Violent iambic pentameter. 

Our new EP 'Bildungsroman' released on 13/10/17 through Quasar Sounds can be purchased here:

https://donjuanband.bandcamp.com/
https://quasarsounds.bandcamp.com/music

Watch the music video for the first single 'Sleeper Agent' here:

https://www.youtube.com/watch?v=oN66IHenREY

We are a collective spread across the UK, discussing our acoustic surroundings.

Artist (Rapper/Producer) Chef. Nottingham, U.K.  
Instagram/Twitter: @juganaut
www.juganaut.bandcamp.com

ABOUT
Juga-Naut is a professional and prolific artist, rapper, producer and chef who has been setting the bar in the contemporary Hip-Hop landscape for over 15 years. A quintessential ‘rapper’s rapper’, he also creatively directs all aspects of his music, from concept and production to lyrics, visuals and final product. Combining exquisite poetics, soul-shaking beats and a defiant delivery with a deep love for food, art, music and culture, his art-forward approach has led him to international renown with a global following. Boasting a discography that includes 16 published projects since 2011, collaborations with cutting edge artists and labels, and a range of physical product based on his music and original artworks, he has sold out his own shows and performed on stages alongside Hip-Hop royalty. Born and bred in Nottingham, U.K., his unparalleled drive and creative consistency is surpassed only by his love for the culture.

Independent Hip Hop Record Label
Artist Roster:
Abstract Rude
Aesop Rock
Atmosphere
BK-One
Blueprint
Brother Ali
deM atlaS
Dilated Peoples
Dj Abilities
Evidence
Eyedea & Abilities
Face Candy
Felt
Freeway
Grayskul
Grieves
Hail Mary Mallon
I Self Devine
Jake One
Los Nativos
MF DOOM
Micranots
Mr. Dibbs
Musab
Nikki Jean
P.O.S
Prof
Psalm One
Sa-Roc
Semi.Official
Soul Position
Step Brothers (Alchemist x Evidence)
Toki Wright
The Uncluded (Aesop Rock & Kimya Dawson)

POHV - UK RAPPER FROM BRISTOL

KINGS COAT RECORDS

kingscoatrecords@gmail.com for enquiries 


 ojudge2@gmail.com

CHECK OUT THE BAND IM IN, WE'RE CALLED SQUID 
https://soundcloud.com/squiduk
@squiduk 
check out my other pro ject @redroomredroom

DAVID AUSTIN 
 - BIBLIOGRAPHY -


David Austin started his life in a tiny village called Waterlooville in Hampshire in 1949.  He comes from a very musical family.  His father George Austin, was a very good Jazz guitarist in the 1950’s – 1960’s, playing with Dudley Moore on the eponymous Jazz 625 programme which was shown in the early days of BBC2 around 1964.  George Austin’s playing career spanned 50 years.  David has 2 brothers who are both outstanding musicians, Robert (7 years David’s junior) is another guitarist and John the eldest by 1 year is a bass player who lives near Lymington.

David started playing the guitar in the early 1970’s, and slowly his playing started to evolve more as a songwriter.  In 2011 Polydor contacted him to confirm that they had sent Rocking & a Rolling (re-recorded by SCAMP STUDIO) to the management of Nicole Schurgziner at Interscope.  In 2014 he has had two different community radio states play his music.  WA12RADIO.CO.UK and BROOKLANDS RADIO.  

His song “Crazy when he’s Not Calling” reached the ‘Finals’ of the 2008 UK Songwriting Contest which his niece ‘Rachel Austin’ sang whilst just 16.  His writing style is made up of an eclectic mix of Jazzy / Latin, easy listening Country/Blues, folky type songs.  Cosmic Force has 18 easy listening Jazzy / Latin songs which could be used as musical ideas for either a film or TV.  The other CD ‘Gentle Blues’ is made up of 18 easy listening country / bluesy / folk type songs.  He is currently developing a third catalogue of laid back songs which hark back to the innocence of the 1960’s, yet with a modern feel.  He has written around 95 songs, 4 albums; 18 Jazzy/Latin songs on an album called “COSMIC FORCE”, 18 country/folky/blues rock songs on another album called “GENTLE BLUES”.  In addition to 10 satirical observational tracks called “DON’T MAKE ME LAUGH!”.  Finally, he has been building up a dance track CD full of songs that have been re-recorded & re-arranged in to dance tracks by SCAMP STUDIO.   He had an article printed in the Brighton Argos on the 12 June 2012 about an incident caused by a car driver whilst he was cycling.  The song link that the Brighton Argos printed in their paper was called “On the Mobile” The story to the background to the song, is that it is a lampoon against selfish drivers who think it is absolutely fine to hammer down the road with the mobile clamped to their ears yacking away, oblivious to the mangled mayhem they have caused behind them!  The humour of the song is quite perverse.  Being aware that is precisely what young people tend to like.  

