It's like you can hear the start of morning twilight as you drive in to 5:00am....

Immediately fell into the great open space you've created... 

Bits of Disquiet

Rüfüs Du Sol - Solomun - Pink Floyd - Depeche Mode - Moby • AMNESIA (Vasho Mix)

interlude: broken piano with orchestral waves

More on this 520th weekly Disquiet Junto project — On the Clock (The Assignment: Get that thing done before the end of the year) — at: https://disquiet.com/0520/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0520-on-the-clock/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

chalk floc

halF clocK [disquiet0520]

I've create a "live eurorack case", that hasn't seen much action lately. So - I decided to see if I could take it for a spin, create something and then "dress it up" in the daw. This is the result.

Pianos, drums, some strings and samples added - a lot of processing etc. (Waaaaay too much processing...)

While I know I need to exercise this case more - with this prompt, I finally got started ;)

More on this 520th weekly Disquiet Junto project – On the Clock (The Assignment: Get that thing done before the end of the year) – at: https://disquiet.com/0520/

More on the Disquiet Junto at: https://disquiet.com/junto/

disquiet0520 - them on ice

This is a short re-tracing of the "disquiet junto's" of 2021. 

Last year, I tried sequencing really small snippets of renderings of former "juntos". This year, to try something different, I found one for each month of 2021, dived into the "daw" sourcecode, and tried to pick up some of what I still thought as interesting parts and just sequence them. It might not "stand alone" as a coherent piece - but, if nothing else, it gives me a quick nostalgic sum-up of some of the nice evenings I've had with the "disquiet junto"...

More on this 522nd weekly Disquiet Junto project – Just Backdated (The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments) – at: https://disquiet.com/0522/

More on the Disquiet Junto at: https://disquiet.com/junto/

disquiet0522 - back thru 21

Every year, the "Disquiet Junto"  poses the same project, ever since the very first Junto project, back in January 2012: "Record the sound of ice in a glass and make something with it"

Here, I've recorded 3 icecubes tumbling down in a drinking glass - and then spent a couple of hours mangling, stretching, reverbing, reversing, delaying, eq'ing, deleting, restarting, re-recording, giving-up'ing, and then still posting...

...it's a great, but difficult, challenge to make something. This is, as is probably the easiest, an "ethereal" version of my experiments. 


More on this 523rd weekly Disquiet Junto project – Chill Communication (The Assignment: Record the sound of ice in a glass and make something with it) – at: https://disquiet.com/0523/ 

More on the Disquiet Junto at: https://disquiet.com/junto/

disquiet0523 - chilllllllls

Inspired by this weeks Disquiet Junto prompt, I constructed this piece of music as a vehicle for a very, very simple hidden message - using a combination of the “German Method”, morse, cutting up with ciphers and, finally, the 70’ies “Reverse Backtrack” message.

(See more about these Steganographic methods in the excellent talk about hidden messages in music by Scott Fradkin in this talk https://youtu.be/gLXqZVHrFa4 )

The message itself is thus encoded in the notes being played, in the beat as morse-code (BD = short, SD=long) as well as in actual my own voice, obscured and reversed. Notes are cut up using Sound Toys Tremolator - and (most of) the instruments are using presets (sorry!), where the name contains letters from the message. On the reversed voices, a Sound Toys Crystallizer preset called “BackTrack Delay” is used to complete the confusion.

And the message? Well, inspired by Schumann encoding his own name as SCHA -  “Es” (E-flat), C, H (B-natural) and A - leaving out characters for which there are no notes),  my message is both an encoding of my own last name as well as a concept that is creeping up on me with worrying haste… “a g e”.

More on this 546th weekly Disquiet Junto project — Code Notes (The Assignment: Make music that includes a secret message) — at: https://disquiet.com/0546/

More on the Disquiet Junto at: https://disquiet.com/junto/

disquiet0546 - age

This piece is a response to the 550’th prompt from Disquiet Junto  - this time a collaboration between Tobias Reber from Musikfestival Bern.

I’ve taken four images, displaying the randomness in nature - boards from a deck, a flower, the sky and 3 pigeons on a roof, and enhanced, extracted and encoded random figures from it. (See the accompanying image). 

The resulting sequences of numbers are used either as rhythmical or pitch “notes” - and everything is scaled around A Super-Locrian scale.  Four tracks are thus constructed (theme, bass, pads and bd) around these encodings.

I’ve added small fx and extra “pulsing rhythms” for interest.

