"Odessa 2075" is a futuristic, dystopian pop story – a youth tale about life, loss, and awakening in the city of Odessa in the year 2075.

[Verse 1]
The harbor sleeps beneath the drones,
rusted ships with silver bones.
Children trade their names for bread,
but who remembers what was said?

A woman hums in static rain,
her voice repeats a long-lost pain.
Was she ever real, or just a sound?
Can silence ever be found?

[Chorus]
Odessa 2075,
where the lost pretend to be alive.
Ashes speak in tongues of gold,
waiting for the dream to come alive.

[Verse 2]
A boy builds wings from broken code,
his faith a glitch, his heart a node.
He flies above the temple’s ash, 
but where do fallen angels crash?

[Chorus]
Odessa  2075,
where the lost pretend to be alive.
Ashes speak in tongues of gold,
waiting for the dream to come alive.

[Bridge]
In the opera house of zeroes,
a child replays the end.
Was this the fall of Eden,
or just a way to mend?

And in the hush between two beats,
a question starts to rise,
if every sin was born from love,
then who decides what dies?

[Verse 3]
The satellites hum psalms of steel, 
I wonder if they feel what’s real. 
Can prayers be sent through fractured air, 
and who’s still listening there?

[Chorus]
Odessa 2075,
where the lost pretend to be alive.
Ashes speak in tongues of gold,
waiting for the dream to come alive.

[Outro – Bridge]
In the opera house of zeroes,
a child replays the end.
Was this the fall of Eden,
or just a way to mend?

And in the hush between two beats,
a question starts to rise,
if every sin was born from love,
then who decides what dies?

[Outro – Chorus]
Odessa  2075,
where the lost pretend to be alive.
Ashes speak in tongues of gold,
waiting for the dream to come alive.

Odessa 2075 [Extended Version]

Cheeky, sassy, kinky and playful songs exploring several styles and themes: grunge, bossa, pop..

Note: In light of the recent AI breakthroughs, we feel it's important to clarify that we've been working with voice modulation since the mid-1990s – originally inspired by David Bowie's album Outside. Our approach predates AI-driven tools and is rooted in treating the voice as an instrument, shaped and sculpted through earlier technologies.

We fully understand that questioning authenticity may not be the intention – but it's worth remembering that all electronic music is, by nature, mediated and transformed. Even Nietzsche pointed out how modern tools shape us: inserting paper into a typewriter already creates a distance that handwriting does not. Perhaps birdsong is the only truly authentic sound. 🐦

Writes original song lyrics and takes custom lyric requests under the artist name La Wi. This platform is also home to the creative collaborations of the Psychonaut Collective (The Psychonauts). Thank you for your support and appreciation.

Soy yo siempre usando GNU-Linux. No hay virus ni amenazas. Tampoco escribo raro como robot. 
Si consideramos al ser humano como un androide diseñado por alguna entidad superior (no lo descarto), podría decirse, con cierta confianza, que yo podría ser un robot. Siendo así, todos lo seríamos; nosotros y todo el código extraño que deambula por aqui.
Sirok is a historic village in Heves county in Hungary. In addition, SIROK is my last name (Alfredo Sirok) and, probably my forbears were fighting some battle between these castles. I don't know.
I'm an Uruguayan musician and composer. I play the drums, keyboards and  synthesizers.
The style relates with the electronic genera, more exactly, with house, synthwave, electro, space, progressive, synth and pop-rock.
I hope that you enjoy the music of the same way as I enjoyed on having done it.
Sincerely.

SIROK.

