World Ambient Progressive Drum & Bass Dub Soul Dream pop.

Down to Earth. (Dedicated to COSMIC KEANU. AUDIODISCIPLES.

Terry Reeves:  Vocals
Gary Reeves:  Drums
Hans-Michael Albers:  All other instruments, Arrangement & Production
(From the forthcoming album ‘From London To Hamburg’)

Photograph and post production by Dan Duchars.
Hans’ video: https://youtu.be/Lm8WoxCegRE?si=XFq1zX8Gkz3oLDmH

When you’re brainstorming ideas for album covers, you never really think they might involve placing yourselves in the middle of a road as traffic bears down on you.  However, that is precisely what we did.
Now I’m not one to tell tales but it was all Gal’s fault.  He thought our front cover  should feature an image of the entire band, which was quite compelling aside from the fact that we lived in London, Hans in Hamburg and have in reality never met.  But Gal had a mate called Dan (who lives in Norfolk, hence the title), a professional photographer whose comprehensive knowledge of Photoshop could bring the three of us together.
We’d always loved the pre-fame, Astrid Kirchherr portraits of The Beatles, taken during their club-playing, Hamburg days and two of these became our template - in focus subject occupying the foreground, covert and blurred figure (in our case, 2  figures) in the distance.
And so it was that, armed with a pin-sharp shot of Hans, we met with Dan to photograph the background scene which, as outlined previously, was in the middle of a busy side road.  Camera in hand, Dan teetered on a plastic crate as Gal and me  dodged back and forth to avoid a plethora of oncoming vehicles - everything from lorries to mobility scooters - who were, on the whole, very accommodating in the circumstances. Some even smiled and waved - at least I think that’s what they were doing…
We owe Dan so much, not only for his consummate skills and kindness but also for laying his life on the line in the name of art.  This song is for him.  (Terry Reeves)

I met a man called Dan holding a magical light
Viewing future moments, giving individual sight
Shadows from Hamburg, combination of skills
Show London reflection of a figure standing still

Chorus:
A flash of light, picture to follow
In black & white, diverse as tomorrow

Stand high in right places, enchanted vision of art
Friend of ageing musicians, sorcery skills from the heart
A Wizard conjuring cover, Kirchherr’s copy of claim
Painting light into a picture, producing Album in frame

Chorus

Viewing from height - sparks of vision
Seeing it tight - artist precision
Know left from right - avoid collision
Negative in sight - develop position

Chorus

Confidence in commitment, enjoying musical tracks
Working four to an image, platinum vinyl plaque 
Black and white cover photo, a clue why, when and who
Monochrome life connections, enjoy vision past to new

Chorus

A feeling it’s time to give a show
A feeling making history grow
A feeling, a feeling only one way to go
A feeling thinking fast going slow
A feeling Duchars photos will glow
A feeling CC one day will all know

FROM NORFOLK TO LONDON  - CRIPPLE CLUB  (Video)

I am very proud to announce that this track was part of @belial-pelegrim's podcast for Bricolage Records, and I really appreciate it. You can listen to this fantastic mix of musical art from many SoundCloud artists here: https://www.mixcloud.com/BricolageG5/bricolage-podcast-111-belial-pelegrim/

Thank You so much for over 1400 plays! ❤️

Something terrifying is coming to our house for dinner.
Will it eat WITH US or will it eat US? 😱😉

The spooky season has started and I took up the challenge of creating a slightly disturbing atmosphere in my music. It was another quick production. Here is the result. Certified A.I. Free production.

To craft this piece I've used mostly patches from built-in Ableton Live synth: Drift with little help of, also Live's, Instrument Rack's patches and (the premiere in my compositions) free plug-in from Sonuscore (@sonuscore), The Orchestra Elements - STRINGS Full Sustain patch.
https://www.sonuscore.com/shop/the-orchestra-elements/
Samples used:
Impact Layered Reversed, FX Dark Impact, Kick Reverse Bghn, E-Piano Reversed Cmin7, Crash Dry Session Hard 2, Crash Bluesbreak from Ableton Lives's Core Library.
Drum MIDI Loops:
709 Kit groove 11-128bpm
709 Kit groove 10-128bpm
both from Ableton Live's Pack "Singularities"

Thanks go to my friend/test driver/ideas giver: ꝁ𐌰v̷̷v̷̷ꝁ𐌰 @grzegorzkawka and my reviewer @bartosz-podborowski-179897410

I sincerely hope that You may like it at least a little bit. Let me know in the comments 😊 Thank You very much in advance for all Your plays, likes and shares 🙏💛

Picture in thumbnail: darksouls1 @ Pixabay

Something Scary is Coming for Dinner

Listen here↓
 https://linkco.re/YummYAza

Sierra Maestra

This is one about the election. The first line, I heard a lot on the news and talk shows right after the outcome, reassuring worried people that our country will make it through. I am not convinced we will, either way, it’s going to be a totally different America after these 4 years.

