Latest five releases. Updated after new release.

The Recent Five

Collabs

Masters of Guitar

Everytime

Late 2025 Soundcloud Playlist

2025, October

Ultra Creative Sound Works 🎶🧰🧲

The tracks I’ve been listening to recently

Infinite Jukebox w/c 3 November 2025

Copy of Your Mix 1

♥️ Thank You very much for over 1800 plays! ♥️

This track is a tribute to genre which flourish in 90's, a love letter to bands like US3, Jazzmatazz, Incognito, Brand New Heavies, Groove Collective and of course Miles Davies and his marvellous "Doo-Bop".

I started working on this piece around July 2022. I've stuck on my inability to do any advanced jazz solos/improvisation and embellishments so this track ended up in my "musical drawer".
Luckily, after finishing my previous piece "Vital Signs", where I used sax VST, I shyly approached Jörg aka @joerxworx with a request to evaluate my saxophone scribbles and a proposal to finish my unrealized piece.
Jörg turned out to be a nice, understanding guy who willingly joined this project. At this point, I would like to thank him very much for this wonderful contribution to this piece, a lot of advice he gave me and a lot of patience for my slow work.

If You like this piece You should definitely check Jörg's page, he created lot of amazing tracks!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> @joerxworx <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<

@r-u-r-pl R.U.R.: Composition, Programming, Mix and Mastering, VST Sax, VST Muted Trumpet, VST Drums, VST Piano, VST Bass and VST Misty Sky Hit from Kontakt's Lo-Fi Glow Library.
@joerxworx Jörg S.: Tenor Saxophone – embellishments and solo, lots of advices on mix and mastering

I've used 1 sample loop: Jazz Brushes 70bpm from Ableton Live's Core Library.

Thanks for reading this, listening to our track, and I hope You will enjoy it as much as we enjoyed working on it!

Cover photo from Pexels by cottonbro studio.

The Two of Us

Buy/Stream: https://anjunadeep.co/reim.pbt
Listen to Anjunadeep New Releases: https://anjunadeep.co/newreleases.pbt
Discover the Anjunadeep Discography: https://anjunadeep.co/discog.pbt
Listen to Anjunadeep Radio 24/7: https://anjunadeep.co/radio.pbt
Release Date: 13th December 2023

Marsh closes 2023 with five reworks of some of the most sought-after tracks from his catalogue. 

Over the past year, UK-born and US-based progressive house sensation Marsh has achieved remarkable success with the release of his third artist album, 'Endless,' which has already garnered over 15 million streams since its February debut. 

His global touring ventures have seen him sell out shows in major cities like New York, Los Angeles, Toronto, London, Paris, Amsterdam and Mumbai. The launch of his 'All Night Long' club show, featuring extended sets, has been a hit in the US & UK, with upcoming dates at London’s iconic venue Fabric and The Chocolate Factory in New York. 

‘Pneuma’ the frist track on his album ‘Endless’ now features Tom’s long-standing collaborator and friend Jodie Knight in her new alias ALLKNIGHT, with a steady groove and dreamy vocals opening the track, ‘White Lie’ dances between a deep bassline and ethereal and soft piano textures. On this rework of ‘Heaven’, Tom blends in the syncopated vocal and synths of the original with the classic Reese bass, giving the track extra energy. The Dream Mix of ‘Free’ leans on the vastness of its strings and ambient vocals while still using Marsh’s signature grooves, ‘Pretty Eyes’ (Reflective Mix) maximises all its melodic elements, creating an addictive and euphoric groove and lastly, new ambient and percussive elements set-apart the Euphoria rework of ‘Love’ from its original. 

