I'll "rise my glass with you" to this lovely freely expressed piece Richard.

Reminds me of Phillip Glass or Hans Zimmer!! Well done :)

Nicely done.....
Bravo
👏👏👏👏👏👏👏👏

Aside from musical satisfaction and $$$ - the motivations for artists to keeping going can be an addiction to the love from the audience.

SCREAMING AND THROWING UNDIES

Take my time with plug-ins
Connection satisfaction
Waving arms like a summons
Pointy introductions
And soon I’m ridin’ minor sevenths
Endorphins in my canal
I’m like a godly presence
As music funks it’s way around

But the pessimist inside – says shoot me your lovin’ arrows
Cause the deficit is – oh - the needing of something so shallow
Gimme screaming and throwing undies (love me love me love me)
Gimme screaming and throwing undies

Career or labour of love
Try and define it
Eyeing up those at the front
Is anyone buyin’ it
I’m phrasing out the words I wrote
Looking for misty eyes 
Reaching for a soulful note
Into clover wrap me tight 

Nature’s opium ride
Musicality
Bathing up here in spotlight
Dopamine alchemy                             Yeah I’m riding . . .

SCREAMING and THROWING UNDIES

no espero mas

Hoping you enjoy this little "Ditty"

Many thanks for all of your kind feedback plays and playlists, what a wonderful community Soundcloud is!

 Music and lyrics  (c)  Vocalatti

LA VIE

Happy New Year Everyone! 
It's been a bit of a crazy and dark year, but...
It's a joy of being here listening to Your music and share with You mine for the entire 2023. I'm looking forward for Your next Year music. 

This is my newest, one evening project. I'm posting this as an experiment ;) This is me as I am, playing live in one take, then edited it a bit... It was a total improvisation... The piece developed as I played it. Apart from the background music, nothing was thought out. What came out is what came out ;)
It was a test of my new keyboard Nektar Impact GXP61 which I got for Christmas from my mom. Sorry, my left hand really feels like wood ;) But now I have a reason to make it move and play... And this was pure fun to make :) 

Thank You kindly for listening and I hope you like it at least a little bit!

This is small project in which I've used only 3 instruments: Spitfire Originals Epic Brass + Woodwinds - Woodwinds Live, Originals Media Tool Kit - Piano and VSL Free Celestial Strings.

On the photo is my "gear": old - on my desk and new - on the drawer shelf :)

Let's Rise the Glass Again

Let's Rise the Glass Again (improvisation)

Hexfarm is

Phil Bywater - Saxophones/Flutes
Dane Renshaw - Drums
Mat Ward - Bass Guitar/Vox

Track 2 from Hexfarm - who meet once a year to jam for a couple of days then head back to their various corners of the world : )

Cost/Benefit Erection - Hexfarm

Translated after the French text

Vidéo Youtube : https://youtu.be/tIufYg0fDxY

Mieux Vaut Tard
Texte : Jefherson
Chant : Julia
Musique : Alain Illos

Texte: Jefherson
Chant :Julia
Musique : Alain Illos

ll est des évidences
des choses qui vont de soi
dire ce que l’on pense
ce qu’on sent, ce qu’on croit.

Mais moi toute ma vie
Je gardais tout pour moi
Comme un loir endormi 
engourdi par le froid..

Etait-ce par pudeur
Par peur de m’exposer
D’ouvrir un peu mon coeur
Ou simplement d’oser.

Montrer peur ou colère
Inquiétude ou tendresse.
N’était  pour toi mon père
Que choquante faiblesse

Sois un homme mon gars !
Cogne fort et encaisse.
 
Surtout ne pleure pas !
C’est bon pour les gonzesses

Rester copie conforme
A ce  modèle viril
Ne pas braver la norme.
Voilà. !Ainsi-soit -il !

REFRAIN    

Mais est venu le jour
De remise en question
Toi touché à ton tour
Par ton opération


Pour toi bien difficile
La maladie soudain
Te révélait fragile
Ou simplement humain

Aux portes de la mort
Tu m’as dit ton amour
En moi, il vit encore
Et il vivra toujours.
Tu m’as dit ton amour
Mieux vaut tard que jamais
Je t’ai dit à mon tour
A quel point je t’aimais...

 Better late than never

Some things are obvious
things that go without saying
to say what you think
what you feel, what you believe.
But all my life
I kept everything to myself
Like a sleeping dormouse 
numbed by the cold.

Was it out of modesty
For fear of exposing myself
To open my heart a little
Or simply to dare.
To show fear or anger
Worry or tenderness.
For you, my father
Only shocking weakness

Be a man, boy!
Hit hard and take it.
Above all, don't cry!
It's good for the chicks

Stay a carbon copy
To this virile model
Don't defy the norm.
So be it!

REFRAIN    

But the day has come
Of questioning
You in turn
By your operation
For you very difficult
Sudden illness
Revealed you to be fragile
Or simply human
At death's door
You told me of your love
In me it still lives
And always will.
You told me of your love
Better late than never
I told you in turn
How much I loved you...

Mieux Vaut Tard  avec Julia

Little Country Interlude (For two guitars & bass)

Not So Fast

Cast of Characters:

~Mark F-- @mark_fosella -- bass guitar, composition
Llanpsych -- @llanpsych -- Tez – first screaming electric guitar
TexMex Shaman–@texmex-shaman –Stephen– second psychedelic electric guitar, production, and mix
J.J. Terrell–@j-j-terrell –electric piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-organ
This song is the first The Eclectic Collective has done with Mark, and we all had a great time making it with him. This song started with Mark, who is a bass player's bass player, giving his raw bass track to Ken, who brought it to the group. Ken laid down his exciting drums to match Mark's bass line before anything else happened, though. Once we had a rhythm section, JJ laid down his dancing electric piano. Once that was in place, Josh laid down the organ. Then it was time for the guitars, played electrifyingly by both Tez and Stephen. Tez plays throughout most of the song, and Stephen added his part towards the end. Stephen also mixed this for us expertly, as always. If you have a beverage in your hands, you might want to set it down. We hope you enjoy listening to this as much as we enjoyed making it.

Esophagus Metamorphosis- - The Eclectic Collective

The One That You Choose 2024

Volume Delta: Fanmade Disc Collection

For now I'm not using A.I. while creating my music. I share songs generated by A.I. only for informational purposes to make the unaware aware of the coming revolution in music.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left until April 2022. My music is created in Ableton Live Intro (until december 2022) and Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

Let's Rise the Glass Again (improvisation)

R.U.R.

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