In January 2017, he commissioned Jason Miles to re-arrange & re-record "CRAZY WHEN HE'S NOT CALLING".  Jason has worked with Quincy Jones, Miles Davis, Chaka Khan, Michael Jackson.  The song has been sent to PLAY MPE in Vancouver to be promoted in the USA, Canada and the BBC.  He is talking to music marketing companies in Japan to promote the song in Japan.  In addition, Jason has agreed to re-work this song in to a Brazilian re-mix by flipping the rhythm.  A video is going to be created with a young couple as well as animation.

David is also working on a book called “SUPER FISCAL” which is a geo-political legal forensic thriller, about money laundering and drugs.  He has finished the first draft in October 2013.  In December 2016 he has been working with a firm of literary consultants to analyse the plot, character and story line.    Once work on the dialogue has been completed by September 2017 he is looking to get signed to a Literary Agent sometime in 2018.

Reecard Farché, the Australian artist and innovator known as Anklepants, has established a reputation as a leading force in avant – garde music and performance. A multi – instrumentalist and creator of experimental sonic devices, Farché’s work pushes the boundaries of genre and challenges conventional ideas of musical expression. Since debuting under the Anklepants moniker in 2004, Farché has released over 20 recordings, beginning with the debut album Pl-easkill on their own QWERTY RECORDS imprint. This sonic evolution continued with the 2011 release insideyourfacedubstepbeanstalktoheavenfortheatheist on Interact Records and reached its latest milestone with Pollen (2018) on Detroit Underground.
Farché’s move to Europe in 2009 marked a shift from underground cult figure to international provocateur, with their iconic Boiler Room performance in Berlin in 2014 helping to elevate the Anklepants persona. Performances at major festivals like Glastonbury and Houston’s Day For Night Festival have seen Farché share stages with artists such as Aphex Twin, John Carpenter, and Björk, each performance a dynamic exploration of sound and experience. Media outlets like Conan O'Brien’s Conan and Adult Swim’s Bloodbath have also taken note of Farché’s boundary-pushing work. In 2019, they extended their reach to South America, further solidifying their place within the global avant-garde scene.
At the core of Farché's artistic vision is the Metadexterial Instrument System, a self-designed array of hardware and software that functions as an extension of their body and mind. With its latest iteration, the system incorporates body-tracking technology, including a custom “microphone controller,” a body-tracking suit, and specialized shoes that capture subtle movements like heart rate and hand gestures. This allows Farché to manipulate voice, rhythms, and effects in real-time, creating a fluid and immersive live experience where the boundaries between body, instrument, and sound blur.
Farché’s performances — characterized by more than 100 wireless inputs — offer an unpredictable, immersive soundscape. The body itself becomes the instrument, with each performance an act of spontaneous improvisation. But Farché’s work is not limited to live shows. The 2014 EP Santur Improvisation (Şur) marked a foray into microtonal and non – 12EDO tunings, and the upcoming album Memory Loss After Incarnation continues this exploration of ancient harmonic systems. Ocker (2019), a retrospective of unreleased work, also offers a glimpse of Farché’s more traditional songwriting and vocal talents, with a cover of Dalis Car's "His Box."
Collaboration plays an essential role in Farché's ongoing work, as seen in the 2019 reinterpretation of Proclamation by British prog-rock pioneers Gentle Giant, which combines Farché’s vocal techniques with the electronic stylings of Mr. Bill. Farché’s art remains fluid and ever-evolving, with upcoming projects drawing inspiration from Australian wildlife and the natural sounds of birds and indigenous animals, themes that have increasingly appeared in their live shows.
Always at the forefront of sonic and instrument design, Farché is currently working on new innovations like Teeth — a percussion instrument using their own teeth — and the Reecard Farché Intonarumori, a breath – controlled, motorized string instrument. The latest version of the Metadexterial Instrument System has expanded to 100 input channels, while the new Suit V4 and Shoe V2 enhance the body’s ability to influence sound. Additionally, Farché is developing new mechanical creations that promise to push the boundaries of live performance even further.
Through Anklepants, Farché continues to explore and challenge the limits of artistic expression. The work exists at the intersection of technology, sound, and human experience — an ongoing journey that defies traditional ideas of music, perception, and identity.

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