/// Paploviante --- Assume The Position feat. Ashes And Dreams ///

/// Lillithe --- Go Wise Warrior and Ruler feat. Patricia Edwards & Cxlxstical ///

MUSHROOM OF TRUTH: NIGHT OF FRUSTRATION

R.U.R.

Ft.JUNZO - Candlelights - Vocalatti & Mark Dorricott , R.U.R. --- The Longing

// Paploviante --- Trance feat. Ryder - Paploviante //

// Lillithe --- UNTAPPED feat. IPG1 //

Syntaleta 🇺🇦 - Close To The Rainbow , R.U.R. --- The Longing

Cool Tracks and SHP Too

Elpiverse

One of my works recorded in my "previous" life before the war. Sometimes we feel tiny and lonely in the Universal. Lately I feel tiny and helpless facing the horrors of the war in my country... 
This track is remastered by Houman (https://soundcloud.com/houmans)

Tiny

Another composition recorded before the war. I hope one day I will return to my home studio. Any support from you is much appreciated on these extremely hard times for our country, our family. 
I could have recorded much new music for the last 9 months... unless russians came to our yard to "save" us with their tanks, missiles, bombs and war planes at 4 a.m. on Feb 24th. And yes, they saved us from our house, from our normal life, from our dreams and plans. They saved my elderly parents from their home and peaceful life in retiring, saved my daughter from happy childhood, from school, from her friends and vacation by the sea. We'll never forget and never forgive it! I'm sure that russia will get what it deserves - each rocket they launch on Ukraine will turn to another 10 years of disaster for their cowardly people.
 Special thanks to Houman (@houmans) for mastering the track! Please check out his wonderful soundtracks.
Please sub for my Facebook artist page: https://www.facebook.com/syntaleta/

Gone

A high powered rocker about singer Bob Dannewitz's weekend in the Pinal county jail. Big drums, a steady driving bass, great chorus, and guitarist Hank Rusch's searing solo resembles the sound of a prison yard siren warning of a break in progress.

Desiree

Waitin To See The Judge

Recorded before the war... A big thank you Houman Check out Houman on #SoundCloud
https://on.soundcloud.com/HHxiZ for mastering!

Close To The Rainbow

When Tom approached me with this piano melody, the initial arrangement and the title to which he hoped I’d add lyrics and vocals, I thought it was almost unnecessary as the piece already said everything required. Shortly afterwards, Jussi had added sublime guitar which offered a hopeful balance in the mood. Knowing what Tom was referring to without discussing it openly I wrote these words from a similar position of experience. I contrasted the first verse of a woman at her peak with the second verse of a woman in decline to heighten the emotion. I found that the spoken word approach allowed more emotion to flow from both the music and the words. Tom had the great idea to ask Hidefumi to complete the song with a phenomenal solo. Thank you to everyone who helped make this come together, and a very special thanks to all of you for listening.

Music composition, piano and other instrumentation - https://soundcloud.com/tom-r-gnier
First guitar and guitar arrangement - https://soundcloud.com/juswel
Lyrics and vocals - https://soundcloud.com/markjbennett
Final guitar and guitar arrangement - https://soundcloud.com/boon-suzuki

Image of a painted door in Funchal, Madeira - Douglas Corrance (https://www.facebook.com/DouglasCorrancePhotographer)

She knows just what it feels like now.
I think she’s losing it, I think she’s losing it. 
When she is almost ready, 
She will lose her reserve 
And her inhibition too.
Then she’ll lose herself in herself and then she’ll be free,
To be what she wants, what she wants to be.

She knows not who she feels like now.
I know she’s losing it, I know she’s losing it. 
As if she's gone already, 
She has lost her reserve 
And her inhibition too.
Already lost herself in herself and now she’s elsewhere,
Knows not what she wants, nor who she used to be.

She's Losing It - Tom Régnier/Jussi Welin/Mark J Bennett/Boon-Suzuki

Piece inspired by romanticism in the city: love within concrete walls, poetry beneath artificial light...

