Tracklist :

Plus Faible Ce Soir : La lumière qui inonde le jour (Etang Brulant 2020) 
Black To Comm : Lethe (Thrill Jockey 2019)
Fujako : Wolves of Babylon calling (unreleased 2016)
Lumpex : Black peak (Lost Dogs Entertainment 2020)
Hermann Kopp : Gilles de Rais (Ultima Ratio 2021)
SRS : Growing (Bokeh Versions 2020)
All Times Now Nothing : Television ii (Avon Terror Corps 2020)
Camecrude : Mesure de la souffrance (Cioran Records 2018) 
The Body : A pain of knowing (Thrill Jockey 2021)
Purba & Tatyana Mikheyeva : UR (part 1) (Black Mara 2020) 
4LLP4 CH1N0 : Hollow men (New York Haunted 2020) 
Prairie : Cut me open (Denovaki 2020)
Maninkari : Organ Viola #1 (ferme-l'oeil 2016)
Puce Moment : Esquelbecq (Vert Pituite La Belle 2019)
Christoph Waelkens : Bad moon rising (VLEK 2020)
Anna von Hausswolff : All thoughts fly (Southern Lord 2020) 
Teleplasmiste : Come ! Vehicles of light (House of Mythology 2020) 
Jericho : Alleluia (La Nòvia 2020)

Mix by S.Y.D

http://www.bruitsdefond.org 
https://bruitsdefond.bandcamp.com 
https://www.instagram.com/bruitsdefond https://www.mixcloud.com/BruitsdeFond 
@ : bruitsdefond [@] no-log.org

Artwork by Nicolas Berger 

https://www.instagram.com/nicolasschlafer https://www.behance.net/nicolasschaffer 
@ : nicolas.schlafer [@] gmail.com

Podcast réalisé pour Vizir Radio au coeur de l’hiver 2021 dans une période d’intense noirceur intérieure.
Looking for light throughout the darkness.

SYD Inondé De Lumière VIZIR RADIO 2021

Relief By Seclusion

Ybalferran - Learning To Understand

INFO => self-titledmag.com/2018/05/11/ne247-meyers-negative-artist-mix/

NE247: Meyers - 'Negative Artist' Mix

Контур Сс - Древний Странник

Artist: Amethyst
Track: V Towers Collapse In A Single Moment (Track 02)
Album: '(A Declaration)' Compilation
Released: December 2019
Label: Vienna Press / VAKNAR
Cat: Key to the Fields 38 /VAKNAR 20

V Towers Collapse In A Single Moment

from 'head transfer function' out this Friday.

[RM040] 8990 - "AdSense"

From the  album and audiovisual performance "Quickly Photographed and Released Unharmed"

Quickly Photographed and Released Unharmed is a collection of generative audiovisual artworks by Pandelis Diamantides. The collection is part of Diamantides' ongoing research into the non-representational use of screens.

The collection reflects on our visually overstimulated environment. Diamantides seeks to create a direct experience with light and sound, using the screen as a medium rather than a representational canvas. The screen becomes a light source, inducing after-images in the vision of the viewer through rapid successions of light and colour. The works in the collection affect the intake of newer information through overstimulation.

The artworks carefully deploy light as a medium; after-images from previous frames are superimposed over newer frames in the vision of the viewer. This optical layering means that light patterns perceived by the eye and brain complement to the visual material currently presented on screen. By exploiting the neural mechanisms underlying visual perception the viewer becomes an integral part of the artwork, simultaneously the observer and the creator.

https://www.seditionart.com/pandelis-diamantides/collection/quickly-photographed-and-released-unharmed

Quickly Photographed and Released Unharmed

Collect

First track of my new record 'Titania Moon' on Ultra Eczema !
https://ultraeczema.bandcamp.com/album/titania-moon?fbclid=IwAR1_8jUkSTF6u2G1KM1_wjE4iK1XOQOUPzDrIjndulPsEXIfmlmDK_l-tSQ

Melting Ice Giant

TR095 - Nemeton / Rafael Anton Irisarri - '...spin into nothingness'

Emma Grace(https://soundcloud.com/emmaline-ginger-1), born in Assisi, 1994 is an American-Italian musician. She started studying cello at the age of 8, then continues studying violin for three years until she decides to proceed on her own independent way.  She lived in Paris and continued her music research in Venice with different projects and various artists and genres, involving music therapy studies. She attends Violin and Electronic Music at Conservatory, giving in to new creative experiences and collaborations, but the school structure it’s too tight to integrate all the rest of the projects, so she continues otherwise. At the age of 22, her first album "Backgrounds" is out, giving birth to her new chapter of raw compositions combining violin and vocals with the simple objective of being true to what she can give. On February 2020 she releases her latest work, Wild Fruits and Red Cheeks. She continues independently, searching for new material, and performing arts involving creativity and community. Now she is based in Nido, a place away from modern cities, an open house, in the middle of Italy, always chanting, always working on new stuff.

