Founded by Steal Tapes
Sharing good vibez🕺🏻🇮🇹
music@stealtapes.com

Demo & requests : 
- harrys@madorasindahouse.com 
- alkis@madorasindahouse.com 
- demo@madorasindahouse.com

http://www.instagram.com/Madorasindahouse

niels@parachute-booking.com
jasperjames.management@gmail.com

Bookings: tonysafe@gmail.com

https://www.facebook.com/SafetyJac

Record label & radio show celebrating House music and the wider Electronic genre.
Broadcasting every fortnight on Glasgow's iconic Subcity Radio since 2012.

Contact : info (at) lava-lava.co.uk

See You Again
https://ffm.to/km074

Follow the Keinemusik ‚The Party is Over‘ playlist on Spotify
https://open.spotify.com/playlist/3U9lafWEnb3uP6JFbI65uq?si=389a03657fd3472e

From 2009 on, Rampa made a name of himself through Keinemusik, his own little d.i.y.-cosmos, being not only label, but also crew of likeminded DJs, producers and friends. The teamwork within this realm has seen a serious number of productions and collaborations, particularly with fellow producer &ME, not to forget the rest of the bunch, Adam Port, Reznik and Monja. 

Besides, he’s got an array of other collaborations and releases under his belt, put out on imprints like Circoloco, Innervisions, Diynamic, Afterlife, Cocoon, Ninja Tunes / Counter Records, Strictly Rhythm, Kompakt, 2020 Vision, Freerange, Bpitch Control, Defected or Crosstown Rebels.

The events of the last few years have seen Rampa focussing more and more on the production side of things, be it studio time or the inauguration of the TEILE project – his own company to produce and distribute analogue effects, custom built for DJ-purposes. Certainly also an outlet for a slight nerdism, that includes not only studio gear, but instruments in general. When it comes to DJing itself, he is going for a less is more approach these days, choosing bookings and playing more consciously.

Electronic Producer DJ
Afro/Amapiano/House/World/Party

KILIMANJARO’s Zambian roots can be felt in the Afro-centric percussive energy that has become the bedrock of a sound he’s been crafting since his teens. As he approaches the next stage of his career, KILIMANJARO is relishing the challenge of further forging his path as an artist and performer.   KILIMANJARO’s electronic rock background has served as a launchpad for his artistry today where he cites Bloc Party, Black Coffee, The Prodigy and Daft Punk as influences that have inspired at various points in his career. From the age of twelve, KILIMANJARO’s foray into drumming has stayed with him throughout his career. Having a long and storied background in music, KILIMANJARO’s roots can be found playing in bands across Scotland.   After spending years Djing the Scottish circuit in cities such as Glasgow and Edinburgh, KILIMANJARO moved down to London in order to establish himself and find a footing in a city that’s been leading the way in electronic music for decades. These moments were pivotal for KILIMANJARO as he crafted and built his sound and paid those early dues, playing every weekend usually at small shows. In 2021, he launched KILIMANJARO MUSIC at La Cheetah in Glasgow, which focused on championing black, POC, female and other marginalised artists across the UK, something he continues to do to this day.

With over a decade working in and around music, KILIMANJARO’s buoyed by the next steps of the journey he’s embarking on as an artist, beginning with the release of his first EP via Capitol Records in early 2025. KILIMANJARO describes the forthcoming EP as a celebration of the darker, underground raves he grew up on, incorporating vocals and melodies, drums with high energy and what he calls “Sounds of the Motherland”. KILIMANJARO may not be a drummer anymore in the traditional sense but his experience still informs the percussive-led production and sets he’s become known for. “This EP is about beginnings and origins. I’m just trying to tell a story about how I’ve been feeling over the past few years and hopefully show the transition I’ve made, celebrating the trials, tribulations and successes that have brought me to this point - The Jump Off.”  KILIMANJARO’s charismatic style of performance has led to him appear on DJ Mag and Mixmag streams this year but what really put him on a global stage was when Fred Again personally invited him to perform a Boiler Room London set in 2022, which has amassed over 1.5 million views and still continues to grow. “Working with Fred in his early run and seeing someone that’s so dedicated to their craft was really special and truly inspirational,” KILIMANJARO says.   This year, he also played Parklife, Glastonbury, Junction 2 and All Points East as well as DC-10 and Ushuaia Ibiza on the White Isle and toured key European clubs and festivals consistently. To close out a tremendous 2024, KILIMANJARO will embark on a run of shows in the US and South America as well as upcoming gigs at The Warehouse Project and Drumsheds.

KM074 is out now
https://ffm.to/km074

Keinemusik is a network with the label as the pulse pumping centre. Driven particularly by the spirit that moves the collective behind the imprint. The spirit to find your own agenda and let nobody get in the way. The spirit of refining House and Techno off the beaten path. Be it within their own tracks, within productions of other sorts or DJ-sets. The spirit of recall value within record- and flyer-artworks and everything intermediate in word and image surrounding releases and parties. And the spirit of diversification – Rampa’s effect-gadget-venture TEILE being one example. Keinemusik’s own booking department ‘Worldwide Dancing Club’, established in 2018, being another.

Keinemusik has been around since 2009. It has been naming an existing friendship and linked interests of the four members – &ME, Adam Port, Rampa and Reznik. A more or less constant count of five releases per year have been released ever since, solely laid down by members of the crew. And a considerable count of label-parties went down, not only in Berlin, but around all international focal points for electronic music. And surely, there’s plenty more where those came from. So see you soon in a record store or on a dancefloor in your area!

Listen to 'The Party is Over' radio - curated by the Keinemusik crue - on Spotify. Updated weekly: goo.gl/MbTbcY

When one could assume, &ME entered the House and Techno world somewhat out of the blue, it is due to his sublime modesty that’s already captured in his alias. His way to become one of today’s most praised and sought after DJ/producers is based on a solid foundation. A foundation comprised of solo-releases, remixes, projects and collaborations that numerous, we’d rather refer to his discography than weary you with namedropping. Besides, all those references would just distract from what truly matters – the music this guy is delivering. Not to underestimate the importance of a project such as Terranova for &ME’s current path, but still the alignment has been made – to focus consistently on his solo-work. And it shows.

There are not many artists around turning in such a slew of globally praised floormaterial like &ME did over the last years. Just think of his last offerings on Keinemusik, a collective of Berlin based DJs and producers, including Rampa, Adam Port, Reznik & artist Monja Gentschow, he helped founding in 2009, namely “After Dark” and “Woods” or his “Vermillion”-remix for Damian Lazarus – all serious bangers, played by every renowned DJ worldwide. Everything is falling into place for the fella. His DIY-approach to handle things, his easy going attitude, his reputation as a gifted producer and DJ extraordinaire, his ability to link innovative production with consensual reception, making him one of the most unique and original figures in the game.

Racketts is following