Three vocal parts (translated lyrics below) became in very different moods in the songwriter phase, so I couldn't fit them in the same tempo. Working hard on transitions, I got the following solution:

Intro: ad libitum
A: 6/4 & 5/4 at 147bpm
B: 4/4 at 220bpm
C: 4/4 at 293bpm

Such ABC pattern is repeated twice, structured with some city scenes, and 2nd 'C' part includes a guitar soloing lesson by https://soundcloud.com/paco-ray, old friend of mine, technical consultor and personal luthier ;)

Pic: edited photo taken from home studio window where I recorded some city sounds for the track.

LETRA / LYRICS:

DAS VIDA A MI CIUDAD      /      YOU GIVE LIFE TO MY CITY

En la ciudad donde vivo,     /   In the city where I live,
llena de romanticismo,       /   full of romanticism,
el cariño que has perdido    /   the affection you have lost,
ven a buscarlo conmigo.      /   come to look for it with me.

Las farolas en la acera,    /    The lamps along the sidewalk,
con su fija alternativa,    /    with their constant alternation,
iluminan, no iluminan,      /    illuminate, do not illuminate,
el escenario de mi vida.     /   the stage of my life.

Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de pedir perdón. / we are able to apologize.
Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de sentir amor. /  we are able to feel love.

Caminando sobre asfalto,   /     Walking on asphalt,
abrazado a tu cadera,     /      held on your hip,
entre coches aparcados,     /    amid parked cars,
duerme la ciudad entera.    /    the entire city sleeps.

Eres tú toda la vida      /      You are all the life
que esta ciudad necesita,   /    that this city needs,
compartiendo cada esquina,   /   sharing every corner,
calles de melancolía...     /    streets of melancholy...

Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de pedir perdón. / we are able to apologize.
Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de sentir amor.  / we are able to feel love.

ER21HC01 - (C) Ruizzo 1995 - (R) Francés Records;) 2014

Das vida a mi ciudad (2nd solo by Paco Ray)

Thank You very much for 1300 plays! ❤️

This is little experiment for me - a revamp of an other persons track.
About 4 months ago I came across a song by Donak RV "Duo Melodica" https://soundcloud.com/donakrv/duo-melodica. I really liked it, and since I was working on the song "You Can Count on Us", I had a free nylon guitar from @heavyocitymedia Foundations on hand. I started improvising to it... and this remix/revamp was born ;) I sent Donak RV a sample and he agreed to let me perform this "devastation" of his track ;) This version is made on the basis of an MP3 file downloaded from the author's profile. A stem version is still in development.

I hope You'll like it at least a bit :)

Duo Melodica (R.U.R.'s Nylon Guitar MP3 Revamp)

Donak RV - Duo Melodica (R.U.R.'s Nylon Guitar MP3 Revamp)

The drink that pushes them over the edge. The drink that turns them into someone they won't remember. Stay out of their way or else...

Number 1s to Remember

Fight Pint

Oh WOW! Over 2000 plays of this very personal track. To think I was hesitant to even post it... Thank you so much! ❤️

In our lives, we are granted the opportunity to witness the departure of our loved ones. Some depart through doors, never to return, yet still exist somewhere. Others leave suddenly, unexpectedly. Yet some depart when we are somewhat prepared, for their age predisposes them to it. However, there are also departures more challenging... when we observe the tree of the mind of a beloved, from which memories' leaves fall, and even the freshest, youngest cannot hold on to it. We cannot help, we can only watch how they fall...

Composing this little piece was very personal. It was combined with the realization of a fact from my immediate surroundings. I left all imperfections of my playing because of how I felt at that moment. It wasn't an improvisation, it was an interpretation of a theme that I've developed few minutes earlier. All done on Autograph Grand from Spitfire LABS free libraries collection @spitfire-labs
https://labs.spitfireaudio.com/packs/autograph-grand

Cover picture by A.I. Dall-E (through Microsoft Copilot)

The Last Falling Leaf

Free Download / Buy

Fun tune about the peace loving folks of Planet Trillium and their excitement and ultimate dismay upon discovering Earth and all it's troubles. Inspired by the artwork of Wina Obake who was kind enough to do an original cover art for this song

Planet Trillium

Thank You so much for over 1400 plays! ❤️

This time, I return to the realm of fantasy, where my characters, upon arriving in the North, found themselves in the dwarven mines. There, they are to meet with the Dwarf King's son, who will task them with aiding in uncovering the mystery surrounding his father's death, slain in a goblin ambush. However, before this occurs, they take part in a funeral ceremony.

