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Here to help you find the tunes that matter in your life

Believe the Hype 

Bless Up

FOR BOOKINGS:

Worldwide :
Wil@peoplesagency.nl 

DE/CH:
sarah@paracou.de




✖ https://www.facebook.com/Iris.Menza

✖ https://twitter.com/#!/IrisMenza

Bio

Iris Menza is a respected Belgian DJ who plays a sophisticated blend of dub-tech and deep house. She is known for her captivating performances at Festivals and clubs such as Amsterdam Open Air, Frieda’s Buxe Zurich, Suicide club Berlin and Fuse Brussels.
 
Iris grew up listening to 80s music and 90s hip hop close to the Dutch border in a small Belgian village called Maasmechelen. At 17 she discovered house music and immediately felt a deep connection to the sound. After spending some years on the dancefloor, she purchased turntables and became an eclectic collector of timeless vinyl.
 
After many years of playing alongside the likes of Chris Stussy, Prunk, Archie Hamilton and Ferro, Iris has become a top representative of Belgian Underground culture. Her music brought her to The Netherlands, Germany, Switzerland and Ibiza. She secured residencies with Deep In You and PIV and has releases out on PIV and Cachai.
 
According to the Belgian DJ, sharing her passion for groovy music with a crowd is the greatest satisfaction achievable. Make sure to share that feeling with her when you get the chance.

Deep&Disco was founded by Producer/DJ/Instrumentalist JKriv as a home for original soul, funk, disco, & house productions. Originally a label, D&D is now a blog purveying the finest new dance, electronic and world sounds.

Official SoundCloud page for Catz 'n Dogz.
Follow us to stay up to date with all new releases, remixes and mixes.
All Enquiries: 
info@pets-recordings.com

booking requests:
booking@keep-yourself.de

Durch Keep Yourself gefunden - durch Musik gebunden. Seit den Ursprungstagen wirkten sie als Schlüsselfiguren ihres Kollektivs. In unzähligen Stunden schuf man Hand in Hand mit Gleichgesinnten aus den anfangs regional initiierten Techno Veranstaltungen, ein einmaliges familiäres Festival und international agierendes Künstlernetzwerk.
Der Mühe zum Trotz, lag ihr Fokus seit dem Sommer 2013 dennoch auf der gemeinsamen Allüre „Langstrumpf & Tante Olsen“. Hinter dem verspielten Namen verbirgt sich die flexible Komposition aus anderthalb Jahrzehnten Schlagzeuger-Routine und ästhetischer Kombinationsfertigkeit für elektronische Sequenzen. Insofern ist es nicht verwunderlich, dass die beiden Thüringer in ihrer dramatisch-rhythmischen Impulsivität auf zahlreichen Events, internationalen Bühnen und Veranstaltungen in der ganzen Republik zu erleben waren.

Vieka Plays (:vee-e-ka p-l-aa-ys). Born, will die. A female singer-songwriter-electronic-fiddler-producer-engineer currently residing in the fair lands of Manchesterville, UK. Inspired and nourished by music and sound.

 Vieka plays her music full frontal, sometimes delicate, sometimes brash but always dedicated to the senses. Alikened to Björk, Portishead with a dash of Cocorosie, Vieka moves through you in a whirl of challenging stories and sounds created by all manors of electronic geekery that can be harnessed, beated and whipped into shape. 

...'Combining sonic brutality, unfettered on-stage physicality, never-quite-reassuring periods of calm and moments of breath-taking spectral beauty'...'Ostensibly an avant-garde musician in the Portishead/Björk mould mould, Vieka’s beguiling live performances set her apart from other experimentalists.'
 … 'Their live concerts can veer from dubstep mood-pieces to eerie swing narratives and sexual psycho-dramas all with an underlying Burial-style-soundtrack-David Lynch intensity'... 

With a lustful desire for the wild world, Vieka weaves through all manner of sounds; blending, warping and creating impassioned soundscapes with subtle sound recordings from nature, life and the wide-wide world. Obtuse creations of synthesised bass, glitch noise and samples come from deep within the digital spectrum while the vocals cut through unabashed.

'With a tongue stuffed thoroughly in her cheek she blissfully hovers her sound in the darker sides of life (or hoovers her music up from the filthy corner of the proverbial room).'

Patrick Kühne 2 is following