Symon

Electronic\Techno\House\Hip Hop\Raggae
Please follow me, if you like the tracks🎧🧡
Born in Marseille(France), based in Milan(Italy) Origins: Senegal/Guinea Bissau  28ys 
Listen to "Ein Music"  Productions 
I love to listen/dance and to produce every genre, my life goes by periods. I' ve learnt from the  hiphop and techno culture. But I support every type of music, real musical connection!🎛🎧❤
We are unique, because we are different..
With music it's the same... I find the originality and the difference in everyone.  Love for all genres , and respect when you create good things..  Music is my life, not only my real PASSION. 

Opened page : 17/03/2023 New on soundcloud.

Today I checked out the BuzzFeeds. I began with "Metal" and out of 5 tracks 4 were 100% AI created. All had tens of thousands of plays.  This is what I've been spending my time and money on, a chance to get better at my art only to have fake artists spend 5 minutes making fake music that Soundcloud puts above real artists real blood and sweat? There needs to be a music platform that only caters to real artists, you know, like SC used to.  This is not what I want to waste my time with any longer, maybe if enough real humans felt the same they would actually do what they said they'd do at the beginning rather than make their loyal artists secondary to extra profits by allowing fake music and showing us where we lie in value to them. 

Ich mag Soundcloud sehr und höre viel Musik. Am meisten mag ich Psytrance und mein Lebensgefährte macht auch elektronische Musik. Er mag Soundcloud auch am liebsten und es gibt immer wieder neue Tracks für euch hier zum Genießen von ihm. Wir freuen uns auch hier immer wieder neue Künstler kennen zu lernen. LG Eure Manueilla

Even as a small child I wanted to learn a musical instrument...

...since there was a music school in our small town where I grew up, but it was limited to the activities of the local musicians' band, the choice was rather limited... because piano, guitar or saxophone were not offered and that's why I decided me for the trumpet, which was not used for cast-technical reasons, so the FLÜGELHORN became my instrument...
In my youth I turned my back on music and was active in sports towards the end of my teenage years.

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https://www.mixcloud.com/trancylvania
@trancylvaniaCH

👽 Only music 👽


👽 Only music 👽

Michael Jeffrey

Spotify, youtube, Apple music: ArtMakerMike

For those that like my music, i appreciate that very much. I only record/mix vocals, and all beats used are from various producers on youtube such as Fantom, Nabil Sioty, and Jonah bru. 




I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

Symon

Ramixjoe ♈︎