Features the sound of Great Peter (216 cwt or 10.8 tons) situated in the North-West Tower of York Minster.

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

Disquiet Junto | Unring A Bell - disquiet0682

All the sounds in this track are derived from original recordings of small hand bells.
More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

Cracked Bells (disquiet0682)

What is it like to unring a bell. Serge Modular plus time domain manipulation in the DAW.

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Attempt to Unlearn a Short Sequence of Tones - disquiet0682

sound art for disquiet0682.

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

I live in Glasgow where every child is taught this verse in school:

here is the tree that never grew
here is the bird that never flew
here is the fish that never swam
here is the bell that never rang

It refers to the Glasgow Coat of Arms which has a tree, a bird, a fish and a bell on it. The symbols represent tales and miracles from the life of St. Mungo (Patron Saint of Glasgow).

It seemed like a good fit for the title of this Junto project.

For the track I used a large metal light shade (that I found in the streets of Glasgow) and a rock. I rubbed the rock around the inside of the light shade, taking special care as to the speed, volume and resonance of the sound. Different areas of the shade produced different sounds; scraping, hissing or resonant tones. I recorded two tracks like this with contact mics and panned them hard left and right. Then playing the edge of the shade with a violin bow, I recorded some pulsing feedbacky sounds. I didn’t use effects or even any EQing, I just kept re-recording things until I got them exactly right, instead of fixing them on the computer.

here is the bell that never rang (disquiet0682)

This was my contribution for Disquiet Junto Project 0682: Unring a Bell. The Assignment: What if you could?

Here’s a copy of my post on the Disquiet Junto 0682 discussion thread on Lines:

My interpretation of un-ringing was based on bell tones morphing and unraveling into other sounds. Initially tried to create this soundscape in Ableton Live but nothing seemed to click. Finally settled on using a small modular system for production. 

Put together a Morphagene reel in Adobe Audition using bell samples as well as atmospheric sounds from freesound.org. The patch routing went from Make Noise Morphagene, Bastl Ikarie, Holocene NLMM, and finally a Make Noise XOH out to an audio interface to Ableton. Manually played Morphagene as the composition progressed. Recorded and deleted multiple versions, till I was finally satisfied with this one. Added a bit of delay and reverb with Valhalla Supermassive. Bells photo by Shaouraav Shreshtha via Unsplash.

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

Bells Unraveling [disquiet0682]

The Assignment: What if you could?

There is just one step to this project. The idea that one cannot “unring a bell” is a fairly common saying, at least in English. But what if you could? What might it sound like? And what use might the unrung bell serve in the making of music. Please record a track in which you try to unring a bell.

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

unrung [disquiet0682]

This week's #disquietjunto prompt was to create some music "in which you try to unring a bell."

In practice, I recorded the sound of a gong from our school’s band room (it’s like a bell but BIGGER). Then I tried to create the little snippets of sound that would fly around as the bell rang and which our hard-working theoretical performer would eventually have to reassemble.

Disassembling the bell’s tone into fragments was fun and challenging. I loaded the bell into Anemond’s Factoid to break it up into pieces based on frequency ranges, which got me lots of little snippets (including the drone tones you hear now and then). I also loaded it into Synplant, which generated tons of weird synthetic bells that led me down various rabbit holes of sound design and thoroughly distracted me from this project. I also put the bell sample into Ableton’s Simpler, sliced it into snippets based on transients, and then used the Arpeggiator plug-in to play the snippets randomly.

Isolating and organizing all these fragments and new samples into a track was pretty challenging! Eventually, I outlined the structure of the track, which helped me find my way.

1) Bell tone
2) Bits and pieces dance around the stereo field and an attempt is made to reassemble them
3) The bell is rung again, but this time it sounds slightly different
4) Part of the tone breaks off into a drone while a few snippets flit around
Once again, the bell is reassembled, with a big reverse sound leading into…
5) A big, new bell sound (created by layering pitch-shifted iterations of the original sample)

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/

You Wouldn't Unring A Bell (disquiet0682)

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