Follow Anjunadeep:
Website: http://www.anjunadeep.com
Facebook: http://www.facebook.com/anjunadeep
Twitter: http://www.twitter.com/anjunadeep
Spotify: https://Anjunadeep.lnk.to/NewReleasesYo/spotify
Instagram: http://www.instagram.com/anjunadeep

Google+: http://bit.ly/deep-google‬
SoundCloud: http://soundcloud.com/anjunadeep
Youtube: https://Anjunadeep.lnk.to/DeepSubcc

Buy/Stream

Marsh - Pretty Eyes (Marsh’s Reflective Mix)

Buy: https://beatport.com/release/ascension/4386304 
Release Date: 2024-01-19 

► Yeadon ♫ 
https://soundcloud.com/yeadonmusic 
https://beatport.com/artist/yeadon/713448 
https://spoti.fi/3nHU29I 
https://instagram.com/yeadonmusic 
https://twitter.com/yeadonmusic 
https://facebook.com/yeadonmusic 

► Nickon Faith ♫ 
https://soundcloud.com/nickon_faith 
https://beatport.com/artist/nickon-faith/896838 
https://spoti.fi/3NZnyE0 
https://instagram.com/nickonfaith_music 
https://twitter.com/nickonfaith 
https://facebook.com/nickonfaith 

► 10 Steps North ♫ 
https://soundcloud.com/10stepsnorth 
https://beatport.com/label/10-steps-north/74175 
https://spoti.fi/34ik4Fu 
https://instagram.com/10stepsnorth 
https://facebook.com/10stepsnorth 

► Obsessive Progressive ♫ 
https://soundcloud.com/obsessiveprogressive 
https://youtube.com/obsessiveprogressive 
https://spoti.fi/476eGUc 
https://instagram.com/obsssveprgrssve 
https://twitter.com/obsssveprgrssve 
https://facebook.com/obsssveprgrssve 
http://obsessiveprogressive.com 

Submissions: music@obsessiveprogressive.com

Premiere: Nickon Faith - Ascension (Yeadon Remix)

Spiel Mir Das Lied Vom Tod  Remix By Magika Musik Nach Wunsch

Original by @ipg1 :
https://soundcloud.com/ipg1/the-alert
https://soundcloud.com/ipg1/the-alert-rap-vocals-150-bpm
Support and full time music collab:
https://soundcloud.com/r-u-r-pl

Used:
https://pixabay.com/pl/sound-effects/symphony-orchestra-tuning-before-concert-34066/
&
https://www.bandlab.com/studio
&
A lot of private software.

The Alert - IPG1 vs kavvka with R.U.R.

🎧 Out Now
https://ampl.ink/8DojG

Roald Velden ◢ 
Spotify: https://spoti.fi/3gn6J68
Soundcloud: http://www.soundcloud.com/roaldvelden
Facebook: http://www.facebook.com/roaldveldenmusic
YouTube: http://www.youtube.com/mindedmusic
Instagram: http://www.instagram.com/roaldvelden

Minded Music ◢
Beatport: https://www.beatport.com/label/minded-music/64661
Soundcloud: https://soundcloud.com/mindedmusiclabel
Facebook: https://www.facebook.com/mindedmusic
YouTube: https://www.youtube.com/user/mindedmusic

Letting Go

Stream / Buy

Roald Velden - Sequoia (Original Mix) [Minded Music]

❤️❤️❤️ Thank You all so much for over 2000 plays of this collab track! ❤️❤️❤️

On may 2024 (so it's passed 6 months...) @belial-pelegrim presented to the world Taffeta 189 which can be found here >> https://soundcloud.com/belial-pelegrim/taffeta-189. A masterfully crafted piece from his unfinished story-driven musical series.
From the very beginning, this track fascinated me to such an extent that a melody immediately appeared in my head. In a burst of self-confidence, I asked the Master for the file of this song so that I could put my melodic ideas into it, just like I did with Donak RV's song https://soundcloud.com/r-u-r-pl/duo-melodica-rur-nylon-guitar-remix. And the strangest thing is, he willingly agreed to my idea!
So I tried it and here we are. It's been a while since then, but I think I've finally finished it. I sincerely hope that you will like the effect of this cooperation.