To craft this piece, I utilized only the free VSTi's by ProjectSAM @projectsam: Free Orchestra 1 and 2. I've begun working on it 2 months ago... It's one of my over 30 projects in development ;)

Thanks goes to my friends and test drivers: kavvka @grzegorzkawka and Alexander Stratonov @ephtrackx

Picture generated by me in Leonardo.ai

Funeral of the Dwarven King

At the time of the birth of jazz, the role of the guitar was primarily as a rhythm instrument. I enjoyed this recording while remembering the lives of the great guitar players of the time, wondering what it would be like if we translated that atmosphere into a modern style. I am extremely grateful to Vocalatti and Mark Dorricot for agreeing to release this collaboration.

＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝
Vocalatti- Candlelights (Ft Mark Dorricott )
https://soundcloud.com/vocalatti/candlelights-ft-mark-dorricott?si=bf76f50f94cc44f1ac909d8dbcb02b26&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
ーーーーーーーーーーーーーーーーーーーーーー
Mark Dorricott Music- 729 - Candlelights
https://soundcloud.com/markd54321/729-candlelights?si=03315b99773e4a7e905537fda54afadd&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝

This time, I focused on playing the rhythm guitar, which is modest but has a strong presence.This recording does not include my solo guitar parts.

I am honored to be able to release this collaboration here. Please enjoy Vocalatti's wonderful vocals and Mark Dorricott's excellent performance.

===============================================
The chord you are sensing while listening to this recording is probably Dm7/G/. That's certainly how I play my rhythm guitar this time. However, I believe that this wonderful work was clearly written for those seeking an introduction to the blues.So, while listening to this recording, let's play the chord progression shown here = D7/G7/ along with the song. A three-finger arpeggio would also work. I think that alone will make you feel a little strange. That's exactly the entrance to the blues. The more perfect this basic recording is, the more we want to play it on the D7/G7/. I would like each of you to listen to this recording thoroughly and experience the joy of playing the D7/G7/ together.

We would like to express our sincere gratitude to the many people who have supported this track. And as I previously mentioned here, I recorded a guitar accompaniment for this song using the "D7 and G7" chords listed below. The track will be made private and only the link will be introduced below. Please click and play. I would be happy if it was useful for those of you who are practicing guitar.

↓↓↓↓↓↓↓↓↓↓↓↓↓↓
Click below

https://soundcloud.com/user-234918190-88573969/voccalatti-guitar-lesson-mixdown/s-7jEQED6eyks?si=e8c6785618c14f4cb1cf67b8ab644835&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The D7 and G7 positions I recommend are in the link below.
 I would like you to listen to this track and get an idea of the sound of the "D7 and G7" chords added to the original sound source. Also, learn how to trace the scale when using the "D7 and G7" chords.
First of all, "D7" = "D", so in the Western musical scale, Bm/D pentatonic comes to mind as a scale that can be used there. .
And one more thing: using "D7" directly leads to the use of the blues scale. When the chord is "D7", it is natural to try playing Dm/F pentatonic.
Please play it and check the above.

