When the authentic self seeks to create an environment set apart from the all pervasive false reality and narratives of these distorted times, it must do so without foundation or context, upon a tabula rasa, an arte povera, from nothing, and how better than through joyful aimless play with no intention other than to create and exist within the moment, through art and music and dance, away from symbols and language and meaning, away from expectation or reception, a creator with no audience or consumer, for the simple  fun of it. And it must be fun; if working hard and making effort are key to success or gaining respect then neither success or respect are important, one need not pass beyond gatekeepers for something as worthless as approval. There are no bad paintings. Want for nothing other than to know the people sing even if you hate their song. Smile at their terrible dancing, then dance yourself.

SQRIA is like all my other recordings in that it is made live only with small cheap synth boxes (Korg Volca (Sample1, FM1, Modular, Kick), Korg NTS1, Korg SQ1, Bastl Kastle (1.5, Drum and ARP)) - no daw or complex programming - just some forethought/intention and the generation of a suitable playspace - then recording what happens as I move things about. SQRIA is different in that each track is originally hours long and then edited down to something near 20 minutes.

A/ Like Seeds Without Rain

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

Experimental ambient project realized with the use of sound overlaps, causal collisions and cosmic echoes. 
Thanks for being here, comments, opinions and collaborations are always welcome.
For a best experience, if you can, please use headphones.
Logo: https://pixabay.com/it/users/pinkpanthress-2154882/
Stones: https://www.pexels.com/it-it/foto/rocce-pietre-sabbia-bianca-equilibrio-8800327/

I'm here to share and appreciate all genres of music.  Most of what I am currently recording is electronic, and largely ambient, in nature; however, I have recently started recording cover songs of various tunes.  So, since I'm no longer strictly ambient (only mostly), I've changed my SoundCloud name to Smooth Waters Sonic Journeys.  Headphones greatly enhance the listening experience.  Thank you for listening.

Qarenthe.

Live Improvised Abstract Electronic Sandbox Audio / Falmouth Cornwall

All tracks are Originals Written/Composed/Played/Produced by Martin Jackson...email - marti369000@hotmail.com
(c) Martin Jackson Thank you

a.k.a.  -..-
Pre-releases and Experiments
- Final releases via https://linktr.ee/dashdotdotdash (Apple Music, Spotify)
Support creativity through Bandcamp.

- Artists: 
  (1) -..- , xperimental 
  (2) XLab3 , xperimental
  (3) Ding Dong , vintage electronica

- xmachines: Logic Korg Yamaha Orchid Moog Teenage Engineering iApps ccMixter freemusicarchive field recordings radio
- Header Image Acknowledgement: (my silhouette in front of) an excerpt from the video, 'Plato's Alley' by Charles Atlas (2008)
- Profile Image Acknowledgement: 'Switching Marys' by Mike Kelley (2004-2005)

- History: 
1980s - Casio VL-tone, Wasp synth, Moog Concertmate MG-1, 2 track compact cassette recordings: tape to tape mixing ... emergence of Ding Dong. Revelled in the limitations in lo-fi sonic pallette and student budget...
1990s - Upgraded to 4-track compact cassette recordings... Casio CZ1000.
2000s - finally onto DAWs & xmachines & budget soft/hard synthesis & quirkiness in the Hikari Monos......Cakewalk>Sonar>Logic

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

.
International Vermin Conspiracy

 ...

The vermin will outlive your grand children's grand children.
The vermin is eternal.
: )

Is it 1984 already?!?!

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.