If you are intrigued by this song and you haven't heard the music of @belial-pelegrim yet, and you would like to listen to more (I assure you, it's really worth it!), please visit his profile for more!

To add my two cents to this track, I used the following plugins:
Free Spitfire LABS - Electric Piano - Chorus
Free Spitfire BBC SO Discover - Trumpets, Flutes and Oboes
Free Native Instruments Kontakt 8 Player
Free Heavyocity Foundations - Staccato Strings
Replika XT effect
Free iZotope Ozone 11 EQ
ujam UFX Reverb - which I got for free during the promotion after the publication of this plugin
and also received for free from Novation for their 30th anniversary - iZotope Ozone 9 Elements

Taffeta 189 (R.U.R.'s Melodic Mix)

Mixed Signals

80s style rock/shred mess around track. Most of the solos and the main riff in this were originally ideas I wrote back around 2009/2010.
This was only supposed to be around 3 minutes long but whatever lol.
Most of the song was recorded on my fender strat.
All rights reserved

Street Legal

Winter Bossa

Original composition by Neno J.
Nylon electro-acoustic guitar Cordoba Studio GK, recorded directly using multi effect Hotone Ampero 100.

Face To Face (Guitar solo)

Original composition by Neno J.
Electric guitar Yamaha SG, recorded directly using multi effect Hotone Ampero 100

Fractal

ALL vocal sounds were synthesized.  All hardware instruments.  This song was inspired by the synthy soundtracks of '70s-'80s horror/sci-fi films.  Special thanks to my good friend, Allan Abrenica, for performing the guitar solos I composed.  Check him out soundcloud.com/lost-ph & https://soundcloud.com/ageara/tracks.  No one was bitten during the making of this song.
-

💀 ZOMBIES 💀 (inspired by '70s-'80s Horror/Sci-Fi movies 🎬)

Apotropaic

Bandcamp

Okeanos

NO A.I. INVOLVED
It all started in late 2022 while driving. I heard a song on the radio that inspired me to create this piece. I only heard it once, I don't know the author(s) or the title of this song.

After creating the core/mockup of the song, I presented it to Brian Butts (@brian-butts-565934842), which is amazing multi instrumentalist, and asked if he would record a guitar solo similar in idea to the solo from "The Break in Tranquility" https://soundcloud.com/r-u-r-pl/the-break-in-tranquility, which I had previously asked him to review. He agreed to this willingly and that's how my first ever collab was created.

I actually regret a little that this song is a bit too slow, but trying to speed it up caused Brian's solo to fall apart, and my skills don't yet allow me to properly edit it.

This song was lying in my "drawer" for over 2 years. I wasn't fully satisfied with what I did and its sound. I wasn't able to come up with a good Bridge and make it a full-fledged song. In the end I decided to release it as is. I only modified some parts to maintain the feeling of the progression of the arrangement.

Sorry Brian, my friend, that it took so long, but my perfectionism https://w.wiki/9XhH makes me constantly dissatisfied with what I do and often prevents me from finishing the songs.

Thanks to my friend ••kavvka •• (@grzegorzkawka), for his constant support, patiently listening to subsequent versions and lots of good advice.

To craft this piece I used
Ableton Live Standard
Ableton Live's Simpler
NI Massive
Spitfire Originals Epic Strings
Spitfire Originals Epic Brass & Woodwinds
iZotope Ozone 9 Elements
Impact Soundworks Shreddage 3 Stratus Free (only when the guitar enters)
Arturia Filter MS-20
Valhalla Supermassive (Free)
iZotope Ozone Imager (Free)

I also used 3 MIDI drum loops from free libraries in Ableton LIVE.

Thanks for listening. I hope You'll enjoy.

Picture in thumbnail made by me in Photoshop using a source Designed by Freepik: https://www.freepik.com/free-photo/still-life-with-scales-justice_33123996.htm

...And Justice for D-Punks

LEO - SPOOKY ISLAND (FREE DOWNLOAD)

I did not use generative AI support at any stage in the creation of this work.