=============================
Ｄ７ chord
https://growguitar.com/d7-chord/
Ｇ７ chord
https://growguitar.com/g7-chord/
ーーーーーーーーーーーーーーーーーーーー
I will pick out the code forms from the above sites that you should be especially aware of.
ーーーーーーーーーーーーーーーーーーーー
D7 (low position)
https://growguitar.com/wp-content/uploads/2021/02/D7-3rd-fret-1536x1536.jpg
G7 (low position)
https://growguitar.com/wp-content/uploads/2021/04/G7-2nd-guitar-chord-1536x1536.jpg
In the form above, you can ignore location 4 this time.
↑ 6th string ring finger, 5th string middle finger, 4th string little finger
D7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/02/D7-chord-7th-1536x1536.jpg
G7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/04/g7-8th-guitar-chord-alt-1536x1536.jpg
=============================

Vocalatti--- Candlelights - Mark Dorricott ft.JUNZO on electric guitar

PLEASE READ THIS! THIS IS NOT A PROMOTION!
I'm posting this here as a curiosity and... a sorts of warning. Artificial Intelligence has entered the sphere of music creation. And it hits with enormous power...

This is a song that my wife (she's German Language teacher) generated using Suno.ai in about 2 minutes, just giving it a prompt to generate a rock song. Its lyrics come from a really cheesy song included in a children's textbook. She just wanted the song to sound more accessible to today's kids. She didn't actually realize what this song would cause. And it left me completely shocked and actually questioning the point of further activities in music... 

My wife, by generating this song, gave the A.I. ​​a lot of scope for its own "imagination". She did not specify the structure of the song or the elements to be included in it - which can be set by entering appropriate comments in the song's text. What surprised me is how wisely the A.I. ​​approached this task, how it determined what should be included in this song. A huge surprise for me is the second part of the song, where the A.I., having no more lyrics, created something incredible, using elements such as triplet, half-time and returning when we expect the song to have ended. What's even more surprising is that the A.I. ​​understood that it was a song in German and was inspired by German-speaking bands such as Die Ärzte and used the typical German song structure, including the sound of the vocals.

Yes, I know, I do music for fun, but I still don't know what to do next... I'm thinking how it will impact the music industry? Let's talk about it in the comments and remember - let's be polite.

Below is a link to the original song, I improved it a bit, but whether it's for the better is a matter of taste:
https://app.suno.ai/song/180bb869-7d3f-47d7-86fa-8f44261ee80c/
And here is another one that left me speechless, also generated by my wife:
https://app.suno.ai/song/d5cb1dec-43ca-4d5f-a6f0-f4d8b5825cdc/

Du kanns ja mal...

(WARNING! This was generated by A.I.) Du kannst ja mal... (das Tierbuch fragen)

This song should take you on a rollercoaster of emotions as it contains a hopefully infectious mix of styles and sounds. A few quieter moments, a little touch of tango, some funky grooves and much more. It was a lot of fun working on this track and I hope you can feel it. Let yourself be surprised by the different facets of this song and simply enjoy the variety!

DAW Cubase
Halion Sonic 7
Groove Agent SE
Retrologue 2
Padshop 2
Transverse
Hybrid Hit
Kalimba
Verve
Taped Vibes
Vibrant
CRE8 Wave Engine
Apollo

110 bpm

Picture by Victoria on Pixabay

just fun

The song is about joining your first band at fifty and thinking maybe you should have done this earlier. Photo was taken at our first recording session, in the loft!

Days Of Silence

Written by HoboCop
Verse lyrics by Kim Wilde "Kids In America"

Truth🖤

Looking out a dirty old window.
Down below the cars in the city go rushing by.
I sit here alone and I wonder why.

Friday night and everyone's moving.
I can feel the heat but it's soothing.
Heading down, I search for the beat in this dirty town.

Truth Hurts!!
Doesn't it now!!
It feels like a knife!!
Stabbing on the inside out!!

Bright ligths the music get faster.
Look girl, don't check on your watch, not another glance.
I'm not leaving now, honey not a chance.

Hot-shot, give me no problems.
Much later baby you'll be saying never mind.
You know life is cruel, life is never kind.

Truth Hurts!!
Doesn't it now!!
It feels like a knife!!
Stabbing on the inside out!!

Truth(Trust)

About the dissolution of a band.. particularly my former bands! Keeping one together is difficult and futile!! I’ve been cancelled a few times.. not for inerrant behavior, but for my beliefs, ha! I continue on! 😎… kinda like The Knaack meets Kurt Cobain, imho! Could be wrong.. I’ve def been known to b wrong, ha!!!