What was a crucial sonic experience in your life?

Listening to marbles. I must have been 6-7 years old. I remember I use to keep them in a jar inside the living room's wardrobe and I was going there to listen to them every once and a while, in some occasions, very often, as if it was the highest pleasure of the day. That sound of marbles hitting each other is the first sound where I actually felt almost a sexual pleasure just by listening. Sound as an isolated pleasure, separated from memories, from genres, from ideas and expectations. To stand still, and to listen. And i still love that marbles sound.

Link 
emmagraceofficial.bandcamp.com/
open.spotify.com/artist/3QEPnEDjS…J1T_ig4UdfvFeYMQ
www.instagram.com/ewmagrace/
www.facebook.com/emmagraceartist/
ewmagrace.tumblr.com/
soundcloud.com/emmaline-ginger-1/

Soundlist
Humming at a coffee machine— (00:00)
Acoustic family tree—
Venice walks—
Wooden lullabies—
Archive 1996, cassette of me at two years old—
Unknown piano session, Chiny, France 2015—
Sailor’s View—
Acoustic Family tree continues—
“Animated” raw slow take—
The Submarine Choir / interferenze corali (part1)—
Unknown piano session, Venice 2019— (15:40)
Climax 1— (17:20)
Rickshaw beat and Tibetan bells
Ahmednagar Streets
U. p. s., Chiny, France 2015—
Kindergarden—
U. p. s., Venice 2019—
“On top of out words” + harmonics— (24:40)
Climax 2— (25:20)
Violon Cave avec Léo, Paris 2016—
Harmonics + “On top of our words”—
Marbles—
Archive 1996, cassette of me at two years old—
Wooden lullabies 2—
The Submarine Choir / interferenze corali (part 2) — (34:00)
Latin Saint Marc’s Square
Climax 3 — (37:40)
Unknown guitar session —-
U.p.s. (unknown piano session) Venice 2018—
U.g.s. (unknown guitar session) Umbria 2019—
U.p.s. Chiny 2015—
The Submarine Choir / interferenze corali (part 3)
Vocal Memos Berlin 2018—
Shells — (45:15)
U.g.s. Venice 2017—
Vocal Memos, Venice 2016 —-
Rain + Harmonic- Climax4 (48:20)

MNEMOSYNE #009 - EMMA GRACE

Emptiness Reworked, Rewoven

Sequences - Woven Empty (R. Schwarz Rework)

Πολλά μέρη αυτού του κόσμου τα αποφεύγω. Κάποια άλλα τα δημιουργώ. 

"Bleeps, microsound and infrabass. A taste of paradise in binary language. Like rush hour traffic inside electric wires. ..."

Electronic Music 🎶 + Expanded Media 👾| Mediterranean 🌊 | Based in Amsterdam ❤️🖤

Pandelis Diamantides is a new media artist, electronic music composer and researcher who splits his time between Nicosia, Athens, and Amsterdam. His art installations, sound compositions and audiovisual performances are carefully crafted, highly immersive experiences. He has taken part in various collaborative projects, creating sound, visuals and software for contemporary dance, theatre and interactive audiovisual installations and performances. His work has been presented in international festivals, concert halls, clubs, theatres, galleries and museums in Europe, the Middle East, Asia, South America, and the United States. These include MoMA PS1 (New York), the 55th Venice Biennale, Bozar Centre for Fine Arts (Brussels), Museo Nacional Centro de Arte Reina Sofía (Madrid), the Madrid Planetarium, the Benaki Museum (Athens), Athens Digital Arts Festival, TodaysArt Festival (The Hague), the FOAM Museum (Amsterdam) and Amsterdam Dance Event. His works include Green (2011), False Awakenings (2015), Go Back to Hiding in the Shadows (2019), Quickly Photographed and Released Unharmed (2020), and Παλμός (2023).