Again only higher BP resonating; this time you hear the 'additional' BP, it gets higher than the standard BP because of the inverted CV from the Acidlab (the MMF1 actually tracks which one is higher)

Removed Spacing CV shortly, Spacing knob again set to harmonically related 

Sounds very accurate to me, so the MMF1 Spacing CV tracks V/Oct fairly well. Of course, when you sequence with two sequencers as I did now, the CV for the Spacing is always relative to the respective cutoff frequency that determines the freq of the 'standard' BP

Technicolor

Here Comes The Stunts (CCO Remix)

CCO live at Cosmic feat. CB-Lab, Zentralwäscherei Zürich, September 14th, 2024

Further livesets from this event:
https://soundcloud.com/fanidelatorre1sanfan/arrimate-live-cosmic-14092024-zentralwascherei-zurich
https://soundcloud.com/nononotarious/live-at-cosmic

CCO live at Cosmic ZW 240914

For the third instalment of Liechtenstein‘s Silum Records, CCO presents another quality 12“ featuring his signature Detroit-infused sound. The tracks boast classic drum machine beats combined with jazzy chords and tasty leads leaving no feet standing still.

@silumrecords
silum.bandcamp.com/music
silum.xyz/

B2: Atmospheric Noise

▶︎ PRESS NOTE ▼▼▼

In the previous episode, the Vibracid technique was discovered as a way to deactivate memories imposed by technocratic elites.

Now, with VIBRACID 2, its real deployment begins: a series of sonic attacks targeting control systems through rave vibrations.

Each track is a weapon. Each producer, a node of resistance. “Vibracid Advent,” the single that launched the assault, opens the mini album with acidic force — delivering the first sonic strike that breaks through imposed control. From the acidic and powerful aggression of Calagad 13 (Spain), through the modular precision and acid techno of C.C.O (Contra Communem Opinionem, Switzerland), to the dark, industrial electro of Mokotron (New Zealand). Atix brings the French 90s rave energy; Wicked Wes, from Florida (USA), builds grooves with bifasic rhythms and glitch textures; and Romphea (Greece) closes with distorted breaks exploring chaos and sonic escape.

Careful sound and mastering, and exceptional design for a limited edition of 150 copies on solid red vinyl.

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

▶︎TRACKLIST ▼▼▼


CARA A
A1. Calagad 13 · Vibracid Advent 6’42” @calagad13
A2. C.C.O · Radiation Pressure 5'29" @contracommunemopinionem
A3. Mokotron · Reach Into The Darkness 4'07" @mokotron

CARA B 
B1. Atix · Old Sandwich 6'10" @atix-f
B2. Wicked Wes · Mr. Two Tones 4'05" @wickedwesofficial
B3. Romphea · Because Reasons 6'09" @rompheamusic

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

▶︎ CREDITS ▼▼▼

• Curated By CALAGAD 13
• Produced By A. Pereira, Florin Buechel, Tiopira McDowell, Tranchant Yannick, Wesley James Weed & Christos Dalianis
• Vinyl Mastering Aitor Pereira Martínez 
• Graphic Design EC13 ~ COSMIC VIBES 
• Cat.N° CT010 | Limited Edition: 150 Copies 
• Distributor: @bordellodistro | Distribution: bordelloaparigi.com/label/cosmic-tribe/
• Label Contact: tribe.muzak@gmail.com 

© & ℗ Cosmic Tribe 2025

BUY VINYL

[CT010] AUDIO SNIPPET (LP) [OUT NOW] 🟢

Demonstration of V/Oct CV into Spacing CV of the Cwejman MMF1 (in dual BP mode)

MC202 and Acidlab Bassline 2 are used for sequencing

A142-4 is used to gate the uVCA

A175 is used for voltage inversion

Acidlab CV goes to A175, inverted CV to MMF1 Spacing; Acidlab gate to A142-4

MC202 CV goes to MMF1 freq CV

Simple delay in ableton has been used to be able to better hear occasional dissonances

MMF1 Scaling of Spacing Cv - Demo

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