This is a studio recording from 2012 for the BBC film 'Loving Miss Hatto'. A biopic penned by the British comedian Victoria Wood about pianist Joyce Hatto.

The character piece is like the art song's fun-loving cousin who always shows up to the party with a bottle of emotional perfume. It's perfect for those intimate gatherings or solo rendezvous with your piano. Thanks to the piano's rise to fame in the 1800s, character pieces were popping up everywhere, and composers were flaunting their creations at the hottest recital events of the time. Basically, character pieces were the 19th century's version of a hot new single. If you thought Franz Liszt's music was boring, think again! This guy was all about giving his character pieces creative and whimsical titles, like "Sposalizio" and "Vallée d'Obermann". But don't worry, he didn't forget about those of us who like our music titles to be a little more straightforward - he also composed plenty of works with no-nonsense names like "Album Leaves" and "Klavierstücke". With his "Consolations" (a.k.a. "Six Poetic Thoughts"), Liszt took a page out of Chopin's book and delved into the world of nocturnes. And let me tell you, the third Consolation in D-flat major is pure Chopin - even the key is pianist-friendly, unlike those pesky "easy" keys like C major. Looks like Liszt knew a thing or two about pleasing his audience! If you're a Chopin fan, you're gonna love Liszt's "Consolation No. 3"! I mean, talk about a tribute - this piece is basically a carbon copy of Chopin's Opus 27, no. 1. And while it might not have the same flashy piano solos that Liszt is known for, it more than makes up for it with its dreamy, slow-moving melodies. Plus, it's in the same key as Chopin's original, so you know it's gotta be good.

Despite the unusual title, the Consolations were inspired by both poetry and religious contemplation, just like Harmonies Poétiques et Religieuses. Some say the title comes from an 1830 poetry collection by Sainte-Beuve, while others think it's based on a poem by Lamartine called A Tear (or Consolation). Either way, it seems like Liszt was in a pretty contemplative mood when he wrote these pieces. But don't worry, Liszt didn't completely forget his roots - he snuck in a little Hungarian folk song as the primary theme, which he later used in his "Hungarian Rhapsody No. 1". So even though this piece might not match the wild, hair-flailing image we have of Liszt, it's still got a little bit of that old-school flavor. Liszt's "Consolation No. 3" wasn't just a musical masterpiece - it was also a major turning point in the composer's life. And let me tell you, Liszt's early life was a doozy - it was basically one big, crazy party. But don't take my word for it, just ask his first mistress (and mother of his three children) Marie d'Agoult, who wrote all about it under the pen name Daniel Stern. And if you're feeling really adventurous, you can even watch the 1975 film "Lisztomania" for all the juicy details. Talk about living the dream! Liszt's life was like something out of a Hollywood movie - seriously, this guy was breaking class barriers and performing like a superstar. But as he got older, he decided to trade in the limelight for a little bit of privacy. He started conducting orchestras and composing more, and even started teaching aspiring pianists from around the world. I guess you could say he was the original piano man!

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Piano: Yamaha C7
Piano Technician: Martin Walsh
Recorded at Cauldron Studios, Dublin
Recording Engineers: Ciarán Byrne & Michael Manning
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Franz Liszt Consolation no. 3 in D flat Major, S. 172

A recording of J.S. Bach's 'Preludie in C' played by Neil Balfour.

When J.S. Bach began working on his epic Well-Tempered Clavier in 1722, chances are he wasn't thinking that it would become one of the defining musical texts in keyboard history. But, somehow, it has - and the Prelude No. 1 in C Major is where it all starts.

The Well-Tempered Clavier (there are two volumes of it, each containing a prelude and a fugue in each musical key) kicks off in C Major, the most 'natural' musical key, so he obviously made sure that the first entry is a good one. Few pieces of keyboard music sound so delicate and fragile, but there's a very Bach-ian stability to it as well. 

It's a strikingly simple piece to begin with, gently phasing through different chords and registers, but it's one of those pieces that demands to be tinkered with. Consequently, you'll hear plenty of different interpretations of this much-loved work.

Prelude No. 1 In C Major | Bach

Tchaikovsky   Piano Concerto No 1, B Flat Minor, Op 23 Open   Best Of Classical Music

Live Piano Recording. A notable and well-known piano solo composition by virtuoso pianist Franz Liszt. 

Franz Liszt - Hungarian Rhapsody No. 2

Princess Galyani Vadhana Institute of Music Youth Orchestra (PYO)

Live recorded at 'Musique de la Vie et de la Terre'
22nd December 2013
Vanich Potavanich, Conductor
Varunee Chantarasirirangsri, Vocal
Rama VIII Garden 
Bangkok, Thailand

Chao Phraya Thammasak-Montree : Kid Teung, based on "Sarasate's Gypsy Airs", arr. Wiwat Suthiyam

Paganini - Violin Concerto No. 2 In B Minor, III. Rondo “La Campanella“

Ponchielli. Dance of the Hours arranged for string quartet. Download PDF sheet music at <a href="http://www.musicforstrings.com/en/string-quartet-sheet-music/121-ponchielli-dance-hours-gioconda-string-quartet.html" rel="nofollow" target="_blank">www.musicforstrings.com</a>


Ponchielli. Dance of the Hours. String quartet arrangement

Avigail Arad Cello
Victor Stanislavsky Piano
Live Performnce in Tel Aviv 2007

Gabriel Fauré Sicilienne Op78

Franz Liszt-Liebestraum No. 3 in A-Flat Major

Saint-Saens - Introduction & Rondo Capriccioso, David Oistrakh

01 Tchaikovsky  Piano Concerto #1 In B Flat Minor, Op. 23 - 1. Allegro Non Troppo E Molto Maestoso

Princess Galyani Vadhana Institute of Music, Thailand, is a unique conservatory of music with a contemporary approach to classical music. Initiated in 2007 as a royal project celebrating the occasion of the 84th birthday of HRH Princess Galyani Vadhana Krom Luang Naradhiwas Rajanagarinda, the Princess has graciously gave her name to the new endeavour, the Princess Galyani Vadhana Institute of Music or PGVIM.

Following her royal vision to educate new audiences as well as developing an international standard for Thai musicians, through our Youth Orchestra, Community Choir, Education Populaire, and Audience Development, the institute aims to create platforms for students, musicians, professionals, and general audiences in order to exchange their musical experiences, make dialogues, and share their love of music together. (visit our website at http://www.pgvim.ac.th)