Caesura

The Eyes Of All

As of 1.9.2023 this is now the official project page of Encounter 743.

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

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Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

K-HERRING - 1 is a a vet of the Vancouver, B.C. area recording scene.  S.Y.B. is the first solo project after many years in many other projects including....

The Shits, The Toilets, Ego, Drug Evans Experience, This Is NOT Elvis, 
The Wes Project, The Koz  and Security.

Current projects - Scrapping Young Bucks, Doomeastvan,
Ghost of The Enemy

𝗪𝗲 𝗺𝗮𝗸𝗲 𝗦𝗼𝘂𝗻𝗱𝗖𝗹𝗼𝘂𝗱 𝗴𝗿𝗲𝗮𝘁 𝗮𝗴𝗮𝗶𝗻 💯

Supporting up coming and independent artists.

Check links below.

I just love sound ..allsorts across the genre's ...hate getting stuck on one tip for too long ,been thru quite alot of eras &..have always from an early age written or jammed my own pieces of music..+ written poetry + lyric to songs ,i play guitar + produce ambient pieces on analogue units Roland tb 303 ,101,202,606,Juno 60. Was in my own bands years ago from about 1981 post punk era,dance electro stuff ,then ole skool scene when it was newskool,into drum n base era as it was happening...did pirate station stuff ,love dub reggae,great times..just carry on writing songs on acoustic guitar & do regular open mike sessions around my local area + jammin with other muse'os ...into  hho tec ....hydrogen...~  energy ...~ water is our future coal field.bit of an inventor..into unity ..autonomy n peace ..., peace out  ; )...~

🎶 About My Music — DestKorn

My music tells stories without words—rooted in emotion, shaped by melancholy, quiet strength, and cinematic depth.
With piano, strings, understated electronics, and expressive vocals, I craft soundscapes that move you and leave space for your own thoughts.

Every piece is handcrafted: I write, arrange, and produce using professional virtual instruments and real elements.
I work with Spitfire Audio, Virharmonic, Kirk Hunter Studios, Native Instruments, EastWest, and 8Dio, combined with my own recording and sound-design workflow.

I use voice synthesis (ACE Studio) only in rare cases—specifically when no suitable singer can be found.
Whenever synthesis is used, I state it clearly in the track description.
It’s a subtle color, never a substitute for composition or expression, and always within a framework I fully compose myself.

The creative vision, the musical structure, and the emotion are 100% mine.
I believe in music that sounds real—because it is real.

Thank you for listening—and for feeling.

– DestKorn 🎶❤️🎶

هر نغمه‌ای که از دل برخیزد، بر دل نشیند
(Every melody born of the heart speaks to the heart.)

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification, or distribution of these works is strictly prohibited and will be prosecuted under applicable law.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord — established 2012

I find it hard to communicate,sometimes only through the piano can I express what I truly feel. I love to write music for people who love to dream.
Thank you for taking the time to listen.
Kind regards.

The music project "Present Paradox" by Dortmund-based David Kleinekottmann provides insights into the often opaque nature of the present. The result is a fusion of melancholic and danceable elements, expansive and intimate at the same time, diverse and yet familiar. Since 2013, Kleinekottmann has been regularly releasing LPs/EPs that move between indie, experimental rock and electronica.

Rock Ferrari is a project from Hamburg, Germany.


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