When I started composing this piece in December, after buying Spitfire Originals Intimate Strings on sale, I had these thoughts: If this is what the future is going to look like, I didn't sign up for it. Although in my youth I read and watched a lot of SF films presenting both utopia and dystopia, I always preferred the bright future. However, what I see on TV, on YouTube and outside my window is starting to resemble the latter...

Despite this, I hope you like the piece at least a little bit

To make this track I used:
Ableton Live 11 Standard
Spitfire Originals Intimate Strings
Spitfire Originals Cinematic Percussion
Spitfire BBC SO Discover (free)
Soundpaint 1928 Vintage Steinway Grand Piano (free)
Arturia Augmented Voices
Arturia Augmented Mallets Play (free)
Strezov Sampling Afflatus Minimalist Violins Legato Freebie (free for Kontakt Player)

Beside plug-ins I used 3 samples:
Two from BBC Sample Library:
- Rioting - Riot in Belfast - with breaking glass, rubber bullets, distant cries and chants
- Chatter - Club atmosphere, busy mixed chatter at mealtime (mid-distance) - 1981 (1C25,reprocessed)
and from Freesample.org
Real War - Marines in Firefight Gunbattle (Raw audio) by qubodup

Picture in cover: Freepik

Future Perfect?

‘Part Of Your World’ is a song written by lyricist Howard Ashman and composer Alan Menken for Disney's animated feature film 'The Little Mermaid' (1989).

I’m deeply grateful to the great 'L'Orchestra Cinématique', a London based collective known for their incredibly epic covers and original pieces, for allowing me to make my own vocal version of their stunningly beautiful orchestral reimagining of this song.  

You can hear more of their magnificent work here: @lorchestracinematique-music

Thank you so much for your listening. Hope you will enjoy this humble rendition of mine. 

The music video is available via the following link: https://www.youtube.com/watch?v=yS2DKVPaEfI

Part Of Your World — The Little Mermaid (Cinematic Version) │Vocal cover by Anastasiya Ihnatovich

EDIT 2025-07-16: I am very happy to announce that thanks to this piece I won first place in this competition! 😍🥂🥳

EDIT 2025-07-07: I reuploaded track because I've messed a little in "original" part. Now "my part" is much more different from the original

No AI was involved in creation of this track.

Track made for Spitfire LABS Discord competition.

At the beginning (up to 0:18) and at the end (from 2:23) – a short fragment of the theme song for the AppleTV+ series "Severance" by Theodore Shapiro which can be heard in its entirety at the link below. I highly recommend it! The opening credits of this series, as well as the entire series, are worth seeing.
https://www.youtube.com/watch?v=NmS3m0OG-Ug
Yes, I know, I've bite off more than I can chew, but whatever... I guess it's worth tackling such a great and catchy musical theme ;)

The idea was to "Write a short piece (1-2 mins) that starts with a recognizable melody in it’s original form, and then take that melody and reinvent it in your own style. Use one or more of the first 10 LABS packs that were released for this, but feel free to incorporate any other tools you’d like."

To made this track I used:
Ableton Live 11 Standard
Spitfire LABS Libraries:
(Original Theme)
Soft Piano
(Reimagined Theme)
Amplified Chello Quartet
Strings
Electric Piano
Intimate Piano
Lap Steel
Wurli
Beside LABS I used:
Strezov Diamond Jazz Trio Freebie
and two MIDI loops (both from Ableton Live packs)
Gravity Werks Kit - 105 bpm and
Shaker Chance 126 bpm

Picture in thumbnail is a part of original poster from the show: http://www.impawards.com/tv/severance_ver2_xlg.html

Severed ("Severance" Theme Reimagined for Spitfire LABS competition)

Attempt on this inspirational track: https://soundcloud.com/petrus-major/kalia-beach-personal
I just added keyboard and tenorsax, each in on go.
I recommend listening to the Original, which is perfect !
The image is simply showing the Dead Sea ... not Kalia Beach !

