Title and closing track from the new album “Harsh Vulnerable” 
https://moodexhibit.bandcamp.com/album/harsh-vulnerable

Harsh Vulnerable explores a heavier more somber sound for M.E.; with emphasis on post rock elements and more acoustic tonalities. It serves as a cathartic/coping expression for what I have been going through on both a personal level as well as the bleak global outlook.

This song in particular is perhaps my most cathartic work - expressing a gamut of emotions

Harsh Vulnerable Album

Mood Exhibit - Harsh Vulnerable 1 & 2

NEW ALBUM OUT - "WELCOME ANOMALY"- https://moodexhibit.bandcamp.com/album/welcome-anomaly 

Mood Exhibit is the sound expression outlet for Robert Salchak. Exploring the genres of electronic (IDM, electro, ambient), post classical, and melody laced soundtrack styles. The music of ME has a strong emphasis on visual texture and emotion.

If you use generative AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

Now available- Blink Twice - Newer Unknown Breeds 
https://moodexhibit.bandcamp.com/album/newer-unknown-breeds-expanded-edition

Expanded version of Blink Twice's 2nd album (originally released 1998), with bonus never before released material from 2000-2003

"Newer Unknown Breeds" was at the time a further development in sound for Blink Twice. The album expanded on the techno and electro genre much more than Blink Twice's debut "Other Locations". There was an increase usage of sampling on this collection of material, often with looped effects incorporated to add further density. With the blend of tribal and industrial elements remaining, it serves as an adventurous concoction of experimental rhythmic and darker ambient electronic music.


For the full scope of my output including new Blink Twice tracks,  I direct you to my main Mood Exhibit account- https://soundcloud.com/r-salchaks-mood-exhibit
Blink Twice  is my alter ego project of electro/industrial/dark ambient/experimental.
This account has no more room for uploads, but Blink Twice still exists as my dark subconscious -
Reposts and support of like minded artists will continue on this page. Thank you for your interest

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out

VIBRATION IS ALL ,
ALL IS VIBRATION ..
https://youtu.be/GAVbHvDF3A8?si=u64N-z2TUBbBtU8q
https://www.youtube.com/@walks.akadannystylusjnr.9346
various musical scratchings . solo or with the occasional friendly guest or three  . Macclesfield . get your ear goggles on !!
I LOVE TO COLLABORATE :-)

AND my favourite self penned songs with THE CHINESE MARBLES  and THE ENERGY NIPPLEZ (on 'here') .. 
i wrote them in various guises , a few bands and some solo ,  .   .
 ALL SONGS AND MUSICAL WANDERINGS ARE WRITTEN BY RJ.WALKER unless it's a cover  or THEY ARE THE RESULT OF COLLABORATION 😎🌟
SITAR and Turkish Saz

electronic creations, mutations, machinations

Official Soundcloud for Dark Electro Producer Scratch Kelly 
West Coast, Tasmania 
Darkwave + Dark Ambient + Wave + Experimental + Industrial

Scratch Kelly constructs a synthesis of dark ambient, industrial and wave music. She creates a diverse sonic landscape, from brutal and unforgiving industrial sounds to dreamy dark wave territory marked by melodic synth bass so deep you could drown in it. Her music is designed to bring a sense of realisation, contemplation and healing to the darker places of the psyche.
First surfacing in 2018 with as part of the Hobart based duo Soundtractor, and moving onto solo music production in 2022 with a series of self-released EP's and albums. 
All tracks guaranteed AI free.

New album out at Bandcamp
https://laar.bandcamp.com/album/movere-ii

More music available for Download at Bandcamp
https://laar.bandcamp.com/album/sherbet-interlude
https://laar.bandcamp.com/album/ontologie
https://laar.bandcamp.com/album/kernproblem
https://laar.bandcamp.com/album/actio-iniuriam
https://laar.bandcamp.com/album/pax
https://laar.bandcamp.com/album/medusalum
https://laar.bandcamp.com/album/movere
https://laar.bandcamp.com/album/glimmering-downbeat