Fragile Papillon

Fragile Papillon…

Cloud Variations

https://northfield-lenox.com

Music to listen to while wandering through an airport; they seem to have a unique atmosphere, perhaps contributed to by the equalization of all people into 'travelers'. Unique also in cases where you may frequent a specific hub over a period of time, perhaps a lounge inside it, maybe even those who work there, that space can become a familiar and comfortable atmosphere within a city you may never step foot in.

Flight NL667

basic track by https://soundcloud.com/mortenjeamland - flute & a bit beat added. - ... a thought on the sidelines : We are constantly between the "just yet" and the "now immediately". the "now" itself is like a flicker. To be in the present means to permanently anticipate the future. This becomes conscious in a special way in music. photo: Marek Piwnicki, unsplash

ZuM // by Morten Jeamland / REMIX

Crash

Splendor Solis ("The Splendour of the Sun") is a version of the illuminated alchemical text attributed to Salomon Trismosin. This version dates from around 1582.

The earliest version, written in Central German, is dated 1532–1535 and is part of the Kupferstichkabinett Berlin collection at the State Museums in Berlin. It is illuminated on vellum, with decorative borders like a book of hours, meticulously painted and highlighted with gold. The later copies in London, Kassel, Paris and Nuremberg are equally fine. Twenty versions exist worldwide.

The original of Splendor Solis, which contained seven chapters, appeared in Augsburg. In miniatures the works of Albrecht Dürer, Hans Holbein and Lucas Cranach were used. The author of the manuscript was considered to be the legendary Salomon Trismosin, allegedly the teacher of Paracelsus, though the name is believed to be a pseudonym. The work consists of a sequence of 22 elaborate images, set in ornamental borders and niches. The symbolic process shows the classical alchemical death and rebirth of the king, and incorporates a series of seven flasks, each associated with one of the then-known planets. Within the flasks a process is shown involving the transformation of bird and animal symbols into the Queen and King, the white and the red tincture. Although the style of the Splendor Solis illuminations suggest an earlier date, they are clearly of the 16th century.

Splendor Solis

P¶1n6ü1N∞

“Father Burns (In His Cell)”

Sights to fill their eyes
Noise to fill their ears
All the show man can devise

Rod of gold for my mind
Four walls for my flesh
All to serve a higher life

Yet still I hold out
A hope for the past
And a hope for a new Passover
Free of the beast of Babylon

But I know it’s going to be a long time
Til I cast my eyes over
Over the land of paradise

Until then—I kneel
Down in silence
Until then—kneel
Down in darkness
Down in crooked crosses
Down in blasted wombs
Down in forked gossip
Down in cortex tombs

Nothing’s new under the sun
Variety beggars surprise
More and more makes man less than

Nothing’s old to the wise
Lost truths discovered anew
With empty hands man claims his prize

Yet still I hold out
A hope for the future
And a hope for a new higher culture
The renaissance of a pantheon

But I fear it’s going to be a long time
Til we lift our spirits higher
Higher to a new-world paragon

Until then—I kneel
Down in silence
Until then—kneel
Down in darkness
Down in heroes’ ashes
Down in wearied words
Down in exhausted passion
Down among the herds

- - -
Music by Corey Ball
Lyrics by August Lysy

Mastered by Spencer Martin

Father Burns (In His Cell)

Solo Piano - Chris Bright

pastels and concrete 0122 - 1:22:22, 9.25 PM

This is a collaboration between me and Tez, of Llanpsych fame. He added the lead guitar parts to my base. I really enjoy making music with him. if you're unfamiliar, check him out on here under Llanpsych.

Crash

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