Studios.
Cover Photography by Elena Grazia

German Wings

The first track from "A Crow Looked At Me" by Mount Eerie
(ELV040 from P.W. Elverum & Sun, March 24th, 2017)

available here:
www.pwelverumandsun.com

A Crow Looked At Me

"Real Death" by Mount Eerie (from "A Crow Looked At Me")

Recorded at Wilton Way Studio in Hackney.
Produced by Syd Kemp.
Watch the video directed by Patrick Taylor here: http://bit.ly/2wlHUNl
Listen to 'Hot Simian Weather' on Spotify here: http://smarturl.it/ncrazf
Apple Music: http://smarturl.it/0mkc9b

Follow Palm Honey:

Facebook: http://smarturl.it/PalmHoneyFacebook
Twitter: http://smarturl.it/PalmHoneyTwitter
Instagram: http://smarturl.it/PalmHoneyInsta

www.palmhoney.co.uk

Hot Simian Weather

Ocean Bloom - Radiohead and Hans Zimmer

Taken from the Otoroku LP Light Never Bright Enough

Keiji Haino: Vocal, Guitars, etc   
John Butcher: Saxophones and Feedback

Keiji Haino, one of the foremost exponents of the Japanese avant-garde, always provides a masterclass in constantly shifting improvisation. John Butcher is a saxophonist of rare grace and power, who has expanded the vocabulary of the saxophone far beyond the conventions of jazz and other musics, to encompass a staggering range of multiphonics, overtones, percussive sounds, and electronic feedback. 

Haino and Butcher met when Butcher opened for Fushitsusha at the show Cafe Oto arranged at St. John, Hackney - 5 years ago. In 2016 they were invited to play two duo concerts – at The Empty Gallery in Hong Kong and at Cafe Oto in London.

Otoroku is proud to present the audio documentation of their first UK meeting. Recorded live at Cafe Oto in July 2016 the results are an uncompromising milieu of swirling sound played out as a total union of these two legendary performers.  Haino’s blues drenched guitar entices skittering notes from Butch

Haino Keiji / John Butcher - Light Never Bright Enough (excerpt)

Taken from the Otoroku LP Live at Café Oto (ROKU013) 

Japanese bluesman Kan Mikami is nothing less than an unalloyed force of nature. A skin-shredding blast of frozen wind from the poor, rural north of Japan that he calls home. In the late 1960s, like thousands of other Japanese young people Mikami made his way to Tokyo in search of a life different from that of his parents. Since then he has forcefully carved out a space for himself in the culture as a modernist poet, a raging folk singer, an author, a actor, an engaging TV personality, and one of Japan’s most uniquely powerful performers. 
 
For most of Mikami’s career as a singer, he has performed solo. Just him and his electric guitar against the world, creating jagged A-minor vamps to drive along the surreal wisdom of his lyrics. But he’s equally at home in more demanding improvisational contexts such as those provided here by John Edwards on bass and Alex Nielson on drums. Their dense propulsive textures seem to spur on Mikami, his voice arcing powerfully into fragmented spaces, his guitar darting, colliding, shedding jagged and angular splinters of sound. A pulsing, raging maelstrom of serrated-edged energy. Gruff, rough, honest and very, very real.

Kan Mikami / John Edwards / Alex Nielson - Aoshi

Arguably the historic birthing of British Free Music. Derek Bailey, Evan Parker, Hugh Davies, and percussionist Jamie Muir formed the Music Improvisation Company in 1968 after Parker and Bailey met had met in Spontaneous Music Ensemble earlier. Essential. 

---

Hugh Davies / electronics, organ
Derek Bailey / guitar
Jamie Muir / Percussion
Evan Parker / soprano saxophone, amplified autoharp

---

Tracks 1-4 were recorded, in mono, 4/7/69 in London; 5 & 6 were recorded, in stereo, 18/6/70 in London. Previously issued on Incus LP 17 in 1976. Recorded by Bob Wolford. Post Production by John Haddon. Layout by Karen Brookman. Painting by Jamie Muir.

1968 - 1971

INCUSD012 - The Music Improvisation Company "Pointing" from "1968-1971"

''The aural equivalent of sipping an ice-cold Pimms on the balcony of your council estate flat" - Dazed and Confused

‘The 17 and 18-year old Lancaster-based pair proceed to build a pristine post-everything beat that is marked by tuned percussion, side-chained whirls, and thick, gooey chords” – XLR8R

“repeated listens show that Bondax’s music is full of unusual touches…icy atmospherics give way to crisp two-step bounce at the halfway mark; the chopped up sibilants and fricatives sprinkled into the mix; the surprisingly punchy kick-drum – there’s real ambition at work here.” - FACT

www.facebook.com/bondax 
www.facebook.com/justinmartinmusicpage

Baby I Got That

Baby I Got That (Justin Martin Endless Summer Remix)

Blackstreet - No Diggity (Bondax Edit)

(Out 22nd September)

iTunes - http://smarturl.it/GivingItAlliT?lQid=SoundCloud

Palace (Demo)

PALM HONEY

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