Percussion from Sound Source fundamentals Metals sample packs
https://soundsourcefundamentals.com/products/sample-pack-008-metals-iii

https://soundsourcefundamentals.com/products/sample-pack-007-metals-ii

https://soundsourcefundamentals.com/products/sample-pack-006-metals-i

Synced Circuitry

Jeremy J. Saks - Synced Circuitry

FLYING TURTLE

Missin U2

I am very proud to announce that this track was part of @belial-pelegrim's podcast for Bricolage Records, and I really appreciate it. You can listen to this fantastic mix of musical art from many SoundCloud artists here: https://www.mixcloud.com/BricolageG5/bricolage-podcast-111-belial-pelegrim/

Thank You so much for over 1400 plays! ❤️

Something terrifying is coming to our house for dinner.
Will it eat WITH US or will it eat US? 😱😉

The spooky season has started and I took up the challenge of creating a slightly disturbing atmosphere in my music. It was another quick production. Here is the result. Certified A.I. Free production.

To craft this piece I've used mostly patches from built-in Ableton Live synth: Drift with little help of, also Live's, Instrument Rack's patches and (the premiere in my compositions) free plug-in from Sonuscore (@sonuscore), The Orchestra Elements - STRINGS Full Sustain patch.
https://www.sonuscore.com/shop/the-orchestra-elements/
Samples used:
Impact Layered Reversed, FX Dark Impact, Kick Reverse Bghn, E-Piano Reversed Cmin7, Crash Dry Session Hard 2, Crash Bluesbreak from Ableton Lives's Core Library.
Drum MIDI Loops:
709 Kit groove 11-128bpm
709 Kit groove 10-128bpm
both from Ableton Live's Pack "Singularities"

Thanks go to my friend/test driver/ideas giver: ꝁ𐌰v̷̷v̷̷ꝁ𐌰 @grzegorzkawka and my reviewer @bartosz-podborowski-179897410

I sincerely hope that You may like it at least a little bit. Let me know in the comments 😊 Thank You very much in advance for all Your plays, likes and shares 🙏💛

Picture in thumbnail: darksouls1 @ Pixabay

Something Scary is Coming for Dinner

Got No Go

Another day servicing drones in the Sea of Rain.

©2025 Tom Emmons All Rights Reserved.

Got No Go

I've set the mood.

Presenting "ELARA" - Sisyphus & His Stone (The Perpetual Refresh & The Lagging Connection)

Sisyphus & His Stone is used to describe any effort that is laborious, futile & repetitive.  It highlights the frustration and meaninglessness associated with ELARA's tasks, often encountered in various aspects of her life from work to personal struggles.

Original Lyrics 

I really don’t want to bore you
but then again I can’t ignore you

so its
One step forward
two steps back

Taking two steps forward
Taking one step back

Woke up with the sunrise, a fresh page to write
Left the shadows behind me, stepped into the light 
Had a vision, a clear path, felt the wind at my back
Every stride was a promise, no turning, no looking back 
Built a little momentum, saw the future unfold 
A story of rising, brave and bold 
Thought I'd finally broken free, from the weight I had known 
On solid ground, I thought I'd finally grown

(Chorus)
 But it's one step forward, two steps back, a cruel, familiar track 
Just when I think I'm gaining speed, the world pulls me back 
Like Sisyphus and his stone, forever climbing steep 
Every victory feels borrowed, every promise hard to keep
One step forward, two steps back, the rhythm of my soul 
Trying to reach the finish line, losing all control
Then the phone rings, a sudden jolt, a bill I didn't see 
Or the car breaks down again, just when I felt free 
A whispered doubt from yesterday, echoes in my head 
All the progress I had made, lies broken, unsaid 
The energy drains from my bones, the fire starts to fade 
Another dream postponed, another promise betrayed It's a familiar ache, this sinking feeling deep 
As all the ground I gained, I just can't seem to keep

(Chorus)
And it's one step forward, two steps back, a cruel, familiar track 
Just when I think I'm gaining speed, the world pulls me back Like Sisyphus and his stone, forever climbing steep 
Every victory feels borrowed, every promise hard to keep 
One step forward, two steps back, the rhythm of my soul 
Trying to reach the finish line, losing all control
How many times can I stand up, when the fall feels so profound? 
How many times can I rebuild, on this unstable ground? 
The spirit's weary, the hope is thin, but something stirs inside 
A stubborn whisper, telling me, there's nowhere left to hide 
From this endless push and pull, this fight I have to face 
To find the strength to start again, and run this endless race

(Chorus)
Still, it's one step forward, two steps back, a cruel, familiar track 
Just when I think I'm gaining speed, the world pulls me back Like Sisyphus and his stone, forever climbing steep 
Every victory feels borrowed, every promise hard to keep 
One step forward, two steps back, the rhythm of my soul 
Trying to reach the finish line, losing all control

Yeah, one step forward, and two steps back... Just gotta find my way... back on track.


Produced in the
ARAPA Music Studio, Sydney - Australia

#azcreativestudiosydney #elarastory

ELARA - Sisyphus & His Stone

Lady  Night

Originally written in 2003 as a sharp-edged guitar rock song, Metamorphosis has now been reborn in 2025 as a dark electro-industrial track.
This song tells of escape, violence, and the collapse of ethics—reflecting the transformation of both the music itself and the artist behind it.
A document of metamorphosis across two decades.

2003年にギターロックとして生まれた楽曲「Metamorphosis」を、2025年の今、インダストリアル／ダークエレクトロとして再構築しました。
テーマは「逃走」「暴力」「倫理観の崩壊」。
20年以上を経て変容した音楽と自分自身、その軌跡を刻み込んだ一曲です。

[OUT NOW] Metamorphosis

PREMIERE: Claus Pieper - Kaya (Vocal Edit) [M-Sol DEEP]

Buy on Beatport
https://www.beatport.com/release/kaya/5534963

PREMIERE: Claus Pieper - Kaya (Vocal Edit) [M-Sol DEEP]

The Second Reinassance

Merrow

If you use generative AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

Something Scary is Coming for Dinner

R.U.R.