Kalia Beach by Petrus Major // Keys Sax remix

create human time 4 bar loop with bodhrán / bongo and guiro for the DAW version
50bpm 6/4 I think
it's setup for strings this and that would allow guitar line as is as in it wouldn't need to get fancier

The Love Beside You

Look around
They're right beside you
Love doesn't change
It's forever new
It's found online when local fear deludes
Love, be beside us,
Cue breath merge deluge

Love is strong
It 'need not presence
It's miracle maker
Magic cosmic essence
'The love beside you faces contempt
Judgement of two
You and Me
Too much is meant

See, love is meaning with no explanation
Unconditional first to station
Spacial glow as Earth shines brighter
Heaven alive births peaceful mightier

Love is for now to make forever
It stays as love in accepting clever
Conscious of the mirrored being
Beside you, don't reflect that mean

Mean 'aint me
Mean 'aint you
Tilt away from scenes that don't ring true
Proof of love is just a feeling
Let's beautify Earth's eyes with beaming

Shining out to the other life
Look, Us humans do it right
We love their cells and not their look
We love existence framed how all eyes hook

Look around you
They're right there
Love doesn't change
Love is the forever prayer
It's found online when local fear deludes
Love beside us cue breath merge deluge
Our love is beside us
Our love is beside us

The Love Beside You (Demo)

Mark says - 
In the 5 years I have been working with Rod, I have been encouraged to reach as far as my experience allows me to, with complete support at all times. So far we have completed 11 songs and have experimented with several others that made for a great learning curve for me, with several more at other stages of development... Watch this space, however as we are methodical and patient, therefore it may take some time to get them off the ground.

The subject matter of this song may be based on a different scenario but it is also a token of my gratitude to my inspirational collaborator and friend Rod, who has given me much confidence to rise to the ambition of his musical creativity and meticulous arrangements. Thank you all for giving this song your time.

Rod says - 
This song was conceived a long time ago to be sung in Spanish, but Mark did a magnificent adaptation with his English lyrics, and the meaning is 100% faithful to the original spirit, even though he hadn't heard the original song in Spanish. Technically, there are three voices together, consolidating a multi-vocal performance. The synth sounds emulate my old analog and FM synths, and the guitars were routed through an old console to achieve the vintage sound I was looking for.

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix - @rplanes
Me - Vocals and lyrics
Image by Douglas Corrance

Thank You (Rodolfo Planes/Mark J Bennett)

I would like to tell you just how grateful I am,
And also how important you’ve been here in my life.
I know I don’t need to draw you a diagram,
Thank you for being there all this time as my wife.
I have to tell you just how good you’ve been for me,
And I hope that I have also been there for you,
When you needed me through all this trouble and strife.
 
No need to show me all of your gratitude,
I already know how much you show that you care,
When you were prepared to move to my latitude,
Then I was convinced I was ready to share,
My life with you whatever it threw at the both of us.
I know that it’s true, no matter what you care to say.
I’ll always need to express all of my thanks to you 
This will always be true on that I swear.
 
I would like to tell you just how grateful I am,
And also how important you’ve been in, in my life.
I have to tell you just how good you’ve been for me,
And I hope that I have also been there for you,
When you needed me through all this trouble and strife.
Then I was sure that I was ready to share,
My whole life with you, whatever that meant for the both of us.
I know that it’s true, whatever you say.

This song on Continental Collision's own cloud - https://soundcloud.com/user-517923604/thank-you

Also available on Spotify - https://open.spotify.com/album/5pfvPjop9XCJPrVL9a60U0

Thank You - Continental Collision (Rodolfo Planes & Mark J Bennett) on Spotify

The Legacy Project

Feels So Good (feat. Andréa Lisa)

So what now?

