With “Hooked on a Hero,” Moon and Aries deliver a cinematic power anthem that feels both nostalgic and futuristic. Inspired by the fearless energy of 80s icons like Bonnie Tyler and Kim Wilde, the duo fuse synth-driven production with emotional storytelling and bold, soaring vocals. The song captures the moment two souls unite to face their battles — and discover the heroes within. It’s an electrifying blend of passion, purpose, and retro allure, made for those who believe in the power of love and resilience. 
(Moon and Aries: "Special thanks to Peter Mitchell as our guitar hero in the song - and to our mixing and mastering heroes Chris Kung and Francois Rocheleau")

Hooked on a Hero

Hooked on a Heri

La nuit s'égoutte

Have you ever had a good night's sleep disturbed by a persistent mosquito? If so you'll know how frustrating it can be.
With thanks to the author Verna Aardema (writer of the book 'Why Mosquitoes Buzz in People's Ears') for the inspiration.

Mosquitoes

Is there a heaven? (Rehearsal)

"Odessa 2075" is a futuristic, dystopian pop story – a youth tale about life, loss, and awakening in the city of Odessa in the year 2075.

[Verse 1]
The harbor sleeps beneath the drones,
rusted ships with silver bones.
Children trade their names for bread,
but who remembers what was said?

A woman hums in static rain,
her voice repeats a long-lost pain.
Was she ever real, or just a sound?
Can silence ever be found?

[Chorus]
Odessa 2075,
where the lost pretend to be alive.
Ashes speak in tongues of gold,
waiting for the dream to come alive.

[Verse 2]
A boy builds wings from broken code,
his faith a glitch, his heart a node.
He flies above the temple’s ash, 
but where do fallen angels crash?

[Chorus]
Odessa  2075,
where the lost pretend to be alive.
Ashes speak in tongues of gold,
waiting for the dream to come alive.

[Bridge]
In the opera house of zeroes,
a child replays the end.
Was this the fall of Eden,
or just a way to mend?

And in the hush between two beats,
a question starts to rise,
if every sin was born from love,
then who decides what dies?

[Verse 3]
The satellites hum psalms of steel, 
I wonder if they feel what’s real. 
Can prayers be sent through fractured air, 
and who’s still listening there?

[Chorus]
Odessa 2075,
where the lost pretend to be alive.
Ashes speak in tongues of gold,
waiting for the dream to come alive.

[Outro – Bridge]
In the opera house of zeroes,
a child replays the end.
Was this the fall of Eden,
or just a way to mend?

And in the hush between two beats,
a question starts to rise,
if every sin was born from love,
then who decides what dies?

[Outro – Chorus]
Odessa  2075,
where the lost pretend to be alive.
Ashes speak in tongues of gold,
waiting for the dream to come alive.

Odessa 2075 [Extended Version]

My Fourth Collaboration with Sandi ✨✨✨🌈🌈🌈

POISON SO SWEET Feat. Sandi J.

https://www.youtube.com/watch?v=vtv_KZkK3Lk
Aimez bien vos amours aimez l'amour qui s'élève 
Sous la lumière douce d'un matin silencieux 
Une plume qui danse au gré du vent qui soulève 
Un parfum de promesse dans un ciel radieux 
Aimez l'amour qui peint des éclats d'aventure 
Au soleil des couleurs un tableau lumineux 
Un éclat de sourire une tendresse pure 
Une flamme fragile dans un monde audacieux

Aimez pour la vie

Special thanks to Sergi Yaro for his a cappella....

NIGHT AND DAY.  🎧.  Feat  Sergi Yaro

https://www.youtube.com/watch?v=REBX4by8eow  Music,poetry,performance Sergey Melody 

In search of Reason

Original composition by Neno J.
Electric guitar Gibson Les Paul Studio, recorded directly using multi effect Hotone Ampero 100, Guitar Rig 5, November 2025.
This nostalgic blues came to me these days as a reminder of the early sixties, the guitars of Chet Atkins, Peter Green and others without whom I would never play guitar. Thank them!

Retro blues

This song comes straight from that side of me that’s bold, vulnerable, playful, and alive. “Touch Me” is that moment when someone’s energy hits mine so hard it feels like the whole rave pauses for a heartbeat. It’s that spark… that electricity… that pull I can’t ignore.

It’s the feeling of finally letting myself be wanted, letting myself enjoy the connection without fear, without overthinking — just pure instinct, pure chemistry.

The beats are heavy because the emotions behind them are heavy.
The drops explode because that’s exactly what it feels like inside when someone finally touches the parts of me I’ve kept locked away.
It’s passion, adrenaline, and truth all poured into one firework of a track.

This is me stepping into my power, my confidence, my sensual side — unapologetic, glowing, magnetic.
This is me taking back my worth, my desires, my voice… and saying:

“Touch me — because I deserve to feel everything.”

It’s a celebration of connection, chemistry, and being chosen.
It’s a reminder that I’m alive, I’m here, and I’m ready for the kind of touch that lifts my soul instead of breaking it.

This one is from the heart… but also from the fire inside me.
My truth, my spark, my energy.
Shauna Hills — unfiltered.

Touch Me

Note: In light of the recent AI breakthroughs, we feel it's important to clarify that we've been working with voice modulation since the mid-1990s – originally inspired by David Bowie's album Outside. Our approach predates AI-driven tools and is rooted in treating the voice as an instrument, shaped and sculpted through earlier technologies.

We fully understand that questioning authenticity may not be the intention – but it's worth remembering that all electronic music is, by nature, mediated and transformed. Even Nietzsche pointed out how modern tools shape us: inserting paper into a typewriter already creates a distance that handwriting does not. Perhaps birdsong is the only truly authentic sound. 🐦

Writes original song lyrics and takes custom lyric requests under the artist name La Wi. This platform is also home to the creative collaborations of the Psychonaut Collective (The Psychonauts). Thank you for your support and appreciation.