His interest for the music world begun when he was a very small child, showing good sensibility and musical taste, with a sonorous perception of universal quality.
Nevertheless, it was in his adolescence when he began to study drums.
During his path he penetrated into diverse interpretive styles but never restricted to the merely interpretive thing. He took part in the rhythmic and harmonic arrangements; choirs and voices.
Today, Alfredo is an electronic music composer (in a wide sense), so as a drummer as by playing, making, composing and programming music with synthesizers.
"Spaceghost" (2006), "Experimentation" (2008), "Event horizon" (2013), "Opium of the people" (2017), "La Vida" (2020), "Retrospective - 15 Years (Light and Dark - 2021)" and "Fauna" (2025) are his Independently produced albums of original Electronic music in his home studio.
In addition, he takes part as co-author in such projects as " 4 Seasons" (2008) and "Solar system" (2009), together with the Uruguayan composer Marcelo Sartorio shaping the group in silico DUO;  in 2 collection albums of electronic music with various artist called "Planicie - Sincronía del Viento" (2018) and "Sequences Podcast No68" (2017) and as a producer with such artists as HMFR and Ted Rivera.
SIROK needs your help as a fan, financially or through a media opportunity, to project his music as an ultimate lifestyle.
All SIROK music are registered (Biblioteca Nacional del Uruguay).

Latest Updates: 
Headphones are recommended on my work to allow the full effect. 
Over 1800 Tracks now on my channel, making music on here since 2015.
Have been remastering some of my 'unloved' tracks from the past here on SC - music which has not received as many plays as I would have expected. Maybe 2nd time around your might like it.
The 2025 remastered tracks are being readied for my best of 2025 album in 2026, available January 2026.
I do not use AI on any of my work, just blood sweat and tears, and a lot of emotion/feelings. The reason I have so much music on SC is that I love making music and it is my life. Also I love to share my work with you all, please enjoy.
Have recently discovered some old tracks which I did back in 2009 but have never been previously released or worked on further. Decided to let them see the light of day, unedited and unpolished. Hope you enjoy them and can see where my humble beginnings started.
Also new for Autumn 2025, a collection of classical piano pieces which I composed back in 2010, in memory of my late father who inspired me to play the keyboard in the first place. Under the title of Magician In Private, hope you will allow my indulgence into a special world of just simple piano, no frills.
Please checkout my vast collection of playlists. All my best music is on there in one place. Is free to listen to or sleep with.
From 1st June 2025, celebrating 10 years of KORG KRONOS music with lots of brand new music showcasing the wonders of this iconic workstation in all it's glory. Also as a nod to the release of the KRONOS 3, which will take KORG into the next generation.
All my albums in full quality are available on Bandcamp, please check out the link below.
Have recently taken a short holiday to recharge my batteries and top up my creative juices. Thank you to all my followers for your continued support and encouragement, means the world to me.
Over 10K minutes uploaded, over 1500 tracks - am sure there is something in there for everybody to enjoy. I love making music. Hope it matters to you.
Am posting some Jarre sounding pieces as homage to my lifelong hero of electronic music, using some of the sounds and instruments he has used along the way. Jar of Jarre is my collection of memorable sounds which have changed the way we appreciate modern electro.
Keep an eye out for my new collection of 2024 Remastered best of tracks, coming soon.
New year, new start. Back on the search for good music and inspiration. Will be featuring a lot of my older work remastered this year, seems like a long time since I began my composing journey back in 2000.
Happy New Year to all my followers, May 2025 be filled with musical magic. 
Thank you for all your kind comments and support throughout 2024 I do appreciate it. Stay safe and love each other.
All my remastered best tunes from 2015 to 2023 are now available to buy on Bandcamp.
Am back to making regular music now but sorry no Christmas songs this year. This time of year is very hard for me as it is when my father became very ill and died in the new year 2010. I still miss him very much but hope he would be proud of my musical journey, he is my number one inspiration.
Just a quick personal note on AI and music. I think it is not a good thing for the creative side of music and a lot of it comes without feelings or soul. Creativity is a gift, and should be greatly valued, cherished and nurtured. Music is what makes us human and can never be replaced by a computer.
Finished remastering up to and including 2023 now. Has been a mammoth task but well worth the effort. Next year I shall be working on a remastered series of my pre KORG days 2000 to 2008, in 8 volumes, as well as celebrating in style my 10 years of KRONOS magic, can't wait for 2025.
Have now amassed over 1000 tracks on SC (that's over 8000 minutes of music) and it has been a blast sharing them with you all. Next year 2025, marks the 10th anniversary of the start of my KORG journey.
Am currently putting together a remastered Anthology collection of all my best tracks from 2015 onwards. 2015 consists of a 3 volume set (Now available on Bandcamp). 2016 consists of a 4 volume set. (Also available on Bandcamp). 2017 consists of a 4 volume set. (Available on Bandcamp) 2018 consists of a 4 volume set. (Also available on Bandcamp). 2019 consists of a 4 volume set. (Now available on Bandcamp). 2020 consists of a 3 volume set (now available on Bandcamp).
If you would like to listen to more of Magician, especially retro older tracks please checkout Bandcamp (see link below).
Have recently been rediscovering some of my older music pre KORG days and remastering for uploading to my cloud. Hope you like. Seems such a long time ago now.
I have been lucky to have music in my life, and now the time to explore how it can affect other people. I have discovered many new talented artists on SC and am happy to encourage and support their work; from small beginnings come great things. Please be inspired to be your best, inspire others too, encourage those who lack the inner courage to move forward, and together we can make music make a difference in all our lives.
Am spending a lot more time on my music now since retiring from work in July 2020. Always learning new techniques and honing my craft. Am comfortable now with all chord sequences throughout the scales and loving improvising with the help of my mighty KORG still. Am still trying to give my full support and encouragement to all SC users and some latest (you know who you are), are developing nicely. Be good to one another, be gracious to others, leave your ego out of your life and above all else remember there is always someone worse off than yourself. 
Please be kind to each other, to be happy with our lot without jealousy or greed; to give without asking the cost; to love as if there is no tomorrow; to share and inspire others who may be less fortunate than us; most of all to enjoy life for the joy of living, for we know not what the morning brings - stay safe my friends, be strong and always stay positive; remember life changes - DON'T let it change you!!  
Music is my life - has helped me through many dark places, is a big part of who I am. I put my heart and soul into every single piece of music I produce. I have found many wonderful friends on SC and many exciting talented people.  Been writing and producing music now for 40 years plus. Specialised in electronic based orchestral compositions. I have created my own genre which I call 'electrorchestration'.
Favourite artists/bands include Gary Numan, Little Boots, Jools Holland, Eno, Edgar Froese (1944-2015), Jordan Rudess, Kebu, Madis, Keith Emerson (1944-2016), Rick Wakeman, Richard Wright (1943-2008), Pink Floyd, Tangerine Dream, Vangelis, Jean Michel Jarre, M83, Public Service Broadcasting, Dream Theater, ELP, Yes and Mystery to name but a few.
Click on link below to Bandcamp for more music from my collection

