Peter Neville, percussion; St Paul's Hall, Huddersfield University

entoptic (2018) for percussion and live electronics (first performance)

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Fondé en 1970 à l'initiative de Henri Pousseur et de Pierre Bartholomée, le Centre Henri Pousseur a joué un rôle de pionnier et s'est engagé dès sa création dans la réalisation et la diffusion d'oeuvres de musique électronique et, tout particulièrement, de musique mixte. 

Lieu d'expérimentations, d'échanges et de réalisations contemporaines, le Centre Henri Pousseur accueille des projets d'artistes de la Fédération Wallonie-Bruxelles, ainsi que des autres régions du pays et de l'étranger.
Plusieurs commandes sont lancées chaque année par le Centre à des compositeurs de Communauté française et étrangers.
Depuis 2009, il décerne tous les deux ans le Prix Henri Pousseur à un jeune lauréat d'un Conservatoire de la Fédération Wallonie-Bruxelles. 
Au travers de projets propres, comme le Festival "Images Sonores", le Centre soutient la diffusion des créations réalisées dans ses studios, sans négliger pour autant le répertoire.

Les activités du Centre Henri Pousseur sont réalisées avec l'aide de la Fédération de la Communauté Wallonie-Bruxelles (Direction générale de la Culture, Service de la Musique).

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Founded in 1970 by Henri Pousseur and Pierre Bartholomée, the Centre Henri Pousseur had a pioneering role ever since and has been engaged in the creation, realization and distribution of electronic music and, specifically, of mixed music.

The Centre Henri Pousseur is a place for experimentation, exchange and contemporary creation, where artists from the Fédération Wallonie-Bruxelles, as well as other national and international artists, can develop their projects.
The Centre commissions multiple pieces every year from national and international composers. Since 2009, the Centre awards every two years the Prix Henri Pousseur to a young laureate from a Conservatory of the Fédération Wallonie-Bruxelles.
Through their own activities, like the Festival “Images Sonores”, the Centre supports the distribution of the works, created in their studios, without losing sight of other contemporary repertoire. 

The activities of the Centre Henri Pousseur are realized by the generous support of the Fédération de la Communauté Wallonie-Bruxelles (General direction of Culture, Service and Music).

近・現代西洋音楽/電子音楽/変拍子を多用している/斬新な音響を持つ音楽/同人音楽などを中心として色々と聴いています。
Math Rock , Mathcore , Djent , Juke/footwork , Hi-tech , colour Bass , 現代音楽が特にお気に入り。

BMS界隈などでPhleguratoneとしても活動中。

I'll follow you back when SC lifts the follower limit (!)
Loving listening to everyone's music on here :-))))))))))

My friends make good music -  Kain. for the deep and @vmprmyth for the ridiculous. 
They'll be more than just household names, and You will regret not getting acquainted sooner (with all due respect).

https://www.youtube.com/user/DRORELIMELECH120V

https://www.facebook.com/dror.elimelech.338/


ACOUSTIC AND   ELECTRO-ACOUSTIC  COMPOSER .
STUDIED  COMPOSITION WITH  SERGIU  NATRA .
ELECTRONIC AND  ELECTROACOUSTIC  MUSIC  WITH YIZHAK  SADAI .
PIANO  --  WITH  PNINA  SALZMAN  , BART  BERMAN  , AVI  SCHONFELD .
CONTEMPORARY CLASSIC  COMPOSER , ACOUSTIC ,
ELECTRONIC AND  ELECTROACOUSTIC   MUSIC , 
EXPERIMENTAL  MUSIC . SOUND  ARTIST .
IMPROVISATION AND INTUITIVE MUSIC .
PIANIST .
ACCORDION AND  RECORDER  PLAYER .
FOUNDED  AND  CURATED    2  SERIES  OF  CONTEMPORARY  CLASSIC  MUSIC   IN TEL AVIV  ,  ISRAEL  -- 
 " NIGHT  HAPPENING -  FORUM FOR EXPERIMENTAL MUSIC "    1986  -  2007
" OTHER  ISRAELI  MUSIC "      1985   -  1987
MANY COLLABORATIONS  WITH  POETS , ACTORS , DANCERS ,  PAINTERS ,
 VIDEO ARTISTS , PERFORMANCE  ARTISTS .
MORE THAN  120  PREMIERS  OF  NEW  CONTEMPORARY  CLASSIC MUSIC - 
ACOUSTIC , ELECTROACOUSTIC , MULTI-MEDIA  --  WERE  PRESENTED
IN  HIS  SERIES DURING  23  YEARS OF ACTIVITY .
HIS  MUSIC WAS  PERFORMED  IN  EUROPE , CANADA , USA .
WON  VARIOUS GRANTS AND PRIZES .

entoptic (2018) for percussion and live electronics (first performance)

RichardBarrett