The pieces are set,
The board is occupied,
The main actors have taken their positions.

The inevitable is coming,
Fear fills hearts and minds.

Will what many predict come to pass,
Or will fate turn in our favor?

The core of our beings has been seized by the machine.
The art that defined us is being smothered by a flood of perfect artificiality.

Simulation of emotions, simulation of art, simulation of humanity.
Where do we belong?

Where is my place?

And what now?

--------


This is a piece I improvised on March 23, 2025. I was surprised at how well it turned out. However, I didn't know what to do with it. I couldn't think of anything more, so I'm publishing it as is, with minor tweaks (I literally added six notes in three places).

With this piece I am starting a series in which I will be posting rather uncomplicated, short pieces, created out of the need of the moment, under the impression of something specific.

To compose it I used only 3 plugins/sounds
Spitfire LABS Autograph Grand (piano) (free)
Spitfire Originals Intimate Strings x2 (in octave)
And one patch from truly amazing synth from Arturia: Pigments

I hope you like it at least a little bit.

Picture Freepik: https://www.freepik.com/free-photo/woman-portrait-with-blue-lights-visual-effects_26813733.htm

And What Now?

Tom's piano melodies are so inspirational, not just to me (Mark) but also to Jussi, Georg and Boon. The energy of this piece carried us all off on a wonderful journey. We hope you enjoy the joyful enthusiasm that Tom initiated. Tom also gave me the key line, 'My Way Through' and I had to run with it as it made so much sense with this uplifting and hopeful music. Thanks for listening.

Tom Regnier -  @tom-r-gnier Music composition, piano and other instrumentation
Jussi Welin - @juswel First guitar and guitar arrangement
Georg Boehme - @georg-boehme Horns and horn arrangement
Boon Suzuki - @boon-suzuki Final guitar and guitar arrangement
Mark Bennett - Vocals and lyrics

Wherever you’re bound you know I’ll, 
Make my way through 
Sure may take a little while
 But I’ll make my way through

Wherever I’m bound I know I’ll,
 Make my way through
 It may take a longer while 
Till I make my way through

Wherever you’re bound,
…You’re bound
I know that I’m bound, yeah!

When I get there you know I’ll
Make my way through
Sure may need a broader smile
But I’ll make my way through.

Before All This

I thought this is the feeling of the track. Hope you agree.......

The door is always open

Reposted with the added vocals of Lien.  My many thanks to Lien for graciously enriching this composition with his amazing talent. You can find more of Lien's wonderful music here https://soundcloud.com/lien-thag

Inspired by the poem "The Peace of Wild Things" by the American poet Wendall Berry.

When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.

The Peace of Wild Things (featuring Lien)

Lift your wings

When an unknown wind gently caresses my cheek, I feel glad to be alive.

Ordinary happiness is a gentle breath. (358)

CANDLE IN THE DARK (Timeless floating in Space - Paploviante)
Backing Track Paploviante:
https://soundcloud.com/paploviante-and-friends/timeless-floating-in-space-open-collab-offer
Vocals Alley ( Gosthack)
https://www.ghosthack.de
Lillithe: Mix, Arrangement and Production
Lyric:
A candle in the dark
And in your own fashion
You burned it to the ground
Its sad but it's true
I can't get over you
I'm trying to breath 
But I'm choked by the fumes
Set me free
I'm just trying to breath
Let it go
Cus I can't keep hold
If I told you that I love you
Would you let everything slide
If I told you that I want you
Would I run and hide?


CANDLE IN THE DARK (Timeless floating in Space - Paploviante)

An upbeat pop song which features a brass section and some cool acoustic guitar playing from Saul B. To me, it’s ended up with a retro 70’s feel even though I used a whole heap of synths to add some extra interest. I hope the arrangement works and I really hope you enjoy listening! 

