Electronics and guitars. A look at possible future worlds. I loved Gil Scott-Heron as a child.

The Code of Silence disquiet0680

More on the 680th weekly Disquiet Junto project, Reverse Resolution — The Assignment: Finish something (musical) you started last year — at https://disquiet.com/0680/

Reverse Resolution [disquiet0680]

This was my contribution for Disquiet Junto Project 0680: Reverse Resolution. The Assignment: Finish something (musical) you started last year.

Here’s a copy of my post on the Disquiet Junto 0680 discussion thread on Lines:

I didn’t realize I had such a large collection of unfinished tracks and musical sketches from last year on my laptop. For this piece, I used a sequence I created last year when I was exploring the new plugin Tela by Fors.fm. I added additional tracks in Ableton Live using Madrona Labs Sumu and Slate+Ash Spectres.  

More on the 680th weekly Disquiet Junto project, Reverse Resolution — The Assignment: Finish something (musical) you started last year — at https://disquiet.com/0680

Gathering Stray Totems [disquiet0680]

Zeta Reticuli (disquiet0680)

reverse resolution disquiet0680

Lines post can be found here: https://llllllll.co/t/disquiet-junto-project-0680-reverse-resolution/70376/21

**Disquiet Junto Project 0680: Reverse Resolution**  
The Assignment: Finish something (musical) you started last year.

This project has just one step: finish something you started last year, likely a piece of music you left unfinished.

#### Background
It's been a long time since I played anything on keyboard. For the last six months, my electric piano has been sitting up vertically against the studio wall, covered with a sheet and pretty much neglected. During my staycation (almost at an end now) I'd come into the studio, and just before I decloaked the keyboard, I'd get distracted or discouraged somehow.

I thought about the keyboard in relation to this week's assignment and recalled that I had a chord progression that I'd been meaning to do something with. So that's where this started.
#### Studio approach

The chord progression itself is very simple and revolves around a Bb Major 7th in second inversion (F-A-Bb-D) which occasionally resolves to a Dm7 and/or G7. This forms the scaffolding for the track, with degrees of improvisation after resolving to the Dm7.

I found a bass melody which could lead into these chords and played these on an electric (Rhodes-like) piano patch, with the chords played on the piano patch. Beneath this was a spare 3/4 click, which once the piano parts were in place, I used an ML-generated drum pattern with tweaked parameters.

An electric guitar largely compliments the piano chords and steadily opens up a bit, whilst a myriad of synth patches are introduced to provide a bit of atmosphere. Lastly, I included a field recording as a backdrop. This was a recording from new year's day in a national park on the Fleurieu Peninsula.

I guess I could sum up the mood of this track as 'wistfully pensive', much like my general outlook for this year.

[Disquiet Junto 0680] Time Removed, Facing Backwards

picked up an ableton live session from last year, with a recording from my modular system - notes at the time mention using a matrix mixer for effects sends with feedback, one send to delay and another to beads, with a chord voice going in - revisiting this recording, i ended up layering two slower copies pitched down -1 and -2 octaves and working in some field recordings.

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More on the 680th weekly Disquiet Junto project, Reverse Resolution — The Assignment: Finish something (musical) you started last year — at https://disquiet.com/0680/

disquiet0680 - bilinear form

Disquiet Junto Project 0680: Reverse Resolution
The Assignment: Finish something (musical) you started last year.

I remember when I started this one year ago I was sitting in a train and in love with Abletons "Operator" FM synth and a mutating sequence on loop. There was no bass at all, because I had bad simple earphones and in the train I was only able to hear the high bells.

Honestly, everytime I listened to it, I thought "This is enough, you don't need more, I like it how it is.", but at the same time I felt guilty, because it was very simple. That's why I never finished it.

To finish the track, I quickly added a bassdrumish sound with Puremagnetik Foomph and added some droney pads. Now I feel guilty again, really like a cheater, because it is still very simple, but now it's finished and I like it.

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More on the 680th weekly Disquiet Junto project, Reverse Resolution — The Assignment: Finish something (musical) you started last year — at https://disquiet.com/0680/

Discussion:
https://llllllll.co/t/disquiet-junto-project-0680-reverse-resolution/70376

Cover: DALLE

Krakenkraft

God's Army [disquiet0680]

[disquiet0680] yeahz

Text (C) Menelaos Fischer 2024. Used with permission. Music (c) Susanne Maurer 2025. 

The Code of Silence disquiet0680

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