A Year Ago

Lucha Libre

And There Is Us

From the album "New Environments & Rhythm Studies" - out on June 27th .
andrewpekler.bandcamp.com/album/new-en…ythm-studies

Fabulation For K

DADRAS - Yuppie Scum
Off of RUBAIYAT I, out now on @humanpitch

Buy, listen, support here:
http://smarturl.it/hpc03-digi

© 2015 Human Pitch // www.humanpitch.fm

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DADRAS – Yuppie Scum

Timeless Currents

6. Glass Hearts

這是一首以「神性祝福感」為核心的宇宙療癒 Lo-fi。
溫柔電鋼琴像祈願的第一道光，與空靈 Pad、晶亮鈴音交織出穩定而明亮的能量場。
低頻乾淨、呼吸感充足，讓人一聽就放下焦慮，心情自然轉向「被照顧、被保護、會越來越好」。
可在極低音量下融合 528Hz（修復健康）、888Hz（豐盛財富）、432Hz（安穩好運）、963Hz（心智清明）作為柔和底座。
適合晨間設定意圖、睡前放鬆、冥想、專注工作與吸引好事靠近。

《神恩降臨》II

Glory Bitch

Andrea Taeggi—Zimní Král (12" vinyl LP)

The music on this record was made using a vast array of rare analog machines Andrea had the chance to work on at the Willem-Twee synthesis studio in Holland (built with the iconic Studio di Fonologia RAI as a blueprint). Most of the percussive sounds come from an Analog Computer, which has been rarely used only as a music instrument (its main purpose was flight simulation). In fact, during the Cold War times it was also used as measurement tool by civil engineers and even by the army. 
To my knowledge, very few artists have given a new context to the such device, which I have found absolutely unique-sounding and gave me enough inspiration to compose a whole new album focused on it. 

At present, no one has ever officially released music recorded at the Willem-Twee synthesis studio.

The music on this record further explores cyclical, minimal and hypnotic concoctions – a particular  investigation focused on unusual rhythms that Andrea had already started on his well-received ‘Mama Matrix Most Mysterious’, released on Type in 2015. Think walls of subfrequencies, snappy rollercoasters of the mind, labyrinths in hyperspace & snakes eating their own tails.

Zimní Král means “Winter King” in Czech and was the epithet given to Frederick V Elector Palatine (king of Bohemia), the last of a legacy to actively support alchemy as a means of studying reality, the self and their inter-reflections.

All music by Andrea Taeggi
https://andreataeggi.wordpress.com

Mastered and cut by Rashad Becker at D&M Berlin

Forthcoming on SM-LL Sept 1st, 2018
http://www.sm-ll.com

Dinergy (SM-LL, Sept 1st)

Charles Curtis: Performances & Recordings 1998-2018 (SLT-005)

Saltern presents its fifth release, Charles Curtis: Performances & Recordings 1998-2018, the first comprehensive collection of recordings surveying the career of renowned, American cellist Charles Curtis. Selected by Curtis and Tashi Wada from recordings spanning the past two decades, the collection offers a broad, inclusive view of Curtis's activities across the diverse worlds of music he inhabits, containing rare, unreleased recordings, and never-before-released music by Terry Jennings, Richard Maxfield, Éliane Radigue, Alison Knowles, and Curtis. The wide-ranging scope of this release speaks not to a musical restlessness, but to a genuine spirit of inquiry, as these areas of activity for Curtis have existed concurrently in dialogue, not simply in succession, for decades. Over two hours of music by composers and artists with whom Curtis is closely associated including Éliane Radigue, Guillaume de Machaut, Tobias Hume, Silvestro di Ganassi, Terry Jennings, Morton Feldman, Anton Webern, Olivier Messiaen, Alison Knowles, Richard Maxfield, and Curtis himself. Mastered by Stephan Mathieu with liner notes by La Monte Young, Spencer Gerhardt, and Tashi Wada. Custom packaging and screen printing by Alan Sherry.

Performances & Recordings 1998-2018

Charles Curtis – Unfinished Song (1998)

Get this + the original here https://carmenvillain.bandcamp.com/

Fabulation For K

Andrew Pekler