Time for some hard-hitting jazz funk fusion that everybody loves to hate, and I couldn't care less ;-)! Take it or leave it.  Love it. Love my collaborators temperaments, fusing it together into a completely original fresh breath of air. 

Magnus and I started with a vision of Miles Davis asphalt funk - in a "Single in New York" state of mind. Mirko's intricate and elegant bass flew us from New York to Zurich, escorted to a classy lounge. Michael's energetic, virtuoso guitar performance kept us travelling to...well, up to you, listener, whether you wanna reside in NY, Zurich or whatever place, and with whomever you fancy...

Music: Peter Bennborn

Keys and drum loops: Peter Bennborn
EWI: Magnus Jansson (https://soundcloud.com/the-ewi-master)
Bass: Mirko Borach (https://soundcloud.com/stringburner)
Guitar: Michael Orzek (https://soundcloud.com/lando-orz)

Mixed & Mastered: Peter Bennborn

Listen on Spotify

Senator Lounge Escort (ft. Magnus Jansson, Mirko Borach & Michael Orzek)

Guitar player since 1988, I like rock in all its incarnations. 

This is a one man band project. All tracks are written, performed, produced, mixed and mastered by myself (except for collaboration where songwriters and musicians are properly credited).

Impressionist instrumental music that tells stories without words. Each composition has a strong visual and sound imprint, while having a style and instrumentation specific to the atmosphere that the music depicts.

Musique instrumentale impressionniste qui raconte des histoires sans mots.  Chaque composition a une forte empreinte visuelle et sonore, tout en ayant un style et une instrumentation propre à l’atmosphère que la musique dépeint.

Rock Flexible is a spare-time guitar player, multi-instrumentalist, producer and singer based in Berlin, Germany. 
He is much interested in the technical and production side of things and he will immediately stop making music as soon as he has achieved his final goal: Creating music in the quality of the ones producing for Radio and commercial CDs :o)
His other projects like the Electronic Music project based on KORG's Volca stuff can be found here https://soundcloud.com/rock-flexibles-elektro.
Rock has done many tracks based on Lyrics or piano pieces of the fantastic Jaime J. Ross which can be found here: https://soundcloud.com/jaime-and-rock.  
His seasons of the "The Great Conqueror" epic instrumental series is available under https://soundcloud.com/the-great-conqueror .
Here on this profile his favorite songs and new releases can be found ...
The latest project is based on an own Modular Synth RF has started to set up. So, hopefully interesting soundscapes to come :)
Hope you enjoy ... 
-----------------------------------------------------------------
Rock owns a small home studio - the "CandyLand Studio" in Berlin. He uses the following - not complete - list of equipment to record and mix his music:
- Guitars: Fender, Ibanez, Schecter, Charvel, Ovation
- Guitar FX: Eleven Rack, Boss GP-10, NI Guitar Rig and a modded CRATE Amp
- Mics: Neumann KM184 MP, Shure SM57, SM58, SM7B, Brauner Phanthera
- Outboard: WA76, Joemeek VC1, SPL GoldMike, TC Helicon Voice Live Rack
- Electronic: KORG Volca Bass, FM, Sample and Keys, NI Maschine, Roland TR-09, Kaoss Pad 3+, Arturia Drumbrute + Beatstep Pro, Roland MX1, Pocket Operator PO-35 und PO-14
- Eurorack Modular with modules from Doepfer, DreadBox, Mutable Instruments, MakeNoise, SSF, TipTop, EoWave and Manhattan Analog.
- Interface: RME FireFace
- Monitors: ADAM A7X
- DAW: Logic Pro X and Ableton Live 10
- Software: NI Komplete Ultimate, Several Waves Plug-Ins, Melodyne, u-he Podolski, Toontrack EZ-Drummer 2 & EZ-Keys
- Flutes, Whistles, Clarineau, Duduk
- Percussion (quite often I use real percussion over ready-2-use loops)
- Hurdy Gurdy

