An artist making a name for himself on an array of established independent labels, Dave Leck has been a shining light in the progressive house arena with his work for the likes of Emotional Content Recordings, Soundteller Records and Inception. August 2019's "Stardust" EP saw a Particles debut, swiftly followed by "Primal Connection" six months later, including remixes from Andrea Cassino and fellow countrymen, GMJ & Matter. Opening his latest offering, "Radius" is fuelled by a shaker-driven and groove-infused top line. Sumptuously syncopated chords provide instant dancefloor appeal as textured pads supply a relaxed vibe that develops into the breakdown. Picking up the pace once more in the second half, a shimmering arpeggio adds further to a blissful sonic collage. The title track sees "Elevate" continue the shaker driven percussive flair as arpeggiated synth layers and smooth pads create a wonderful sunlit opening. A glorious bassline adds emotion aplenty before a rolling breakbeat provides the perfect rhythmic anchor. Steadily evolving over the 12-minute timeframe, emotive piano motifs emerge and blend into the stripped back breakdown before combining with the other melodic layers to create a stunning and powerful track.

Kamilo Sanclemente requires little in the way of introduction. A talented producer based in Cali, southwest of the Bogotá capital, the Colombian artist has made a name for himself with music on Anjunadeep, JEE Productions and Nick Warren's The Soundgarden. Sanclemente's "Beyond the Future" series has been a notable highlight on Proton Music while 2017's "Revelations" and 2018's "Eva" made their mark on Particles with a combination of original tracks and outstanding remixes. Now returning after March 2021's remix of Izzet with Mauro Aguirre, the Kamilo Sanclemente reworking of "Elevate" is characterised by a thumping four-to-the-floor backdrop. Creating new arpeggiated sequences with melodic themes rooted in Leck's original, familiar piano motifs make their presence heard. A stunning new bass groove adds further while the remix opens up in the second half to create a storming club-friendly banger that entwines new harmonies and melodies with ease, creating a truly special interpretation.

A rapidly growing force, Eric Lune has continued to make waves since a 2018 debut for Sound Avenue. Going on to see his music feature on such esteemed imprints as Juicebox Music, Plattenbank and Flow Music, September 2020's "North to South" with Golan Zocher was an impressive Proton Music debut, while "Airbag" followed a year later and included a remix from the iconic figure of Bedrock's Nick Muir. Now making his Particles debut, the Eric Lune remix takes "Elevate" on a rich rhythmic voyage that delights with filtered chords that generate a beautiful sonic cadence of their own. Full of emotion, a glissando lead cuts through the mix at the mid-way point and into the breakdown before the rolling rhythmic pattern picks up the pace into the third movement to create an impressive remix that retains the character of Leck's original while transforming it into a new, brightly coloured sonic tapestry.

A pair of original tracks and remixes from Kamilo Sanclemente and Eric Lune have seen Dave Leck "Elevate" to new heights.

Directed by Jay Epoch
A&R by Marina Gerardi
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Elevate

Elevate (Original Mix)

Musician/DJ
A platform to explore & discover respected Artists in Electronic Music.  Many thanks to the followers. Comments & likes appreciated. Thanks for listening. Love
Differents series of Electronic sounds :
- Whatelse Series : House, Groovy, Funky House, Vocal Deep House,
- Délicieuse Series : Deep House, Organic House,
- Soulinbed Series : Electronica, Ambient, Chill,
- JazzHope Series : Hip-Hop, Acid Jazz, Downtempo, Lo-Fi,
- Desert Escape Series : Ethnic, World, Melodic Deep House, Downtempo, Slow Deep,
- Brasero Series : Deep House,
- Mumpur Series : Progressive & Trance,
- Promenade Series : Slow Deep House,
- Floday Series : 80’s, disco, remix

Bert began his electronic music journey in the late 80's attending the legendary AAHZ parties with the absolute wizards Kimball Collins and Dave Cannalte., with many nights hosting the man himself, Sasha, as well as other iconic members of our scene, like Chris Fortier. Bert's love for electronic music was intense and immediate. He started working at the record stores Innagruve and later the legendary Drop Shop in Orlando hosting Drop Radio’s Progressive Thursdays with Danny Moore, aka Ablekid, in the early days of internet radio. He has held many residencies over the years, such as VOLUME and THE CROOKED BAYOU with Chris Booth. So many great lifelong friends have been made through his journey in music, its hard to name them all! Bert’s style is heavily influenced by GUYJ,HERNAN CATTANEO. SASHA, NICK WARREN,FRAMEWERK, as well as future legends KAMILO SANCLEMENTE and ALEX O'RION

Andreas was born here in June on the beautiful planet Earth in a magnificent solar system. He is very grateful for this, and since then he has enjoyed all kinds of lively music, which plays an important role in his life. He thanks all artists and music lovers for allowing him to continue to experience his life with all its ups and downs ;-)

Music is a special kind of safe in which you can give free rein to your boundless creativity to continue to record positive events in life and process less positive ones. In this sense, time does not stand still, but music remains timeless....🎶💜🎶

Living in a world where music is all we need… 🌅

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International Vermin Conspiracy
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The vermin will outlive your grand children's grand children.
Like Mickey Mouse the vermin is eternal.
: )
Antifa is my cousin.  I heard some people were looking for her.  Since I like to be helpful when I can, she was in Alexandria last time I talked to her, three weeks ago.  I think she mentioned going to Zurich in the near future.
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As I understand it a conspiracy is supposed to be secret so please don't tell anyone.

Is it 1984 already?!?!
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I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
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This one here (957729823) is for regular folks.

I love you, both.

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You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
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My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
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I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
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Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.