Paul Amlehn - Text, composition, arrangement, production
Brian Eno and Paul Schmidt - Oblique Strategies
David Lynch - Visual art

Text:

"Run to me
Flee from me
Run to me.

Disconnect from desire
It's hard to hear the lie
When the liar 
Is so beautiful.

You can write
You can write
A thousand years
You can see
You can be
A thousand years
From now
From now.

Sentimental guises
Will come into fashion
Sentimental guises
Will cover their shame.

Run to me
Flee from me
Run to me.

You can write
You can light
A thousand years
You can see
You can be
A thousand years
From now
From now.

You're espying me
You're denying me
You're inside of me
From now
From now."

Run To Me

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

Poetry Sound Cloud 


THE ROSE SONGTEXT
Some say love, it is a river
That drowns the tender reed
Some say love, it is a razor
That leaves your soul to bleed
Some say love, it is a hunger
An endless aching need
I say love, it is a flower
And you, its only seed


It′s the heart, afraid of breaking
That never learns to dance
It's the dream, afraid of waking
That never takes the chance
It′s the one who won't be taken
Who cannot seem to give
And the soul, afraid of dying

That never learns to live

When the night has been too lonely
And the road has been too long
And you think that love is only
For the lucky and the strong
Just remember in the winter
Far beneath the bitter snows
Lies the seed that with the sun's love
In the spring becomes the rose

Status : In Scheidung ...before beeing verliebt verlobt verheiratet ....after watching Skyrim X Rolegame ....Gott ist Tod Nietschzes usw Leon Werth ...

Le petit Prince ? Oh Leon Werth oh Leon Werth ....i feel guilty !

If i will be not killed - here my view for the future 
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
discographie  
["noticed before its over "] 

YouRporn : https://youtu.be/lKfkd5nnweg

past :
- [ N++] The Silent Voice / PS4 Game 
- GMND014 
- IIVII
- Recycled plastics ----  Zzzzra rmx
- future abduction / utch rec.
- art-zero [ 12inch  - Antagonisten ] 
- trucs et astuces
- kosmonetlabel
- moisture podcast
- echogarden 
- deep in dub 
- load & clear [ cover art ]

Thoughts about music zb 

https://www.deutschlandfunk.de/die-dunkle-seite-der-musik-100.html


Clair de lune oder Clair de la luna ?

Im Mondschein,
mein Freund Pierrot,
leih mir deine Feder,
um eine Nachricht zu schreiben.
Meine Kerze ist aus,
ich habe kein Feuer mehr.
Öffne mir deine Tür,
um der Liebe Gottes willen.

2.

Im Mondschein
antwortete Pierrot:
Ich habe keine Feder,
ich bin in meinem Bett.
Geh zur Nachbarin,
ich glaube, sie ist da,
denn in ihrer Küche
schlägt man den Feueranzünder.

3.

Im Mondschein
klopft der liebenswürdige Lubin
bei der Brünetten.
Sie antwortet sofort:
Wer klopft so?
Er sagte seinerseits:
Öffnen Sie Ihre Tür
für den Liebesgott!

4.

Im Mondschein,
da sieht man nur wenig.
Man suchte die Feder,
man suchte das Feuer.
Bei dieser Suche
fand man, ich weiß nicht was.
Aber ich weiß, dass die Tür
sich hinter ihnen schloss...

Arcane Synthetic is the experimental alter-ego of an autistic artist and actor, delivering visceral, cinematic soundscapes that unfold as reports from a time-traveller documenting the human condition. Blending goth, industrial, and dark ambient influences, the project channels sincerity, irony, and lived trauma into a neon-noir world of heavy emotional storytelling.

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

My name is Paul Amlehn. I am an artist working in the mediums of literature, music, visual art, theater, opera, dance, performance art, and film.

My poetry, prose, and texts for theater and opera have been published in literary journals in 23 countries, including Exquisite Corpse, the California Quarterly, Poetry Salzburg Review, and Evergreen Review.

My paintings, photographs, music, and video art works have been exhibited throughout the world, including at Artist's Space, Luhring Augustine, the Chelsea Art Museum, and Tate Liverpool, and at festivals which include Art 42 Basel (with the Serpentine Gallery - curated by Julia Peyton-Jones and Hans Ulrich Obrist), documenta 14, and the 51st, 55th, 56th, 57th, 58th, and 60th Venice Biennales.