Hi there,

My name is 'SoulMetricSystem'

I began as a singer in a band but kicked out very soon, hahaha. But i came back!!!!! as a percussionist.
Since i was 17 years old I have played in different kind of bands, reggea, funk, fusion, jazz, dj's, etc. And different kind of places; clubs, festivals, student party's, etc.
For over 4 years now i'm trying to make music in my home studio.
The music i make is a blending of all those styles above. It's most of the time groovy, with nice rhythm patterns. Atleast i think so :-)
Most of the time the sounds i create are very different of each other. But that's what i like to do: making music i like and what's in my head at that moment of time!

This is the SoulMetric train at this moment and honered to have met these wonderfull passengers at SoundCloud station:

Rik van den Hurk: Percussion, Bass, arrangement, mixing.
Axel Gunning: Guitar
Simone White: Drums & Percusssion: https://soundcloud.com/sim-one
Reggie Turner: Rhodes: https://soundcloud.com/vintagekeys
Coco G. Diez: Vibraphones: https://soundcloud.com/cocogdiez
Toby Mak: Trumpet: https://soundcloud.com/tobymak
Michel Martineau: Clarinet: https://soundcloud.com/michel-martineau
ZP aka Zollee: Multi instuments: https://soundcloud.com/dj-tattoo

I hope you'll enjoy listening to my/our sounds en give some positive/negative feedback, to improve my sounds.

DON'T FORGET TO LIKE THE SOULMETRIC PAGE: https://www.facebook.com/pages/SoulMetricSystem/300162879996473

Thanks for the support! ;-)

p.s. The EXPERIMENTAL side of me: http://soundcloud.com/mantic-priest

Piano is my instrument, inspired by the world. Sounds like whatever I like, intent on a cool vibe, often somewhere in between Swedish melancholy and Brazilian bittersweetness... 

Peter Bennborn Project is a diverse musical experience ranging from romantic piano ballads to alternative indie metal rock and everything in between, but for country and reggae so far...

The music is either performed alone or in worldwide collaborations, wherever the appropriate musician for the task is located - no limitations and no limits in a borderless world... 

SoundCloud collaborators (from Sweden, United Kingdom, Netherlands, Germany, Italy, Spain, Canada, USA, Cuba, South Africa, Dubai, India, Philippines, Australia):
Vocals; https://soundcloud.com/michelle-yaneza, https://soundcloud.com/neisy-wilson, https://soundcloud.com/jogoldie, https://soundcloud.com/vapmok, https://soundcloud.com/nazneen-1, https://soundcloud.com/just-andre, https://soundcloud.com/kosmi-1, https://soundcloud.com/milanazilnik, https://soundcloud.com/michael-obadja, https://soundcloud.com/markexander, https://soundcloud.com/vocalatti, https://soundcloud.com/steveferguson, https://soundcloud.com/vocalatti, https://soundcloud.com/ruud-lockefeir, https://soundcloud.com/padruna
Drums; https://soundcloud.com/walter-w-kelleher, https://soundcloud.com/powerhell, https://soundcloud.com/manuel-muzzu, https://soundcloud.com/moodymo
Bass; https://soundcloud.com/jonnytrobrobass, https://soundcloud.com/vladaroo, https://soundcloud.com/manuel-muzzu, https://soundcloud.com/stringburner
Guitars; https://soundcloud.com/danieleturani, https://soundcloud.com/flohbold, https://soundcloud.com/raphaelgtr, https://soundcloud.com/single_espresso, https://soundcloud.com/jerry-kramskoy-1, https://soundcloud.com/lando-orz, https://soundcloud.com/derek-cornett, https://soundcloud.com/robertdahlstrom, https://soundcloud.com/danarchx
Horns; https://soundcloud.com/dave-mckeown, https://soundcloud.com/waynemorley, https://soundcloud.com/michel-martineau, https://soundcloud.com/jomama-2, https://soundcloud.com/the-ewi-master
Vibraphone: https://soundcloud.com/cocogdiez
Keys; https://soundcloud.com/martinmusic-1, https://soundcloud.com/balammusic, https://soundcloud.com/benjamin_meilink, https://soundcloud.com/johan-rigner
Remix/Drum Programming; https://soundcloud.com/mixed_meta4
Lyrics; https://soundcloud.com/jaime0223, https://soundcloud.com/non-sapiens

https://soundcloud.com/bitbybeat

Enjoy!