The Way The Cookie Crumbles

I exercise every day and I watch what I eat
I count my calories on myfitness pal and I try not to cheat
I apply my sunscreen diligently, so I don’t get sunburn on my head
I try to sleep for eight hours each night when I go to bed

Every time I look in the mirror, I try to squint my eyes
Cause every time I look in the mirror, it makes realize
That all the things I’m doing, to try to stop the decline
Maybe I should just take it easy and have a good time

There’s a 45-year-old tech tycoon getting transfusions from his teenage son
He’s a modern-day vampire, trying to stay young
He spends two million dollars a year trying to reduce his age
He’s like a chimpanzee in a lab, experimenting on himself in a cage

They say that you’re only as old as you feel and that may be true
But if you’re a hundred  and you hit on a 20 year old 
people are goanna judge you
I think that guy should try to get a blood transfusion from Keith Richards
Cause that guy’s done everything wrong and he’s still going strong

Every time I look in the mirror, I try to squint my eyes
Cause every time I look in the mirror, it makes realize
That all the things I’m doing, to try to stop the decline
Maybe I should just take it easy and have a good time

All the things I’m doing, to try to stop the decline
Maybe I should just take it easy and have a good time

Stop The Decline

Recorded in Modesto, Ca. Frans Beelaard. Special Guest, Sergio Parraga Congas (Spain). Featuring Gibson 335 Electric Guitar solo. Trumpet solo. Alto Saxophone solo. Fender Electric Bass. Roland Synthesizer Bass. Fender Rhodes Electric Piano Rhythm. Gibson L5 Electric Guitar Rhythm. Gibson SG Electric Guitar Rhythm. Horn Section, Alto, Tenor Baritone Saxophones. Trap drum full kit. Percussion Ago go Bells, Tambourine, Cowbell, Zildjan 22" ride & Crash cymbal.

Cannery Row

Mushrooming

EDIT 23 April 2025 - I will not use any AI technology that interferes with the realm of creativity in human culture. And I will not support people who use such technology to deceive others by claiming authorship of compositions/songs/images created by generative AI.

WARNING - This is ENTIRELY A.I. generated song!!!

So... this is my first attempt at A.I. generated music. I tried this on www.udio.com. However, it is not completely created by me from scratch, but for this first time I've used it, I took a fragment of someone else's song, which stuck in my heart with its mood (I am an incurable romantic). I really regretted that it didn't have a beginning and an end, so... I generated my own. The track came out really awesome, so I've decided to share it with You. It really resonate with me... And now someone say that this A.I. generated music does not evoke emotions...

Here is the original from I've made my extension. 
https://www.udio.com/songs/qg79XfYiiHp2x8kgSyBkGa
Here is my extension on Udio, where You can see how in text field I've prompted A.I. to do what I wanted: 
https://www.udio.com/songs/smVu17fJngJTLVjdJLuUjf
And link to my alternative version which have I think really awesome ending: https://www.udio.com/songs/k6RtJUvcLzPtsNUcTUnTVi

Here is the list of songs I've found on Udio that are really great. It's worth to check out to have an idea, how good can be A.I. (guided by talented people) in music generation! 
https://www.udio.com/playlists/exHSspXpwQHSdce2rfA1QF

However, I still don't know what to do with this technology. There is no return to the state before it appeared, so we will have to live with it. But will I use it... I don't think so, at least not yet. For now I can't say its human influenced creation. Until they turn it into something like Crea or Leonardo, where a human influences every aspect of the work being created, or even gives A.I. directives on what it should look like, feeding it with your ideas, this is not the technology for me... Or maybe I don't know how to use it...