On my music projects I have collaborated with Robert Fripp (King Crimson), Ulrich Krieger (Lou Reed), Chuck Hammer (David Bowie), Jamie Saft (Iggy Pop), Susan Stenger (John Cale), Leo Abrahams (Brian Eno), Michael Blair (Tom Waits), David Van Tieghem (Laurie Anderson), Michael Johnson (Joy Division), Mick Harvey (Nick Cave and the Bad Seeds), Joe Gore (PJ Harvey), Terry Edwards (Tindersticks), Mick Rossi (Leonard Cohen), Jem Finer (The Pogues), Mark Egan (Arcadia), Dieter Moebius (Cluster), Jess Stewart (Psychic TV), Eberhard Kranemann (Kraftwerk), Thomas Stern (Einsturzende Neubauten), Stephen Mallinder (Cabaret Voltaire), Susan Alcorn, Suzanne Ciani, Keiron Melling (The Fall), Julia Kent (Antony and the Johnsons), Laurent Petitgand (Wim Wenders), Jen Baker (Werner Herzog), John King (Merce Cunningham Dance Company), Robert Black (Bang on a Can All-Stars), Frank Cassara (Steve Reich and Musicians), Andy Findon (Michael Nyman Group), Mick Rossi (Philip Glass Ensemble), David Crowell (Philip Glass Ensemble), Melanie Russell (Philip Glass Ensemble), Eleanor Sandresky (Philip Glass Ensemble), Frank Cassara (Philip Glass Ensemble), Andrew Sterman (Philip Glass Ensemble), Joan Jeanrenaud (Kronos Quartet), and many others.

On my film and video art projects I have collaborated with actors, actresses, singers, and dancers, including Philippe Nahon (Gaspar Noe), Artur Barciś (Krzysztof Kieślowski), Anne Louise Hassing (Lars von Trier), Kate Moran (Peter Greenaway), Kate Fisher (Robert Wilson), Elisa Lasowski (David Cronenberg), Pamela Flores (Alejandro Jodorowsky), Stefania Casini (Andy Warhol), and many others.

I am currently working on an album of music which has texts and vocals by William S. Burroughs, in cooperation with the Burroughs Estate. I am also presently working on an album of music which reimagines the work of John Cage, in cooperation with the John Cage Trust.

Cover art for my albums has been provided by painter Gerhard Richter and artist, musician, and filmmaker David Lynch.

At the end of 2024, I worked on several re-creation compositions which utilzed sonic elements from pre-existing songs by Brian Eno and David Byrne, Nine Inch Nails, and Grimes, from their albums "My Life in the Bush of Ghosts," Ghosts I-IV," and "Miss Anthropocene, combined with new music by myself and other musicians.

Earlier this year, I collaborated with painter Gottfried Helnwein on a short film called: Epigenetic Trauma Painting No. 1.

I'm presently working on a new music recording project. Musicians who have contributed to this project thus far are: Stan Harrison (Radiohead), Bill Gilonis (The Work), Jeroen Visser (Trio Kazanchis +1), Nicholas Currie (Momus), RK Faulhaber (Nurse With Wound), Peter Hess (Philip Glass Ensemble), Hans Peter Kuhn (Robert Wilson), Audrey Chen, Max Eastley, Conrad Harris (String Noise), Pauline Kim Harris (String Noise), Jeff Zeigler (Kronos Quartet), William Klugh Connor III (The Centre for Transgressive Behaviours), Alan Splet, Ann Kroeber, and David Lynch.

Soli Deo gloria.

I'm a singer songwriter of travelling years with a little to say both emotionally and musically. 
I'm inspired by hope and the fight though the struggle in life ....
I found a home in Cornwall UK , where the creation of music is easy going...
May you find peace where you are too.

A few shared YouTube videos:

https://youtube.com/@julianpower6149

We're crunchy introverts or maybe, dark crunchy introverts. 
We're wildly inclusive. 
We advocate for kindness and happiness.
I occasionally post an original garage band produced track and repost tracks from artists I think are cool.

A guy, some guitars and a laptop. Also one half of OKTOPIA.
Always happy to collaborate! just drop me a message or email me

https://linktr.ee/Shirebairnp

Experimental music that ranges feral beyond constraints. 

The music covers a lot of non-genres. Multiple resonances include Dark/Ambient, Psych, Doom, Drone, Noise Rock, Kosmische, EDM, Trapwave, and Romantic Era and Post-Romantic, with special nods to the bands Swans, Earth, Caspar Brotzman Massaker, Godspeed You Black Emperor. Dystopian Inspirational for noble outlaws.

Electric guitar, bass, drum kit, lap steel slide and electrified dulcimers played with a violin bow, bodhrán, Peruvian triangle drum, snare drum, silver flute, double shepherd's flute, regular duclimers, spring reverb tank, suling, jaw harp, pungi, khaen, melodica, harmonica, broken cymbal, double wind wand, recorder, boatswain's pipe, penny whistle, slide whistle, MIDI controller to trigger computer's internal synth, voice, found objects, electric tennis racket...

Labels: Kryrart Ambient, Kryrart Records, Camembert Electrique, Cousin Silas Emporium, Dark Stereo, Sounds for the Soul Records.

My name is Rosemary Bensko, and SA is my artist name. While most songs are just me, and I do all the production, when other contributors are involved, they become part of the band for those songs.

Collaborators who contribute a stem to a track or were involved in a jam are always credited: XAW, Igor Iofe, Chris Nolte,Tom McCarthy of TM's Sundae Sauce, Steve Gilmartin, Psychedelic Mayhem, The Fall of Saigon, A.J. Kaufmann, with remixes by The Infinite Wimshurst. There are also joint ventures and SA playing and singing on other people's music.

Lots of music here you won't find elsewhere. Smaller amount is also on Bandcamp, Spotify, YouTube, Pandora, Last.fm, Instagram.