More on this 550th weekly Disquiet Junto project – Abrupt Probability (The Assignment: Make music based on a chance graphic score) – at: https://disquiet.com/0550/

Thanks to Tobias Reber and Musikfestival Bern for collaboration on this project. More on the festival at:

https://www.musikfestivalbern.ch/

https://www.instagram.com/musikfestival_bern

https://www.facebook.com/musikfestivalbern

More on the Disquiet Junto at: https://disquiet.com/junto/

disquiet0550 - n8ure

HOUSE MIXTAPE #1 (Ibiza inspired house tracks)

¡HARTY! HOUSE Mixtape #1

all these years

when its dark enough

Found floating amongst the stars, initially though to be an alien satellite, a yalpian blackstone organ was found in 1972 by Major Tom & Eva. 

After several years of experiments, Professor Spleet Von Gingle finally succeeded in taping a few minutes of it's song, after which (she claims) it broke completely. 

Rumour has it, though, that pieces and parts as well as some of the oscillating blackstones has been seen on stage or in the studios of some of the biggest bands throughout the '70'ies and '80'ies.

More on this 385th weekly Disquiet Junto project — Audubonus Instrumentum / The Assignment: Imagine a fake instrument, and make music with it — at:

https://disquiet.com/0385/

More on the Disquiet Junto at:

https://disquiet.com/junto/

disquiet0385 - etude for yalpian fields

This is part of the "disquiet junto" challenges (see more below).
For this months challenge,  choose 3 random instruments, I decided to do a quick “in the box” experiment. Amongst my, admittedly, too many plugins, I let google cast the dice. What I hadn’t foreseen was, of course, that my plugins are a mix of instruments and mixing/mastering tools… so I was given with the following three numbers: 15, 53 and 51 - giving me the following three plugins:

15 - Arturia Piano V2
53 - iZotope Stutter Edit
51 - iZotope Ozone 7 Vintage Tape

The title is an anagram of "more random" - but feels somehow relevant to the result...

More on this 388th weekly Disquiet Junto project — Random Less / The Assignment: Make a single piece of music with very few tools, all selected at random — at:

https://disquiet.com/0388/

More on the Disquiet Junto at:

https://disquiet.com/junto/

disquiet0388 - mr marooned

This was an old experiment with some minimal house - where I, in response to this weeks Disquiet Junto challenge, took a serious dive in tempo compared to the original, shaved off a lot of stuff, put in a few experimental bleeps - which gave everything a very dubby feeling, I think. The original (called "Old House"), is maybe 10 years old...

Hope you like and find a nice summer spot to enjoy!

More on this 389th weekly Disquiet Junto project — Long Then / The Assignment: Take an old song, and make it (much) slower, and add something — at:

https://disquiet.com/0389/

More on the Disquiet Junto at:

https://disquiet.com/junto/

disquiet0389 - since then (old house)

This track is based on an old industrial loop I made a while ago - but sped up considerably in response to this weeks “Disquiet Junto” challenge. I’ve build a new arrangement around the track and even, just to try it out, speed up the piece by a total of 7bpm during the short run of the track. 

It’s primarily “in the box”, with a few field / modular samples thrown in. Big up to Output’s Exhale plugin in this one, by the way.

More on this 390th weekly Disquiet Junto project — Pace Quickens / The Assignment: Take an old song (or field recording), and make it faster, and add then something — at:

https://disquiet.com/0390/

More on the Disquiet Junto at:

https://disquiet.com/junto/

disquiet0390 - run with It

This is a response to the Disquiet Junto challenge "Front Page"; a small sentence is taken from a headline (CNN; France just had its hottest day ever recorded!) and mangled... 

I've created a "voice avatar" at LyreBird, and had that AI voice (that to me sounds like a digital ghost of myself) read a single line of the news bit. Then it has been mangled and a few extra sounds added. It's a short piece. But... an important subject.

More on this 391st weekly Disquiet Junto project — Front Page / The Assignment: Make music that fills in where the news trails off — at:

https://disquiet.com/0391/

More on the Disquiet Junto at:

https://disquiet.com/junto/

disquiet0391 - hottest day ever

This small piece inspired by late night road trips, radio waves, foreign and mythical languages and nighttime wonder and meditation.

Everything is based on a small radio-snippet, sampled through OP-1, in Denmark 18/10 2019 - and then with added different “phenomena” and samples. Off course, to add to the bladerunneresque vibe, I had to add a bit of CS-80 (soft-version by Arturia).

More on this 407th weekly Disquiet Junto project — Dark Pitch / What do you hear between stations on the radio dial during a drive in the middle of night? — at:
https://disquiet.com/0407/
More on the Disquiet Junto at:
https://disquiet.com/junto/

disquiet0407 - inverse shades in-verse waves

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