⎝ ꧁⎠ ⎠⎝꧁ϗʭ‡✧∞✧‡ʭϗ꧂⎠⎝⎝꧂⎠

Hello and thank you so very much for visiting my soundcloud page.

Timeface Project stands for the Greek musician and sound designer Georgios Garganopoulos who was born in Rüsselsheim (Germany) 12/30/1967.

In the beginning of the 80s, the artist discovered his passion for the drums and started to play in various rock & pop bands at an early age.

At the same time, he went to a private music school where he extended his know-how and additionally learned to play the percussions.

The artist was inspired to compose music by himself when bands like Depeche Mode, New Order, OMD, Yazoo, Human League, Kraftwerk, etc. popped up in Germany in the Mid-80s. He bought his first synthesizer, a Korg Poly 800, to arrange sounds and melodies on his own; followed by the synthesizers M1 by Korg and Ensoniq which broadened his repertoire.

With his dear friend, the guitarist Pietro Sapienza, Georgios committed most of his spear time to playing music. In 1989 the first professional recording took place in a friend’s small studio. Fun and the success of recording the first tracks was more important than all the hard work of this night.

From 1990 to 1997 Georgios actively played the drums and percussions in the Greek music scene and was on stage with numerous popular Greek musicians. In 1997 the artist pulled out of the active music scene but returned in 2003 with new energy and full of creative and new ideas. Up to now, Georgios produces songs and sounds in his home Studio.


Genre: Synthpop, New Wave,  
Electropop, Italo-Disco, EDM,80s