Song - Heliopolis 5 and Saul B
Acoustic guitar - Saul B
Everything else - Heliopolis 5
Original image - Fengyou Wan on Unsplash

Steppin' On Out

wait by the window
pray through the sight

for a dollar
in my pocket
for my country
who’d have thought?

don’t stand by the window
outmanned and alone

after drinking
(check my cheekpiece)
i can hit it
(pull the bolt back)
without thinking
(keep my hands loose)
what i’ve done

i’m waiting now by the window
i don’t know how to get home

for a dollar
in my pocket
for my country
wrong or right

after drinking
(check my cheekpiece)
i can hit it
(pull the bolt back)
without thinking
(keep my hands loose)
what i’ve done
-------------------------------------------------------------------------------------------------
Thanks to Janine Levinson and Cheesemont Paisely-Paisely for early listening and encouragement.

Special thanks to Wheelwright for sage editorial advice.

Image by Chandler Cruttenden via Unsplash



Window

My sister Cindy wanted me to write music for her. It is becoming increasingly hard to play and that makes me sad.  I have lay so far back in my powerchair that I can't see the controls. I can't tolerate sitting up, it's too hard to breathe. Some days I can't even get out of bed.

My son attached a projector to my computer so my screen is now 6'x4', and I have a small keyboard I hold in my hand. So I try to keep up, but it takes much longer to do anything. ALS is not easy to deal with. It's important to stay positive and make good use of the time I have left.

Something To Remember Me

A tribute to all those hours in the life that we loose with utterly senseless stuff and that vanish into oblivion. Not the hours that we loose on necessary evils like household chores but rather the ones like doomsscrolling where we know, we could and should have used them better. But then in the end - does it really make a difference in the long run?
 
Three times the same motive with different turns after a few seconds respectively (at @0:00, @0:57, @1:50).  And an appendix  @2:19 with an open quesion and the hint of an answer.

Again, this composition will come with lyrics in due course, however, since I don't have access to my studio currently, this will take some time - will likely publish some other things before.

Thanks to all of you for listening and supporting my work!


Elegy for the Hours (Contemporary Piano Miniature)

Fading lives,
Fading memories,
Fading senses,
All fades...

On All Saints' Day and All Souls' Day, let us remember those who have passed away and surround with love those who are slowly leaving us.

Simple improvisation turned into track with only 6 instruments:
Arturia Analog Lab V – Mini V3/Stage-73
Arturia Pigments
Arturia Augumented Brass
Heavyocity Foundations Emotive Choir (NI Kontakt Player) (free)
Spitfire Originals Intimate Strings

I hope You like it.

This piece was created by a human without the use of any generative A.I.

Cover photo from Freepik

As You Slowly Fade Away

A bit late for the end of summer, but I hope you enjoy this melancholic atmosphere.

This is a song I started composing in August 2024, with the idea of ​​featuring a real guitar solo, especially at the end. This summer, I approached Chris Grant @chris-grant-554540731 about joining the project. He loved the idea, and what I've included here is the result of that collaboration. His solo made a huge impression on me, and I'd like to thank him for his fantastic contribution. Without that guitar, this song wouldn't exist! Thank you so much, Chris!
If you want to listen to more of his amazing music, please visit his profile: @chris-grant-554540731!

I hope you enjoy his contribution and our song as a whole!

Composition, programming, production and mastering - R.U.R.
Guitar additions and solo at the end - Chris Grant @chris-grant-554540731

To make my part I've used:
DAW: Ableton Live 11 Standard
Instruments:
Spitfire LABS (free): Soft Piano, Bell Swarm, Expressive Strings, Bass Guitar
Impact Soundworks Sheddage 3.5 Stratus Free (NI Kontakt Player)
Drum Loop: 64 Pads Dub Techno Kit groove 01_105 bpm from Ableton's Drum Essentials Pack
Samples: Ambient Crash (Live's Factory Content)
Chris used: Yamaha Revstar guitar and the ToneX Mesa boogie reference signature collection – Mesa Boogie MKIV amp capture

This piece was created without the help of any generative AI.

