Paper has been pushing all things deep house and disco from the furthest reaches of the world via the good old North of England since the early Nineties.

The label has already featured a new series of EP's showcasing the best new dance music and future funk, house and disco from the world's finest producers.

We kicked off in 1994, leading the upsurge in popularity of UK house music within an underground scene previously dominated by a soundtrack from US cities like Chicago, Detroit and New York. Enhanced by a strong visual identity, as well as impeccable musical quality control PAPER was, and is one of the world’s most treasured record companies.

It continues to be funk-fuelled and bottom heavy!

PRESS RELEASE JULY 2010

What is the common factor between Giorgio Moroder, Ray Mang, Leroy Burgess, Ilija Rudman and Newcleus? Well, they are all part of the new MB DISCO label hailing from Sweden. It is masterminded by Martin Brodin, the founder of Deeplay Music. With this label he wanted to go back to his Disco roots. Disco Music has always been in Martin’s blood and now he felt it was time to play tribute to it. So how has he done it? The answer is very simple, mix up the old disco feeling with modern sound.

We can call it Nu-Disco, Post-Disco, Disco for 2010 or whatever suits you. For Martin it’s just about the feeling for what he believes is Disco. We will release old-skool super limited 10” vinyl records (yes we’re crazy!!) together with the modern digital downloads to keep our self in the loop of the todays business.

If the legendary Loft was still around, people would probably jump around of joyness. Shining disco balls, hands in the air, roller skating girls, lollipops and a touch of Larry Levan.

Here we have MB DISCO



Also Mixtapes;
http://soundcloud.com/pathfreaks

these boots were made for hopping around in zero gravity

mgmt: ryan@nervemanagement.com

bookings: bshprits@teamwass.com (AMERICAS, OZ + ASIA), cecilia.chan@teamwass.com (UK & EU)

For more and up to date inforamtion on Philosophy of Sound visit: https://philosophyofsound.info/pos-bio/ 

This SoundCloud profile includes music of Martin K's projects: Philosophy Of Sound, @Koshowko - and occasionally something else... 
or if you like more experimental ambient sounds check out @iubar

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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