Recorded by Josh Kay & Romulo Del Castillo
Designed by Josh Kay
Mastered by Dietrich Schoeneman
Fernando Subirats sings & plays tabla on Frendano  
Dogness contains samples from Kettel's "My Dogan" 

A Schematic / Detund joint-release
Catalog # SCH079 / DUCD02
© 2011, Schematic Music Company
Published by Light Of Man, BMI

Demissions limited digipak compact disc available from Detund on 7/14/11
Phoenecia - Good Man Bones EP (featuring an exclusive vinyl-only track) available from Detund on 7/7/11

Two-Part Invention For Bodhran & Computer

originally released february 2nd 2024, now on soundcloud (august 2025)

https://countrysideraveartprojectrecords.bandcamp.com/album/ossidi

For our first tape, the Icon of Sin presents to you 8 post-industrial society techno-electro tracks perfect for the Neo-Feudalist workhouse!

Undoubtably our bleakest release yet, they’ll really get you going (to work past a reasonable retirement age) in their grim and grey grooves, baby!

Futuristic and technologically led past the point of return, drowning in a muddy ancient river; the album conjures a world of firing pistons, frightened people and automated production lines.
The downtempo doomsday soundscapes are at once Detroit Electro, London Hardcore, Norwegian Black Metal and (dare I say it) Berlin Techno.

Here's a blurb from the icon himself:

“I wrote this album over a short period of time (about one week) in 2021. At the time I was living in Hackney central, in a relatively small and cold flat next to the loud Mare Street. I was going through a particularly dark and hopeless period of time due to isolation and post lockdown depression.
The windows of the flat were paper thin, vibrating loudly, too often. I had a lots of sleepless nights, which resulted in this record. I worked in a bottling line at the time, the industrial and repetitive, almost dehumanising environment definitely influenced this album.

The music was written fully on my Octatrack (apart for the track “Benders” which was performed with my modular rack). Everything has been recorded in one take as it comes out from the machine, with minimal mixing and mastering and no post production.
The sonic palette features a couple eurorack modules, sampling from Italian television and whatnot; but most importantly a lot of field recording of machineries I found in the factory I was working at, as well as random captures of environments around me - including Hackney’s busy streets - all mangled and arranged in the Octatrack.

Enjoy!” - Matteo, 2024

C.R.A.P.013/C.R.A.P T.001 
credits
released February 2, 2024

The Icon of Sin - Bottom of the Sea

A mix / version of an Autechre track made in Feb 1994. I don't think the original was ever released.
https://soundcloud.com/autechreofficial
https://bleep.com/artist/71-autechre

SKFL (Funeral mix, original by Autechre)

»winter, or a time which represents that season, in a metropole that appears to be moscow. the visitor is taking metro no. 6 at leninsky prospect as he is on his way to the ballroom close to gorky park. the air is icy, the sky is grey. a cat, previously hidden among the dirty snow, is crossing his way. the closer he gets to his destination, the clearer he can hear music, music that reminds him of future days.

the dimly lit room is only sparsely filled. on stage a graceful singer, capturing the room with her presence. captive voices merge with chords played on yet unknown instruments – machine rhythms cycle in 3/4 time. the vigorous peasant dancers, following an instinctive knowledge of the weight of fall, utilize their surplus energy to press all their strength into the proper beat of the measure, thus intensifying their personal enjoyment in dancing. here, in the transhuman ballroom, time stands still and values are being dissolved by numeric progressions. spiritually allied, the visitor, the singer and the peasant dancers short-circuit the present moment while the last falling snow slowly turns into rain.«

with »walzerzyklus«, atom™ returns to raster to complete his series that has once begun with »liedgut« and continued with »winterreise«. the 7 tracks, created in collaboration with russian singer lisokot, are subdivided into 3 pieces of 2 minutes each and 4 pieces of 3 minutes each, intentionally reflecting the 3/4 time of a classic waltz.

throughout the release, lisokot’s delicate vocals are put into different relations to atom™’s rather cool machine music, either complementing or contrasting each other. in the same line, the 3 shorter “leitmotifs” provide the main theme that is taken up repeatedly in the course of the release.

»walzerzyklus« will be released on CD and as special, laser-engraved vinyl edition limited to 300 copies.

Walzerzyklus

atom™ & lisokot »alliiertenwalzer« taken from »walzerzyklus«

VAKNAR 26

Cassettes come housed in printed J-Cards

Edition of 65

Artwork by O.R

Appropriate Savagery - Introspection & Sacrifice, The End Of Your Influence [Vaknar]

A Warmer Welcome// a digital benefit in support of syrian refugee welfare // 110 Tracks // DL - 2016
https://www.discogs.com/Various-A-Warmer-Welcome/release/8140284

:Zoviet*France: - The White Sea

Fortran

Taken from Vanessa Wagner's EP Inland Versions on InFiné, out September 27.

More: https://www.orbmag.com/music/premiere

@infine-music

Inland Versions

Orb Premieres

Premiere: Vanessa Wagner - Elf Dance (Suzanne Ciani Version) [Moondog]

excerpt 20/6/2020 jennateleport twitch.tv/eesnx

48 twi 28 x

Ever Empty

Tales of the Monstone - Preview

Appropriating their name from the first culture of the old world to explore the new, Phoenecia, aka Josh Kay & Romulo Del Castillo, was inaugurated in Miami in 1997. The pair had previously recorded under the Soul Oddity moniker, releasing an album & a series of 12-inch singles for the US major label Astralwerks. In late 1996 they founded Schematic Music Company, a record label which would go on to carve a distinct niche in the landscape of modern music by debuting releases from some of the most notable & influential electronic musicians of the twentieth century. In 2001 they released a full-length album entitled Brownout, which in the words of the late Tim Haslett was "Phoenecia's magnum opus, the place where the ideas found in the preceding records are allowed to come to full fruition... the compositions are cinematic, in the respect that the tracks are heavily influenced by the sound design of film, as opposed to the score". This album marked a decisive break from Phoenecia's rhythmic past & set the trajectory for the sound they would continue to develop over the next decade in their most recent albums Echelon Mall & Demissions.

Two-Part Invention For Bodhran & Computer

phoenecia