Cover picture by me, at Grzybowo, Summer 2025

The Summer's End

Summer's End

This started with a very beautiful piano piece by Tom, then advanced by Jussi’s great electric guitar lead. I added an imagined lyric about someone not being able to commit to a relationship and the song was completed by Boon’s excellent acoustic guitar work. Thanks to all for their wonderful contributions. Thanks everyone for giving this a listen. Much appreciated by us all. 

Desamor by Tom Régnier, Jussi Welin, Boon Suzuki and Mark J Bennett

There’s an absence in my life, 
Perhaps of my own device. 
An awkward independence, 
Rendered me unable to share,
 My life with any other. 
Desamor, Desamor

There’s an absence in my life,
 Desamor, Desamor 
An awkward independence,
 Left me unable to share.
 Desamor, Desamor
 Keeping a distance from love and affection, 
Forbidding myself that joy.

There’s an absence in my life,
 Desamor, Desamor

Keeping a distance from love and affection, 
 Forbidding myself that joy.
 Desamor, Desamor

Desamor - Tom Régnier, Jussi Welin, Boon Suzuki & Mark J Bennett

Surfers like Us ….. composition, all guitar parts, arrangement, mix and cover picture 

Hi Everyone!
This is a brand new song inspired by the movies of David Lynch and Quentin Tarantino. 
Hope you enjoy the cinematic vibe! 😎🎸

Thanks for listening and support!
  Artur

Full Moon Rider

Music by Ambient Annie. Production & Mastering by BotNikStudio2, Bottna, Sweden.

MYSTÈRE IN F

Cast of Characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision bass and Gibson SG electric guitar

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums

The Beautiful Dark -- @thebeautifuldark -- Carl -- vocals

J.J. Terrell– @j-j-terrell – organ and piano

Mistermark-- @user-432503709 -- Mark –- VST string and VST sax

TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson custom T model electric guitar, production, mix, and mastering

Llanpsych -- @llanpsych -- Tez – Epiphone Les Paul electric guitar

This cover of the CCR version of this Screaming Jay Hawkins classic began as an idea Josh had for Eclectic Collective putting on a musical Halloween costume. He was inspired by his favorite band, Phish, who cover an entire album every Halloween as a musical costume. Although, which song we covered was up for debate from the start.

Once we decided on a song, Josh laid down the skeleton for it on his '71 SG. Once we had a framework to work with, Ken laid down his rocking drums, followed by Josh completing the rhythm section by adding his trusty P-bass. Even though the song was now in its infancy, Carl summoned all his Halloween spirit for his dynamic vocal performance.

Now that it was sounding like a real song, JJ dropped both the key piano part, as well as his expressive organ in there, too. Mark wasn't far behind, adding his magic via the sax to the solo section, and strings in the third verse. Stephen came through with the spooky tremolo guitar and the fiery first half of the guitar solo in the solo section right after. And to put the cherry on the musical sundae, Tez brought the lightning down for the second half of the guitar solo, as well as the solo work that leads the whole way to the end.

We all enjoyed bringing this classic song back to life, and doing it in the spirit of what may be the most fun holiday on the calendar. We hope you enjoy listening to it as much as we enjoyed creating it. Happy Halloween!


🎃I Put a Spell on You (Eclectic Collective)🎃

Silver Lullaby (for Nadia)

A song dedicated to forbidden love that patiently awaits its moment, if it is to come.
Mery Navarro (lyrics)
Sergio Párraga (music)
------------------
Mery Navarro: voice
Adrián González:  electric guitar
Sergio Párraga: keyboard, bass, choirs, conga drums, programming drums
and production
Laura Quirós: front page

Mery:
https://on.soundcloud.com/zEgZ6rSdBftcUgToWs

Adrián:
https://on.soundcloud.com/lFqTMqT1I8jbyI455Q

Dulce tabú (Mery Navarro)

If you use generative AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765