This song seemed a little over the top, so I went ahead and put in a gospel choir and a searing guitar lead just to make sure lol.

Sorry I haven't been on SC very much lately, I'm learning a new software app for my paying job and it is not making life easier, like I thought it would. I will be back soon!

And please pardon the vocals

I believe we’ll be okay
We’ll win this fight another day
Still, I would do it all again, because right is on our side,
And the truth can turn the tide
 
When kindness wins over greed
 It’s true that love is all you need
But If fear rules your life, your humanity will leave you
And then it’s hard to see the light
   
It seems to me // we’re all in this together
Money never will define a person's worth
And I realize, that nothing lasts forever
But we were meant to be good stewards of the Earth

I believe in you
And I hope that you believe in me, too
You  see, love has not died
It is lost somewhere inside
Our  spark will  bring it new life
So don’t give up, neither will I
Be who you        are and never hide 
If we raise our voices to the sky 
Love will not die!

We'll Be Okay

I'm very pleased to share our first collaboration with the talented pianist Vicenzo Piano. I hope you enjoy this beautiful piano and orchestral piece!
https://soundcloud.com/vicenzopiano
https://www.youtube.com/watch?v=ArJWBJ3_olE
Composition & piano performance: Vicenzo Piano
Arrangement & orchestration: Franck Charles

Vals De La Luz

In the late 1800s, the word rhapsody was translated into Japanese as "mad music." In Buddhism, "mad" means "funny" or "fantasy." It's thanks to the hard work of translators that Japanese people can understand the meaning of that famous song, Bohemian Rhapsody.

Rhapsody in Osaka（323）

LYRICS

I want to stay
I want to stay home
I want to stay home

I want to stay home
Don't won't to be gone
Pay the yard man through an app
Pay the food man through the slat
Don't talk to me today
Don't talk to me today

I want to be like the pets
Dogs and cats that stay inside
While you're at work
If people knock I'll run and hide 
Run and hide

I want to stay home
It's all on my phone
Get my religion from YouTube
White Lotus has me glued
Leave me alone today
Leave me alone toady
Leave me alone
Want to stay home

I want to be like the pets
Dogs and cats that stay inside
While you're at work
If people knock I'll run and hide
Run and hide

I want to stay
I want to stay home
I want to stay home

People Pleaser

Want to Stay Home

Following the final release of his EP trilogy series ‘Order’, ‘Chaos’, and ‘Balance’, Bon-Psy has united the projects together into a forthcoming album, with a clutch of additional remixes from some cherry-picked producers at the cutting edge of their respective electronic styles. 


This first new take comes from Barcelona-based, Italian electronica duo Palladian who have successfully carved a unique space in the dance/electronic scene and are fresh off the back of releases with respected downtempo imprints Loci Records and Anjunadeep. The pair blend evocative harmonies, organic textures and dynamic grooves in a club-ready mix that sounds good regardless of season or setting. 


Presenting a sun-kissed rendition of ‘Warm Fuzzies: The Glory’, with deep low-end grooves, prismatic atmospherics, airy pads and minimal percussion, they give the track a weightless, euphoric quality. The result is less of a straightforward rework and more of a complete shift in perspective - a parallel rendition where the pair implement the same melody but tell an entirely different story, all channeled through the lens of dance-leaning electronica.


The duo boast an impressive, wide array of collaborations with heavy hitters in the scene such as  Emancipator and Tor, alongside live performances with Tycho, Parra for Cuva and Catching Flies. They have become a staple of playlists at Spotify and AppleMusic and boast radio support from the likes of SiriusXM, BBCRadio1, 6Music, and more.


Bon-Psy is equally as lauded by the tastemakers, garnering attention from BBC Radio 1, BBC6Music , Bandcamp Weekly, and a plethora of streaming editorial playlist adds such as Genre Glitch, Fresh Finds Experimental (Spotify), New In Electronic (Apple Music), Reverie (Tidal) and Brand New UK (Deezer).

https://bon-psy.bandcamp.com/album/warm-fuzzies-the-glory-palladian-remix

https://soundcloud.com/foldedmusiclabel
https://soundcloud.com/bon_psy
https://soundcloud.com/palladianmusic

PREMIERE: Bon-Psy - Warm Fuzzies (The Glory) (Palladian Remix) [Folded Music]

Drifting apart (BnF)

The Architects Dream

Beyond the Clouds

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

Something Scary is Coming for Dinner

R.U.R.