Influences: Acid Jazz, Bossa Nova/Latin, Classical; Early inspirations; Satie, Debussy, Ravel, Rachmaninov, Narada Michael Walden, Level 42, Ultravox, Incognito, Shakatak, George Duke, Stanley Clarke, Jay Graydon/David Foster, Quincy Jones

I simply don't have the time to invest in listening to fellow musicians this year so I have decided to stop my pro account.... may return in 2018 if I have more to offer and more time to listen to others on the cloud.   The last 5 years were truly special, met some wonderful artists in the process and have some fond memories.  Thank you all .

Kitchen parties are part of the cultural heritage of the Maritime provinces and you will discover that every jam has its own unique personality depending on who is sitting in the circle that evening...

The Free-Wheeling Kitchen Party House Band  is made up of musicians from different disciplines that come together every now and then in Yarmouth county, Nova Scotia, Canada to have a few drinks, tell a few stories and of course to free jam into the wee hours of the morning. The only rule of thumb is that we not play the same song twice in one evening... 

All sets are played on the fly so don't be surprised if you hear someone calling out a cord change now and then... enjoy. 

We  also started up a group on soundcloud under "Kitchen party live jaming" for anyone who might have recordings of jams with friends and fellow musicians in their basement somewhere ;)

https://soundcloud.com/groups/kitchen-parties

..and you can see us performing live on Vimo

https://vimeo.com/user9940381

...and you contact moi on facebook

https://www.facebook.com/roy.j.taylor.96

Netherlands based singer-songwriter/guitarist/composer/sound engineer.
headphones recommended

https://moxie2.bandcamp.com
Evan Moxie Kitchener is a musician, film composer, audio engineer, sound designer and producer. His musical style is varied, drawing  influences from such artist as Beck, Ween and Faith No More. He brings a blend of friendly nihilism and absurdity wrapped up in a tasty alternative rock package.

THE NEW ALBUM OF MY BAND THE HYPERSONIC FACTOR  CALLED BELEVOLENT BEASTS IS OUT NOW!  AVAILABLE ON ALL STREAMING SERVICES!
featuring:
Jason Rubenstein - Keyboards, Piano, compositions, arrangements and producer
Mirko Borach - Bass and compositions
Tom Hipskind - Drums
Dan van den Berg - Electric and Acoustic guitars, compositions, arrangements, synthesizers
https://thehypersonicfactor.bandcamp.com/album/benevolent-beasts



Check my SOLO Album here! https://danielvandenberg.bandcamp.com/album/short-tales-for-three-guitars

This site is for my musical avatar or alter ego. Architect/partner/company owner by day, I find myself playing guitar and writing these tracks in afterhours, at nights, evenings, when in need of a dose of guitar sounds. You will find a wide range of guitar oriented music, ranging from Jazz to Blues, Flamenco to Classical, Rock to Fusion. And many collaborations with some great musicians.

I have been playing guitar since I was 11 years old, largely self-taught and have tried different styles and instruments: Renaissance lute, flamenco guitar, classical guitar, steel string guitar and electric guitar with which I have been playing in styles ranging from rock and metal in my early years to classical music, some American Folk music, jazz rock, prog rock, flamenco nuevo and fusion.

It’s been a splendid time here so far, in collaborating with a lot of brilliant musicians on SoundCloud and sharing ideas and the passion for music. 
My collaborations are with musicians that I have a deep respect for and have a mutual appreciation for real instruments, and musical styles that focus on letting the instruments “shine”. 

