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"Need It" is out now on all your favorite streaming platforms.
🎵 Listen Now: https://push.fm/fl/NeedItDVC

Costa Rica-based DJ & Producer, FVR ofc, makes his debut on Déjà Vu Culture by delivering a new Melodic Techno single, "Need It". This record is all about that strong feeling of wanting something and going after it without holding back. The pulsating rhythms and melodic layers intertwine to evoke a sense of urgency and longing, while the haunting vocals echo the raw intensity of the experience. It takes you on a ride through deep emotions, showing how passion and the strong desire to connect with someone can be really compelling. Tune in now!

👇 FVR ofc 👇
Beatport: https://www.beatport.com/es/artist/fvr-ofc/1082204
Spotify: https://open.spotify.com/intl-es/artist/7xV5kKJ2FDT4GCX29TCzkg?si=7GK6_BRqSQmXxm8tTNTIwA
Instagram: https://www.instagram.com/_fvrmusic/

👇 Déjà Vu Culture 👇
Beatport: https://bit.ly/DVCBeatport
Traxsource: https://bit.ly/DVCTraxsource 
Spotify: https://bit.ly/DVCSpotifyReleases
SoundCloud: https://bit.ly/DVCSoundCloud
YouTube: https://bit.ly/DVCYouTube
Instagram: https://bit.ly/DVCInstaPage
Threads: https://bit.ly/DVCThreads
Facebook: https://bit.ly/DVCMusicFB
Twitter: https://bit.ly/DVCTwitter
Mixcloud: https://bit.ly/DVCMixcloud

Below is a link of our Spotify Playlist, follow it to make your ears feel good! 👂
http://bit.ly/DVCSpotifyPlaylist

Need It

Buy on Beatport

FVR ofc - Need It [Déjà Vu Culture Release]



<a href='https://theartistunion.com/tracks/9c36e8'>Download for free on The Artist Union</a>

TAP & SANSAI - MLK BOM (PEDRO EDIT)

Link for the compilation: https://soundcloud.com/xxiiibeats/sets/xxiii-volume-4

The influence of african beats on the club scene grew fast in the very past months.
We invited some of our friends to share some of their jams with us.

Thanks to @pedro_damaia, @progressivu, @lorkestraa, @jlzoficial, @omarduro, @vhoor and @tapsounds

Free Download

LORKESTRA - É TARDE

DrMouse - Da Um Tempo

VMERICA

Stream & Download 'Da Linha': 
https://ffm.to/pedrodalinha

First teased with the release of bubbling lead single ‘Calores’ in January,   ‘Da Linha’ crowns a defining breakthrough three years for PEDRO that have seen him establish himself as one of Portugal’s most vibrant and exciting new-school producers. His debut EP ‘Damaia’ (2017) – named after the suburb of Lisbon he was born in – immediately signposted a bright, borderless and completely unique club sound, which has since been best emphasised by 2019 releases including the Buraka Som Sistema-sampling ‘Rapazes’ and a breathless collaboration with Nigerian MC, Magugu (‘Too Much’), both of which feature on the LP tracklist.

First inspired by his older brother, who would introduce PEDRO to the latest electronic music from all over Europe, PEDRO references DJ Rolando’s ‘Knights Of Jaguar’ as a memorable early touch point – a record he still credits with influencing the melodies he writes to this day. Living and growing up in Damaia, a neighbourhood of Amadora, the biggest and most diverse Lisbon suburb which counts almost 20% of migrant population, mostly from former Portuguese colonies such as Angola, Cape Verde or Brazil, exposing him to a whole patchwork of new sounds and genres like kuduro and kizomba from a very young age. 

In Portuguese, ‘Da Linha’ translates to mean ‘of the line’, an extended name-slash-title that’s been given to PEDRO over the years. ‘The line’ here refers to the Sintra line, a train line that connects Lisbon to Amadora and PEDRO’s neighbourhood of Damaia. The artwork builds on this idea by presenting a futuristic take on the aesthetics of public transportation signage, while also adopting the colours of the Amadora council flag — an open dedication to PEDRO’s hometown and all of its unique musical and cultural influences.

