Here's the finalized version of the score "The Assassination of Henry William McCarty". This piece I decided to focus on the 1928 Steinway Legacy piano sound. I had been listening to a lot of Thomas Newman's work so everything from "The Road to Perdition" to "Cinderella Man" to even soundtracks like "A Beautiful Mind" by James Horner and "The Assassination of Jesse James By the Coward Robert Ford" by Nick Cave & Warren Ellis. Actually it was "The Assassination of Jesse James" that inspired me to write the music with that subtle tone and it was Thomas Newman's styling that helped develop this score. 

Anyway, as the title also entails, this is my submission for the 8Dio contest where you highlight one instrument of theirs in your score. So as I mentioned I picked the 1928 Steinway Legacy scoring piano for my main instrument. I wish I had the Adagio Strings because I know that would have enhanced my score WAY more but alas I'll have to work with my EWQL strings until then. 

Anyway, enjoy the piece and I'll have my other "A Farewell to the Infamous William Henry McCarty" piece finished soon. Share, Comment, Like.

F I R S T | E D I T I O N S - The Assassination of William Henry McCarty by J Scott Rakozy

Lose You Again

I fuckin love keem. Obviously. Ever since sonny first played me his music years ago. Hangin out wit him recently has been a real treat n I feel like this tune is jus the beginning

leavemealone

Stream

I enjoyed working on this beautiful piece of music written by Lee Johnson for his album, and DVD, "Sand Floor Cathedral." 

Sand Floor Cathedral

http://www.sonokinetic.net/products/classical/capriccio/
Capriccio is our biggest Orchestral collection yet, both in terms of physical size and in terms of sound, which is just...BIG!
We had conductor Petr Pololanik approach the limits of his Capellen orchestra for these recording sessions, and the resulting energy, drive and power really comes across in each and every sample. Each phrase has been carefully treated from conception through production to implementation in the final instrument, to make sure it would work as a whole, and be as widely usable as possible.
We say it is big, and the sound is big, but as you can hear from the demos the sound has a diverse range of uses and is only limited by your own imagination. You can use Capriccio as a base for your composition, or to complement your existing piece, using only bits and pieces. It can be really loud and awe-inspiring, or gently set the mood.
If you are familiar with our previous orchestral instrument 'Grosso', Capriccio's user interface should look quite familiar. The basic structure of the instrument is the same, using 4 presets each divided in 3 layers, but there are many innovations within Capriccio that will make working with this library even more intuitive and flexible. Highlights include the 'phrase offset' slider, separate volume setting for release tails and MIDI drag/drop from the score view in the interface, straight into your DAW.
With Capriccio we’ve brought phrase-based sampling bang up to date. Throw away your preconceptions of stiff one-shot samples and use the power of the Capriccio interface to harmonise, syncopate, offset and blend every one of the 38,000 samples. We’ve wrung every bit of creativity and flexibility out of these phrases and built a bespoke interface that will allow you to do the same.
Despite advancements in sampling technology, you simply can't beat the realism of live played phrases and orchestral patterns so our goal is to make these as playable as possible, like a real instrument, with the minimum of end-user programming. These instruments are meant to stimulate your creativity, and based on the feedback we are getting, that is exactly what they do.
Please watch our range of videos if you want to know more about Capriccio’s inner workings. There are many 'hidden' features that will enhance your user experience a great deal if you know how to use them. For example, with Grosso we added 'bar sync' but for Capriccio we also added 'phrase offset’. These things are very complicated in terms of under-the-hood programming but we’re sure that the intuitive interface makes it easy to realize the potential of features like this.
All phrases for Capriccio are composed in 4/4, with straight 8th and 16th notes.
We have also included a 'runs' instrument with strings and woodwinds runs, a gorgeous and eminently playable multisampled percussion patch and a melodic percussion instrument containing Xylophone, Glockenspiel, Tubular Bells and Piano phrases.
We, at Sonokinetic BV, are very proud to introduce Capriccio to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it.
Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.
We wish you the best inspiration and creativity. 

Capriccio Demo - Kaleidoscope - Valentin Boomes

A spectral collection of songs suspended between memory and absence. Quiet moments like this don't exist - drifts through dark dream pop, ethereal soundscapes, and ghostly lullabies, blending fragile vocals with reverb-soaked textures, sparse piano, strings, and ambient synths. Each track is a whispered confession from rooms long abandoned, church halls left in shadow, and gardens that bloom with quiet lies. Inspired by the haunted intimacy of Beach House, the spectral minimalism of Grouper, and the cinematic melancholy of M83, this album invites you to linger where longing and silence converge.

Where The Ghosts Come In

You can buy and download my albums here:
https://peternanasi.bandcamp.com/

Autumn

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Where The Ghosts Come In

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