Here is some technical data:
Currently I am using Amplitube and Auria on an iPad as DAW with Final Touch for mastering. For acoustic recording I use an Apogee microphone.

Guitars are:
Fender AMERICAN ELITE STRATOCASTER® HSS SHAWBUCKER, 2016
Fender Stratocaster Squire (first edition: JV-series)
Ibanez JS100, Joe Satriani model
Evh Frankie Striped MN Relic R/W/B

EVH 5150 Series Standard Stealth Black EB guitar
Fender American Professional II Stratocaster HSS Olympic White RW
Charvel Pro-Mod DK24 HSH 2PT CM Mahogany Natural
Paulino Bernabe, Taller de Guitarras, Model-50, 2001, classical concert guitar
Marín, Modelo Estudio /9 Calidad, 1997, Malaga, Spain, flamenco guitar
Joan Cashimira, modelo 145, spruce top w/ cocobolo sides and back, Gata de Gorgos (Alicante), 2015

I hope you will enjoy my music.

Daniël van den Berg
DanArchX

"To my mind, a BLUES doesn't have to be a 12-bar progression. To me, if a song has the right emotion then I accept it as BLUES" - PETER GREEN

"I go by feel, I go by feel. 
The only way I know what's real" - BUDDY GUY

Mostly, as a self-taught guitar player (maybe not... considering all the influences and internet/book resources I've come across lately!)  and rather than trying to be anything remotely near a good player of any great technique, I'm not bound by genre or clichés; I just like to go for it. It's a whole lot better that way. 
Blues is a human expression of emotion. That may explain why I felt called to blues music, even though, I grew up in Europe, a continent apart from the music’s heartlands in America’s Deep South. And that may also be the reason for the great Portuguese Bluesmen we have nowadays (The Legendary Tigerman/Frankie Chavez/Budda Power Blues/Rui Veloso/Dead Combo/The Black Mamba/Mazgani and many others...)

I’m a fan of raw guitar players who aren’t really polished… you’re not sure if it’s all going to fall apart.  Those who, rather than trotting out a collection of preconceived practised licks and lines, take some chances along the way, creating ideas on the spot. IMHO they sound more exciting and impressive for it. I play whatever comes into my head. It's an adventure because when I do a breakdown or a solo, it's new each time and I just let it go... The majority are first take. I just turn it on and press record...they are mostly one moment in time. I’m always looking for something. Sometimes I’m not quite sure what, but you just have to keep looking...
The real beauty is playing without thinking and once you have some concepts down, what comes out, is from the heart.  It's second nature. 
I just enjoy listening and playing some music, in honour of that timeless way of killing time (just for the fun of it...and whenever inspired: "If you're not feeling it, don't play it!"). I'm happiest picking out a blues tune to a suitable backing track. After all, simple music is the hardest to play...
For me, half the battle is to get the right sound. And that, in turn, inspires how you play.
As a tone fiend, I like to let those bluesy guitar tones breathe a little bit. But, almost everything I play, it never, ever comes out quite the way I heard it in my head. Sometimes I end up with something that's kind of close, but it's not quite what intended originally. These uploaded tracks are no exception... They are far from being perfect. First of all, I'm not a fan of perfection when it comes to music...it may even compromise the tone, but if the tone is there, great! It sounds like a human being playing guitar. 
As Dan Patlansky once said "I would rather hear an average player with a great guitar tone than a great player with a bad tone".
 I love stuff that sounds like a spontaneous real-life experience. Playing music is a human activity, and we humans are far from perfect! There is a certain charm in something that feels human with the flow of a spontaneous performance. It's that spontaneity that makes for the magic... 
Feel free to comment good, bad or indifferent and do not hesitate to share any ideas you might have. 

Favourite guitarists (old school suspects apart):
Matt Schofield;  Jim Campilongo;  Walter Trout; Robin Trower; Joe Bonamassa; Andy Timmons; Gregor Hilden; Robben Ford; Larry Carlton (among others)...