https://takearestnow.bandcamp.com/album/die-hard-rmxs-vol-2

DIE HARD RMXS VOL.2 is the second rework EP of some selected tracks from the original Rest Now! compilation ‘Die Hard (Rest Now! Motion Picture Soundtrack)’ featuring remixes by @queimada77 @ptwiggs @emilyglassss @triste-temps and @ubinas

All the proceeds will be devolved to the #closed4women emergency fund promoted by ActionAid to allow the anti-violence centers to continue working at their best even during this difficult period of coronavirus pandemic.

Support

Dasychira - Have A Few Laughs (Emily Glass Remix)

Track Premiere: 'There Weren't' by @cares [@zabrarecords]
Read More:  https://paynomindtous.it/therewerent-cares-zabra/
Pre-order: https://zabrarecords.bandcamp.com/album/nerve-day/
***
James Beardmore aka Cares is a Toronto-based musician and experimental producer from Birmingham. Influenced by his multidisciplinary background in improv and visual art as well as by his teenage experiences with punk bands in the UK, the artist resorts to audio sources such as field recordings, samples, and both hardware and software instruments for his inspired and skillful sound design that touches at the same time industrial, ambient/noise, and club-oriented music. Later this month, Cares will appear with the 10-track cassette called Nerve Day on the multi-disciplinary electronic label ZABRA, started in 2018 and based in Lisbon, and focused on the interaction between music and performative and digital art.

Cares previously appeared on labels like Collusion, & Options, and early this year on Table Scraps, while also being an active member of the global collective No Exist together with Okay Vivian, Ylang Ylang, and Così e Così. In the course of his prolific career, that brought him to cross path with diverse music communities and pivotal figures like Suzanne Ciani, Lee Ranaldo, and Rabit just to name a few, the artist has been continuously evolving and shaping his production in a multifaceted, morphing entity, both on the stage and in the studio. His latest endeavor, recorded last year in Toronto, is but the latest example of versatility and mastery of sound elements converging in fragmented, unpredictable, and emotional pieces of abstract electronics.

Reportedly inspired by the role of the human nervous system in "interpreting and creating reality", Nerve Day meddles with evocative sound textures, gnawing noise, eroded kickdrums, and bursting electrical discharges in an attempt to shape a free-form, non-conceptual representation of the relationship with one's self and external reality as well as the interactions between conscious and unconscious drives. The final outing is a mammoth audio chimera that can be as elusive and tranquil as it can be eventful and unforgiving, much close to an unfiltered stream of consciousness in the form of pressure airwaves.

Nerve Day will be published in the form of a limited-edition, 40-page art publication designed by Cares himself, together with custom-packaged cassettes mastered by Graham Galbraith-Nolan. The release is set for next Friday, March 26, and you can pre-order your copy at this link. Today, we are presenting on our channels the third track of the record, called There Weren't, and possibly the most aggressive among the others thanks to its abrupt sound explosions, distorted kicks, and detuned synth stabs that suddenly switch off and mutate in the most tender and ethereal melody. Don't miss this stunning record on ZABRA!

Cares - There Weren't [PAYNOMINDTOUS Premiere / ZABRA]

First of the two splits released together with the launch of the DESTITUTE label on May 28th.

01. ANCESTRAL VISION — 925 Wage Slaves
02. DMKHV — Tender Engineering

@ancestralvision
@dmkhv

gfx: @bibimbobo

925 Wages Slaves / Tender Engineering

Bandcamp

ANCESTRAL VISION — 925 Wage Slaves

original:

https://mscsoundonly.bandcamp.com/album/what-you-say-of-power

MSC - BOREHOLE (ESTOC REMIX)

XGXIXGXGXSX

VORAL - mouse crisis

The third collaborative effort between producers Lila Tirando a Violeta and Sueuga sees the two artists effortlessly combining their styles for an organic, two-track sonic experience at the intersection between cyberpunk and Latin tribal mysticism. Distorted drums, eerie textures and abrasive industrial sounds come together in the unsettling heavy-hitter “Residual Self-Image”, while Lila’s vocal performance floats over the manic percussion and melodic minimalism of Sueuga and Tazar Yoot in “Archivios Corruptos”.
As intense as it is sudden, “Residual Self-Image” entangles the audience with its dark atmospheres and oppressive rhythms, making its rare bright passages precious instants of pure bliss.

Stream & Download: https://push.fm/fl/residualselfimage

"Residual Self Image" Produced by @lilatirandoavioleta & @sueugakamau
"Archivos Corruptos" Produced by @lilatirandoavioleta, @sueugakamau & @tazaryoot-143
Artwork by IG: karinagevox
Mastering by @dj_ghepard

Stream & Download

Sueuga & Lila Tirando A Violeta - Residual Self Image

The Jigou

Proud to have this one out now on @cr_label , part of an amazing release, much love to everyone who contributed to it

Buy: circadian-rhythms.com/releases/cr004/

Artwork by Eric Hu

Surin

@exploitedbody

https://exploitedbody.bandcamp.com/album/amnesia-scanner-as-another-life-exploited-body-remix

Exploited Body's lost remix of Amnesia Scanner's 'AS Another Life' off of their 2018 'Another Life' album on PAN.

Mastered by Exploited Body / Noah Kin.

Another Life

Amnesia Scanner - AS Another Life (Exploited Body Remix)

@gilschneider
Vertige II is the second compilation to be released on Abîme, gathering tracks from ten artists to explore the Vertige concept with a wider spectrum of intents.

It features contributions from musicians all around the globe, each of them delivering an interpretation of this ambivalent sensation that could be equally seen as a positive or negative feeling if taken in its plurality of meanings.

Ranging from GIL’ dizzying textures in ‘Storm Petrel’ to the sweetness of Fauness’ guitars in ‘Am I ready’, Vertige II finds its coherence when seen as a progression, a back and forth between fear and love, with each track responding to the previous one by being its deforming mirror.

Vertige II puts the emphasis on vocal tracks, but again doesn’t limit itself to a one-sided approach, and that’s how Lil Asaf’s harsh Jordanian rap can be found coexisting with Flagalova’ anthemic pop and Ptwiggs’ shoegaze ‘Forever is not enough’.

As the successor of our first compilation, this record can be seen as both a continuation and a rupture in comparison with it. The delicate sound palette of the original opus has exploded and expanded into an ecletic collection of pieces, sometimes frightening and overwhelming, and sometimes soothing and reassuring, as is the Vertige.

Vertige II

GIL - Storm Petrel

🔸 Turin-based music webzine, event series, netlabel, mix series 
🔸 https://paynomindtous.bandcamp.com/
🔸 https://paynomindtous.it

PAYNOMINDTOUS is a music webzine, event series, mix series, and netlabel. We aim to trigger change within the Italian music scene. We support border music styles and explore unsafe sound territories. We want to grow a community of people united in mutual support and unconditional, careless passion.

Cares - There Weren't [PAYNOMINDTOUS Premiere / ZABRA]

PAYNOMINDTOUS

Recent comments

SAYF

Top(S!C)retss

acadjmia

𝖍 𝖎 𝖉 𝖉 𝖊 𝖓

Related tracks