But time passes and sooner or later such technology will appear. Then we will be able to put aside our plugins and DAWs and create/generate whatever we dream of at the speed of thought  :)

Cover picture from Freepik - Author: wavebreakmedia-micro
https://www.freepik.com/author/wavebreakmedia-micro

Endless Nights (R.U.R.'s extension)

(UDIO - A.I. generated) mrbeast - Endless Nights (R.U.R.'s extension)

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Bandcamp

Frustration

mistermark-- @user-432503709 --Mark-- horns and shakers

TexMex Shaman– @texmex-shaman –Stephen– guitar, production, and mix

J.J. Terrell-- @j-j-terrell—JJ—organ/ keys

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, vocals, composition, and mix

Llanpsych– @llanpsych –Tez– guitar leads

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four-string fretless bass 

     This song was written by Ken and a dearly departed friend and former bandmate named Chris Bennett about the latter's divorce that he was going through at the time when their band was also breaking up. Ken had a good demo of the two of them fleshing it out, which the Eclectic Collective used as a template for the song. 
    Josh was first to add his unique slide bass line to the song. Next up was Tez, who added the fiery solo you hear at the end, and solo spot! Stephen came in not too long after with the rhythm guitar, complete with the intricate fills you hear throughout. Around the same time, Mark added some really innovative, genre-bending horns and shakers to it. JJ added some sublime organ and piano! Ken then completed the song with his stellar vocals. 
  Of course, every great song needs a great producer, so Ken turned it over to Stephen for an objective mix, although Ken was still heavily involved in the process, too. This is the first time Ken has sung lead for an EC song, and we were all very impressed with his skills on this one. We hope you enjoy listening to it as much as we enjoyed making it.

Original lyrics by Chris Bennett:

I once believed in happy ever after
Now I’m convinced by tears instead of laughter
There’s not much good inside that’s left to do the things for my survival

If I relied on you to make it better
I’d die a 1000 times, before we get together
All that is bad inside will rise back to the top
With your arrival

Burn down the doorway
Run down the hall
Scream out my name
But I may never hear you, never hear you
Drive down the highway
Until you’re gone
I may never hear you call

I still believe that someone’s always watching
Each time I turn around, I never hear them talking
All that is bad inside will never fade away with your arrival

Burn down the doorway
Run down the hall
Scream out my name, but I may never hear you
Never hear you
Drive down the highway
Until you’re gone
I may never hear you call

Na Na Na  Na Na, Na Na Na Na Na Na

Happy Ever After-Eclectic Collective

ENOUGH LOVE  feat. SilverBella & Paploviante
Vocals and Lyrics: 
https://www.looperman.com/acapellas/detail/21138/enough-love-main-vocals-61bpm-soul-acapella
https://soundcloud.com/silverbellasings
Bass: Paploviante
https://soundcloud.com/paul-racle
Lillithe: Production, Arrangement and Backing Track

Enough Love feat. SilverBella & Paploviante

Obfuscated / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering 
BPM 80
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

OBFUSCATED - Open Collab Offer

OK. I've reverted to unmastered file... In my opinion that what automatic mastering done was horrible... Nevertheless, you can listen to it here and form your own opinion:
https://on.soundcloud.com/4FZJcJWpyocL1aPx7

No A.I. involved. Only me, keyboard, recently bought sustain pedal, free Soundpaint Piano with built-in shimmer reverb, some compression and Ozone 9 Elements on master channel set to jazz.

Little theme I've conceived on evening May 27th after watching the last episode of "The Devil's Hour". Simple melody and chords... a draft. Let's say it's a version 0.5 ;) Half improvisation, half interpretation of something that came to my head 30 minutes earlier. Lots of hesitation, a bit mistakes, two edited notes on ending of first part... and the double ending ;) I'm still human, and a bad keyboard player ;) Recorded in one take.

Picture in thumbnail from Freepik
https://pl.freepik.com/autor/freepik

The Longing

The Longing (Unmastered)

Cover of this fabulous Stone Temple Pilots Song

Gasoline

Vasoline

Thank you for listening!

soundcloud.com/emilio-gs/sets/cinematic-music-by-emilio-gs

The Queen´s Revenge

We really hope that you enjoy this Jazz cover of a song written in 1938 composed by J Fred Coots. Lyrics by Haven Gillespie.
Jorg has added a fabulous Tenor Sax solo and jazzbacks provided a beautiful piano backing. Please go over to Jorgs page to listen to some more sensational music  @joerxworx

Sax by Joerxworx
Mixing by Joerxworx

You Go To My Head    (Ft Joerxworx )

Such a joy to add vocals to this beautiful piece of music, gorgeous keys and sax from @cosmic-ratzzz and @joerxworx  please go over to their pages to listen to more fab music!!

