Guacamayo Tropical 

“Más de doce años de aventuras alrededor de España y Europa confirman que este Guacamayo vuela con sabor y encanto a lo largo de los espacios de encuentro en donde reúne gente de todas las nacionalidades para disfrutar de las músicas más autóctonas y raizales. Una sesión llena de sorpresas sicodélicas, electronicas y folclóricas que despiertan el ritmo y motivan a moverse al son de tambores a quien quiera que presencie su show. Una show de Guacamayo Tropical deja una huella imborrable e inolvidable en la vida de quienes se acercan a compartir con ellos la alegría de la música”

El duo colombiano integrado por David y Andrés rescatan y difunden la tradicionalidad de las músicas tropicales y latinoamericanas en general, fusionándolas con ritmos y elementos modernos. Un trabajo cultural a lo largo de la historia musical de las regiones poco conocidas y con poca difusión en medios tradicionales, para que estas suenen en espacios de ocio y esparcimiento, con el fin de mostrar la otra cara del sonido latinoamericano y de dar a conocer el cúmulo de valores que poseen.

Su sesiones integran instrumentos orgánicos con beats digitales. También exploran continuamente sonidos creados a partir de raíces tradicionales con un matiz digital. Ofreciendo un  un show visual en directo, interactivo y dinámico. 

El show integra elementos multiforma y multicolor inspirados por los viajes terrenales y ancestrales. Una idea y un proyecto encaminado a atacar los sentidos por todos sus frentes disparando sonoridades agresivamente cargadas de buena vibra, luz y esperanza.

Guacamayo Tropical 

“Three years of adventures around Spain and Europe confirm that this Guacamayo (Macaw Bird) flies with groove and charm along the dance floor where people of all nations enjoy the most native and roots music. A session full of psychedelic, electronic and folk surprises waking up rhythm and motivating to move, on the drums feeling to ones who dance its show. A “Guacamayo Tropical” party leaves an indelible and lasting impression on the life of those who come to share with them the joy of music”

The DJ duo Guacamayo Tropical have been taking all the afrolatin flavour in their suitcase, to share with dancing people from Germany, Switzerland, Spain, Finland, England, Portugal, Slovenia, Austria, Sweden, Belgium and France. 

Our sessions are characterized by the integration of organic musical instruments such as Colombian gaita, tamboras and djembe, and even typical and native dances mixed up with digital beats. Also, we often explore new sounds created from traditional roots with a slightly digital edge... All of which is combined with completed projections, previously created according to the place and type of event. On occasion, we even display an interactive and dynamic live visual show.

Guacamayo Tropical brings sounds and images a little closer from far beyond to make up for these lightless, colorless and tasteless times. We bring hearty, lively rhythms and flood the dance floor with a colorful wave of love, joy and Cumbia! Our project will surprise everyone because it is composed of multi-formed and multicolored elements. Inspired by earthly ancestral trips, they show us a path, an idea and a project aimed at challenging the senses on all fronts, shooting out sounds explosively charged with good vibes, light and hope.

Haling from the early age of House Music, Enrico Mantini is internationally renowned as a true Deep House pioneer.

Born in 1972, he grew up with music running through his veins, starting his long-standing relationship with it at the age of 10 by taking piano lessons and listening to adult music.

Since his debut in the music industry in 1990, he has appeared on cult labels such as UMM, Smooth Sound, MBG International and Marcon Music.

His music has been heard (and danced to) in thousands of DJ sets around the globe, supported by almost all style bigwigs like Ricardo Villalobos, Luciano, Zip, Raresh, Jamie Jones, Jeremy Underground, to name but a few.

As a DJ he has played gigs in legendary venues such as Tresor, Pacha, Space, Ministry Of Sound, Concrete, Hoppetosse, Paradiso, Kinky and many more.

Perfection has always been his obsession when creating and performing, and as an MPC enthusiast since 1988, he has composed and produced his entire discography with a minimal approach, using only hardware instruments and never compromising on quality. For these reasons, listening to his music offers a distinctive, unique experience.

In well over 30 years in the electronic scene, Enrico has produced hundreds of releases to date, earning him a solid reputation as an artist and ultimately becoming seminal for the Deep House genre.

Hooded Crow (ST14)

OUT NOW >> https://solidtapes.bandcamp.com/album/hooded-crow

www.solidtapes.bandcamp.com
solidtapeslabel@gmail.com

Run by @wooky
www.lapsus.cat

Record Labels: Lapsus Records, Balmat & C.E.E.
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Support: www.patreon.com/LapsusRadio
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Welcome to the Poolcast, brought to you by Creativepool, the creative industry network. Here you will find interviews with leading industry professionals, insight on key events, untold stories, top tips on how to make the most of your talent, and cutting edge strategies. 

sonic hustlers programming records that range from atmospheric sounds for the mind to techno, tribal and dembow for the arses
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In February 1999, three longtime friends from West Texas went to a pizza place in Austin, Texas, for a prearranged meeting with a young man from Illinois. The Illinoisan had just moved to Austin, and he had put up a flyer that caught the interest of the others. They ate pizza and discussed movies and arcana. They also decided to meet the next day with their various instruments (two guitars, bass, and drums). This happened, and over the coming months they picked a band name, then picked a better band name, then wrote and recorded an album. That album, called How Strange, Innocence, was largely out of tune, but the band members didn't really notice at the time. They optimistically printed 300 copies, and gave most of them away. It turned out they really liked playing together, so they kept doing so. A friend of theirs sent a recording of one of their live shows to a record label in Baltimore, and that label offered to put out albums for the band. The band agreed.

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