With such a rich and diverse musical upbringing, it is perhaps no wonder that ‘Da Linha’ is bursting with energy and colour across all 10 tracks, melding together the hyper-specific sounds, instruments and voices that have sound-tracked PEDRO’s life so far. From the marching, militant rhythm of ‘Stuck On You’ ft. standout Ghanaian MC, Bryte, to the silky, earworm melodies of closing track ‘'Para Ti’, you’d be hard pushed to find a debut record that captures the sound of a city so viscerally. 

@pedro_damaia

Da Linha

Toques (feat. DKVPZ)

Stream & Download

PEDRO - Toques (feat. DKVPZ)

Bandicut is one of those Portuguese producers who are redefining Afrobeat music. 'Dust Lines' is the name of his debut EP, which consists of 4 tracks and 2 collaborations with LOKOWAT and Rolv.K. Starting with 'Lines’, a melancholic track that fuses downtempo and afrobeat, to make way for the collaborations in' Margem' and 'À la maison’, where the guest artists print their house, hip-hop and jazz influence, and ending with' Dusty ', another harmonious track with a hip-hop and Latin touch.

Follow: 

Bandicut: 
@bandicut
http://instagram.com/_bandicut_

Rolv.K:
@rolv-k

LOKOWAT:
@lokowat

Follow us:

http://teamoneself.com
http://twitter.com/team_oneself
http://instagram.com/teamoneself
http://facebook.com/teamoneself

Dust Lines

Listen / Buy

Bandicut - Margem (feat. LOKOWAT)

DL here : https://pekodjinn.bandcamp.com/track/wesh-le-djinn
dialogue avec un djinn
photo by Loic Gomes 
(english below)
Djinn :
''Ce sont, pour le Coran, des êtres corporels, formés de feu, invisibles pour nous, créés par Dieu comme les anges et les hommes. Les djinns constituent avec ces derniers les deux charges (al-thaqalān) de la Terre. Ils ont leurs prophètes pris parmi eux (Coran, VI, 130). Mais ils doivent obéir à la Loi révélée à Mahomet : en ce sens, ils sont musulmans ou non, croyants ou incroyants. Ils sont capables d'œuvres considérables : ils ont été enrégimentés dans les troupes de Salomon (ibid., XXVII, 17) et ils ont travaillé pour lui (ibid., XXXIV, 12). Mais ils ignorent les ghayb ou mystères de l'avenir (ibid., XXXIV, 14).

La croyance aux djinns vient de l'antéislam. Ils font partie d'un ensemble de génies plus ou moins redoutables et sont à rapprocher des ghūl et des ‘ifrit. Puis ils ont dû être les objets d'un culte et traités comme des dieux. Le Coran en est témoin (ibid., XXXIV, 41) ; quand Dieu demande aux anges si les hommes les ont adorés, ils répondent : « Non ! Ils adoraient les djinns en qui la plupart d'entre eux croyaient. »

Roger ARNALDEZ, « DJINNS », Encyclopædia Universalis [en ligne], consulté le 17 juin 2020. URL : http://www.universalis.fr/encyclopedie/djinns/

English , Djinn :
They are, for the Coran, corporeal beings, formed of fire, invisible to us, created by God like angels and men. The jinn together with them constitute the two charges (al-thaqalān) of the Earth. They have their prophets among them (Qur'an, VI, 130). But they must obey the Law revealed to Mohammed: in this sense, they are Muslims or not, believers or unbelievers. They are capable of considerable works: they were enlisted in Solomon’s troops (ibid., xxvii, 17) and they worked for him (ibid., xxxiv, 12). But they ignore the ghayb or mysteries of the future (ibid., xxxiv, 14).

The belief in the jinn comes from the ante-Islam. They are part of a more or less formidable set of geniuses and are close to ghūl and ifrit. Then they must have been objects of worship and treated like gods. The Qur'an is witness to this (ibid., xxxiv, 41); when God asks the angels if men worshipped them, they answer: No! They loved the jinn in whom most of them believed.”

Roger ARNALDEZ, « DJINNS », Encyclopædia Universalis [en ligne], consulté le 17 juin 2020. URL : http://www.universalis.fr/encyclopedie/djinns/

WESH LE DJINN

I do #afromaghreb 

producer from @ozadya

@nufrika
@tropicalbluemasterclash 
@bailesessions 

buy songs here : https://pekodjinn.bandcamp.com/

 
الجذور 

booking : contact@ozadya.com

WESH LE DJINN

Pekodjinn

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