https://open.spotify.com/track/4uPoVgxLFqiUcgrezpx14R

Eugène Pottier, was a refugee from the Paris Commune, who wrote the poem 'The International' in June 1871 while in hiding in the aftermath of the massacre of the Communards. This song's lyric is adaptation of Charles H. Kerr translation from the original.

Arise!

Coming With The Feel Good Songs
💯 Hip Hop/Trap/Pop

Me llamo Juan Francisco Bueno Olóriz, soy músico, compositor, letrista y toco la guitarra y el piano. Desde niño me ha gustado componer la letra y la música de mis canciones, primero de forma autodidacta y poco a poco de forma profesional, después de mucho esfuerzo y estudio. 

Mi titulación en el Conservatorio Superior de Música de Zaragoza (España) es de profesor superior de Pedagogía Musical. Tengo estudios de armonía, contrapunto, fuga, composición, arreglos musicales y además he sido profesor de Estética, Historia de la Música, de la Cultura y del Arte en los conservatorios de Tudela y Tarazona (España)

Mis canciones las han cantado artistas de la talla de Luana Ruff, Sebastian, Jesús Lainez,  Manuel Palomino, Joelblesseddd,  Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente o Carmen París y trabajo con grandes profesionales como el pianista José María Berdejo, el saxo Maiker Rivero, el guitarrista Nacho Abril, el chelista Pablo Baleta y el ingeniero de sonido Juan Miguel Sánchez en el estudio de grabación SIN/CON/PASIONES.

También he compuesto música para videos y documentales, fugas, invenciones, imitaciones canónicas, música modal etc. 

2014: semifinalista en el International Songwriting Competition (ISC)
2023: Special Prize en el 2nd ISAC International Popular Music Composition Competition
 2023: Gold Prize en el Franz Schubert International Music Competition en la categoría de Composición Original.
2023: Second Prize en el Vivaldi International Music Competition en la categoría de Composición Original.
2023: Absolute First Prize in The Bach International Music Competition en la categoría de Composición Original.
2024: Third Prize at the Dubai ProMusic Competition en la categoría de Música Clásica Original.

My name is Juan Francisco Bueno Olóriz, I am a musician, composer, lyricist and I play the guitar and piano. Since I was a child I have liked to compose the lyrics and music of my songs, first as a self-taught person and little by little as a professional, after a lot of effort and study.

My degree from the Conservatorio Superior de Música de Zaragoza (Spain) is as a higher professor of Musical Pedagogy. I have studied harmony, counterpoint, fugue, composition, musical arrangements and I have also been a professor of Aesthetics, History of Music, Culture and Art at the conservatories of Tudela and Tarazona (Spain)

My songs have been sung by artists such as Luana Ruff, Sebastian, Jesús Lainez, Manuel Palomino, Joelblesseddd, Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente or Carmen París and I work with great professionals such as the pianist José María Berdejo, the saxophonist Maiker Rivero, the guitarist Nacho Abril, the cellist Pablo Baleta and the sound engineer Juan Miguel Sánchez in the recording studio SIN/CON/PASIONES.

I have also composed music for videos and documentaries, fugues, inventions, canonical imitations, modal music, etc.

2014: Semi-finalist at the International Songwriting Competition (ISC)
2023: Special Prize at the 2nd ISAC International Popular Music Composition Competition
2023: Gold Prize at the Franz Schubert International Music Competition in the Original Composition category.
2023: Second Prize at the Vivaldi International Music Competition in the Original Composition category.
2023: Absolute First Prize in The Bach International Music Competition in the Original Composition category.
2024: Third Prize at the Dubai ProMusic Competition in the Original Classical Music category.

The Mad Effect est un beatmaker français 100 % indépendant basé en Haute-Savoie. Il produit des instrumentales hip-hop old school et boom bap aux sonorités brutes et jazzy, dans l’esprit du hip-hop des années 90. Il s’aventure aussi dans un univers plus doux avec des productions lofi. Passionné de musique électronique, il explore également ce terrain à travers des créations entièrement électroniques, toujours avec une approche artisanale et authentique.
 
  The Mad Effect is a 100% independent French beatmaker based in Haute-Savoie. He crafts old school hip-hop and boom bap instrumentals with raw, jazzy vibes, echoing the spirit of 90s hip-hop. He also explores a softer side through mellow lofi productions. Passionate about electronic music, he delves into that world as well, creating fully electronic tracks—always with a handcrafted and authentic approach.

From the live houses of the Jing to busking in tunnels (Granted, the 33.3% donation rate was based on the fact that he had removed his stifling white collar shirt and was dancing bare chested) in Singapore, Psychedelic Revolution (aka Psyche Rev) is a one man project that likes most things such as alt r&b and alt rock. Made it as a semi finalist in 'Song of the Year' competition in 2022 with his song 'Cassius.' Finalist in 2023 with 'We'll Go Down.' Finalist in 2024 with 'Sigh' and also taking semi finalist positions with 'Heartbeats & Inner Turmoil' and 'You Had Me'. Finalist in 2025 with 'Cold Cold Storm' and semi finalist with 'So Typical.' Tastes like Kung Pao Chicken. Looks like a cross between Brag Pitt and Heath Leather. Smells like team spirit. Feels like baby powder. Oh the music. Yeah, it sounds good. 


Don't respond to DM's on here so if you would like to get touched pls contact  via some other avenue. He does have a sun fetish though.

Daily Musing:
Yeah. 4th year in a row. Happy about it. Happy that I wasn't awarded anything in 'rock' again.  4 months left to still compete. It's been an honour to play for you all as usual. 

October: I think I'm gonna do a chill hop/jazz hop thing with Coltrane changes. Done a instrumental before but never done a vocal jazz hop thing.
It's going well. Pretty exhausting because of how much brain power is used to decide what scale to play over the Coltrane changes. Easily the most 'jazziest' thing I've ever done. Tho it's hip hop. So when it comes time to explain the song I've forgotten about half the scales I'm using. Will probably be out end of the month. I've been thinking that I want to do a 'How to Train Your Dragon' theme. I've really only seen the third one and the live action version (the recent) but they moved me. Multiple times. I was with my friends and I took off my 3D glasses. Started wiping my eyes. Look to the right and everyone else is just fine.
Which reminds me of when I was in the band in uni and my Indian friend/guitarist started teasing me about crying in Titanic. 
"I was 6! Motherfucker you cried in Lagaan!"
Then he started chasing me around. Cos' that's what guys do when they like each other. 
 Which I guess also says something about how the filmmakers handled No Time to Die. 
So maybe like medieval rnb. Worked for Seal.

Arise!

R.Ranger