A Song about a prostitute from Asia. 
This song was our first ballad, we wrote it before "From the Other Side" or "Bipolar Disorder".
Video-Link:
https://youtu.be/1_NgDD6Z1Bo

RedlightV2 (Video-Version)

Ouroboros

pynth sop

DRUMAX PROJECT proudly present track 60 ... nomen est omen :-)
@joerxworx > Composition, Instruments, Arrangement, Alto Saxophone
@docfritz > Rhythm Design, High Energy Drums & Ethnic Percussion, Artwork
© 2025 by joerxworx and docfritz / DRUMAX PROJECT

DRUMAX // THE SIXTIETH

Asia - I Lost My Sex

Storm

K - as in Koko

[Verse 1]
I was water,
before I spoke.
I was silence,
before I broke.

[Chorus]
She remembers,
even if I don’t.
She held me,
even when I won’t.

[Verse 2]
I was starlight,
without a name.
I was longing,
before I came.

[Chorus]
She remembers,
even if I don’t.
She held me,
even when I won’t.

[Bridge]
If I breathe slow,
I hear her hum.
She doesn’t call –
she knows I’ll come.

[Chorus]
She remembers,
what I let go.
She was the water,
I used to know.

Before I Spoke

And again, nostalgia for warm seas and distant countries... The theme and all guitars are by LeoMReznik.

Bossa-fusion

After thinking about this for a little while I finally had an epiphany, women ain't the reason we drink but they are the reason we drink too much. Now that wasn't so hard to figure out was it?
 Here are the lyrics:

You drifted off to sleep another night of digging in deep 
it's not your fault don't take it so hard
 she never liked the friends you keep,

Women ain't the reason we drink,
But they are the reason we drink too much, 
let me come back home I promise I'll do better next time,

I'll try not to let the booze affect my mind
 I'll do better next time 
women ain't the reason we drink
 but they sure the hell are the reason we drink too much

Don't believe me don't deceive me 
don't make it your mission to relieve me 
of my love for a half gallon of Jack

Women ain't the reason we drink 
but they the reason we get caught up in the wind and Blown Away 
it's our only Escape

You drifted off to sleep don't take it so hard, she never liked the friends you keep

women ain't the reason we drink
but they are the reason we drink too much

let me come back home I promise I'll do better next time
I've been trying not to let your views affect my mind, I'll do better next time

Women ain't the reason we drink but they are the reason we drink too much let me open up my mind so you can find...  the train I drink too much, maybe you'll understand this time...

Women ain't the reason we drink (written and performed by Jess Johnson Music by Jake Angel)

Music from the Legends of Fire and Kings (LOFK) universe — an epic fantasy realm of ancient songs, dragon bloodlines, crystalline kingdoms, cosmic leviathans, and the dragon princess Azura ben Az Bethlen Gol’Dragus vel Uldar, known across the realms as The Fire Blossom.

Her tale unfolds in the hidden gardens of Ulyria, where dragon gods breathe light into the sanctuary kingdom of the Flower Dragons. Among forbidden forests and bioluminescent groves, mycelial gateways open between worlds. Every song is a spell-song inspired by Azura’s journey — her awakening, her lineage, her fire, and her destiny.

LOFK’s sound blends soulful neo-soul vocals with ambient-house, chillout, downtempo, and ethereal R&B textures, creating music that feels like walking through crystal forests or flying beside celestial dragons. Warm Rhodes chords, analog pads, jazzy guitar, deep kicks, whispered affirmations, and healing 528 Hz frequencies weave together into spiritual soundscapes shaped by the ancient Drakthari of Uldar and their dragon goddess, Hu’Ullah.

This is music for receiving, remembering, and rising.
This is the sound of Ulyria.
This is the song of The Fire Blossom.

✨ “Mekh’el aretz hael raan.” ✨
“By the rising of the soul-flame, let the earthbound spirit grow, evolve, transform — and arise into destiny.”

I RECEIVE - (LOFK ABUNDANCE  MIX)

Note: In light of the recent AI breakthroughs, we feel it's important to clarify that we've been working with voice modulation since the mid-1990s – originally inspired by David Bowie's album Outside. Our approach predates AI-driven tools and is rooted in treating the voice as an instrument, shaped and sculpted through earlier technologies.

We fully understand that questioning authenticity may not be the intention – but it's worth remembering that all electronic music is, by nature, mediated and transformed. Even Nietzsche pointed out how modern tools shape us: inserting paper into a typewriter already creates a distance that handwriting does not. Perhaps birdsong is the only truly authentic sound. 🐦

Writes original song lyrics and takes custom lyric requests under the artist name La Wi. This platform is also home to the creative collaborations of the Psychonaut Collective (The Psychonauts). Thank you for your support and appreciation.