Because It's You And Me  (Ft Cosmic-Ratzzz , Joerxworx /Lunatics and Vocalatti

Go Wise Warrior and Ruler feat. Patricia Edwards & Cxlxstical
Vocals: Patricia Edwards
https://www.looperman.com/acapellas/detail/16039/go-wise-warrior-and-ruler-lead-voice-only-cinema-by-patriciaedwards-95bpm-spoken-word-acapella
Vocals: Cxlxstical
https://www.looperman.com/acapellas/detail/22391/mindless-100bpm-spoken-word-acapella
Backing Track Obfuscated: Paploviante 
https://soundcloud.com/paploviante-and-friends/obfuscated-open-collab-offer
Lillithe: adding all Classical Instruments, Arrangement and Production

Go Wise Warrior and Ruler feat. Patricia Edwards & Cxlxstical

"A Love Like No Other"

Recollections of flowing memories from when you entered my life
Your long black flowing hair & those beckoning eyes that still call me
It was obvious that we were never through which is why I returned
And in this world, who could ever say they knew of romance like this?
A Love Like No Other

Am deeply sorry for the pain I caused from an addiction that destroyed me
You were always the one & I struggled to cope with all I could not say
As time slowly passes by, I know in my heart you will be back in my arms one day
A Love Like No Other, a girl that gave me a reason to smile
A Love Like No Other, the connection of two souls that become one

Shane Beck (The Last American Poet)

1 - A Love Like No Other - Shane Beck

Assume The Position feat. Ashes and Dreams
Vocals and Lyrics:
Ashes and Dreams (ashesanddreams Looperman)
https://www.looperman.com/acapellas/detail/22473/assume-the-position-91bpm-chill-out-acapella
https://soundcloud.com/ashes-and-dreams
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering

Assume The Position feat. Ashes And Dreams

UNTAPPED feat. IPG1
This is an open collaboration from IPG1 / Ian Greaves
https://soundcloud.com/ipg1/untapped-voxes-92-bpm
IPG1: Lyrics and Vocals
Lillithe: Music, Arrangement and Production
Lyrics: 
Off the top ———-is where it’s at unwrap this —————-gift RAP hitting the streets—-it’s ——pure crack Stone cold —-this trap ——TRACK! Pool of knowledge ——-untapped going —-in —-hard——we do that  Better —-tighten up —-them bootstraps  ———SAY-——-“what the hell ——did Lou snap!!!” swag baby —-The recap  no snags—nah—we stop that!!!
Break the game down--it's a new map Flow so rich--- better check that NASDAQ Eyes on the prize---go the full lap concrete jungle---stuck in the trap
[Verse] From the alleys to the skyline---watch us elevate Living large in the boroughs where we demonstrate Every word a heavy weight--- every rhyme we detonate New York state of mind---watch the Empire State
We on a mission---ain't no intermission, snap back Murals on the walls--- street art on the subway track Ambition in the air, we the kings--- claim the throne Spittin' bars like bullets--- in this zone--- we at home
Icons of the asphalt--- legends in the flesh Droppin' beats so heavy--it’s poundin' in your chest From the 5 boroughs, anthems——- on full blast Queens to the Bronx-- Brooklyn —-movin' fast Elevate the hustle---the spirit never cracks Struggle in the verses —-resilience in the—— tracks

UNTAPPED feat. IPG1

Trance feat. Ryder
Vocals and Lyrics:
Ryderofficial:
https://www.looperman.com/acapellas/detail/22300/trance-travis-scott-type-vocal-160bpm-trap-acapella
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering

Trance feat. Ryder - Paploviante

First time I have lyrics and a singer on one of my instrumentals!

Glow

Unknown album (04/07/2012 10:32:03 PM)

Wicked Blues ©

If you use AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

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Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.