This is a piece for piano based on Neo-Riemannian theory. It is a MIDI version performed by a VST piano from the Vienna Symphonic Library. You can also hear a real version played by Edward Cohen, a pianist from Scotland: 
https://www.youtube.com/watch?v=pn0t5N1mXdA

In the following links there are the PDF files with the explanation of what the fundamentals of this piece are:

Explanation in English language:
https://drive.google.com/file/d/1Le66JNBocRH9bBr3d-mRrqqa-uS4nYz4/view?usp=sharing

Explanation in Spanish language:
https://drive.google.com/file/d/1t1-xbA49NjBk-WL9LEtPrqxhYZs67-Ko/view?usp=sharing

Explanation in Catalan language:
https://drive.google.com/file/d/1GR9_w7Lw_8CjItXDzzLjpKw_Stx7xaoj/view?usp=sharing

Parsimonious Trichords

Dizzy O'Brian's music encompasses everything from alternative rock to electro and ambient. A classically trained composer and performer, his major influences include classical composers such as Mozart and Beethoven as well as classic rock groups such as The Beatles, The B52s, Yes and Frank Zappa, to name a few.

Orchestral Music Producer Inspired By EDM. I mix orchestral instruments with powerful EDM sounds. 
The studio album was released on all platforms.

✪ You can hire me ✪
✧ Mixing and Mastering
✧ SoundTracks for Films, Games
✧ Sound Design
15 years of experience.

I was born in Brescia on the third of October, 1974.

I write and publish poems and piano music. I made all the published tracks myself.
(For poetry:
I have previously published: The Sunlight – Poetry in the Heart of the night/Playing in the Garden – Virginia and Me/A new Journey/Within ourselves, beyond the stars/Soul and Pleasure – Eros Poetry/Memories/Eyes Heart Soul/Metamorfosi Metamorfosis Metamorfoses Metamorphosis Метаморфоз/Fiabe incendiarie Cuentos incendiarios Зажигательные сказки Incendiary Tales/Lilith/Images/Light/Impressions/Carillon (Fable poems Favole poesie)/Visioni/Bagliori dorati/Resplandores dorados/Bellezza Belleza/Caterina/Anima/Soul/Poesie d'amore/Emozioni/Rose fiorite/Sensazioni/Viaggio onirico /Cerotti per l’anima/Poesie di ferro bruciato/The future does gymnastics.

“Between winter and paradise” was written by Fátima Rocío Peralta García. I also contributed to the creation of an Akkuaria anthology.

In particular, I was awarded third prize ex aequo at the first annual “Tribute to Emilio Greco” Literary Award on 18 December, 2010, in Catania and at the International Competition of Poetry, Prose, Figurative Arts La Finestra Eterea, I received 2nd place for both single poem of the 2015 edition and the 2017 Lilith edition, and 4th place in the 2019 edition for Carillon.

On 24 November 2018 in Forte dei Marmi, I received a diploma of honour with mention of commendation for Lilith and the single poem “Canzone” at the International “Buonarroti” Awards – 4th Edition; in the next edition, on November 30, 2019, I received the Poetry Prize for kids for Carillon.

For Carillon, again, on November 24, 2019, I received the Premio Leandro Polverini 1st place in the dream poetry category with the following reasons:

the entire collection is traversed by a happy tension towards the good, terrestrially consisting in the friction exerted by the living descending towards that ineluctable and always imminent future, which obeys entropic law. In the texts, phonic influences run and intertwine, the beyond-sky and beyond-time that offer us much more than an extraordinary expressive ability of the Brescian author and his evident predisposition in capturing dreamlike, subtle, and mysterious sensations.

(The president of the jury Luciano Catella).

In 2014, I conceived and organized the first annual International Literary Contest POESIE NEL PAGO DELLA MITRIA as a perfect way to rediscover the beauty inherent in every human heart by visiting a sacred place.

Poetry represents one of the ways of going deep into the very essence of ourselves while dwelling on everyday experience, and thanks as well to receiving daily feedback from other people.

Ionut Mirel Udrea (Member Of APRA/AMCOS) is a music composer, piano player and music producer based in Sydney - Australia. 
Ionut Mirel Udrea composes emotive piano-based instrumental music.

A piece of music is a mentally constructed entity, of which scores and performances are partial representations by which the piece is transmitted.
(Fred Lerdahl & Ray Jackendoff)

Any tone can succeed any other tone, any tone can sound simultaneously with any other tone or tones, and any group of tones can be followed by any other group of tones, just as any degree of tension  or nuance can occur in any medium under any kind of stress or duration. Successful projection will depend upon the contextual and formal conditions that prevail, and upon the skill and soul of the composer.
(Vincent Persichetti)

Music is a system of signs composed of complex forms which may be represented by physical sounds, and which in this way mediate between mental and psychic contents. To deal with such a system, semiotics are naturally evoked. To describe these forms, mathematics is the adequate language. To represent these forms on the physical level, physics are indispensable. And to understand the psychic contents, psychology is the predestined science.
(Guerino Mazzola)

Hi everyone!

My name is Michael Herter, but many people know me as Sibviolin.
I’m a professional musician, composer, and violinist.

In my portfolio, you'll find a diverse collection of music for your videos, just like in an audio music library. My work spans multiple genres, including classical, jazz, pop, rock, electronic, hip-hop, and more.

All my music is available for high-quality download (WAV, 44.1–48kHz, 16–24bit) directly from SoundCloud.

If you enjoy my music, feel free to share my profile with your friends and colleagues. Your support means the world to me!

And if you'd like to show appreciation, a cup of coffee would be truly appreciated. :)

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

Experimental music that ranges feral beyond constraints. 

The music covers a lot of non-genres. Multiple resonances include Dark/Ambient, Psych, Doom, Drone, Noise Rock, Kosmische, EDM, Trapwave, and Romantic Era and Post-Romantic, with special nods to the bands Swans, Earth, Caspar Brotzman Massaker, Godspeed You Black Emperor. Dystopian Inspirational for noble outlaws.

Electric guitar, bass, drum kit, lap steel slide and electrified dulcimers played with a violin bow, bodhrán, Peruvian triangle drum, snare drum, silver flute, double shepherd's flute, regular duclimers, spring reverb tank, suling, jaw harp, pungi, khaen, melodica, harmonica, broken cymbal, double wind wand, recorder, boatswain's pipe, penny whistle, slide whistle, MIDI controller to trigger computer's internal synth, voice, found objects, electric tennis racket...

Labels: Kryrart Ambient, Kryrart Records, Camembert Electrique, Cousin Silas Emporium, Dark Stereo, Sounds for the Soul Records.

My name is Rosemary Bensko, and SA is my artist name. While most songs are just me, and I do all the production, when other contributors are involved, they become part of the band for those songs.

Collaborators who contribute a stem to a track or were involved in a jam are always credited: XAW, Igor Iofe, Chris Nolte,Tom McCarthy of TM's Sundae Sauce, Steve Gilmartin, Psychedelic Mayhem, The Fall of Saigon, A.J. Kaufmann, with remixes by The Infinite Wimshurst. There are also joint ventures and SA playing and singing on other people's music.

Lots of music here you won't find elsewhere. Smaller amount is also on Bandcamp, Spotify, YouTube, Pandora, Last.fm, Instagram.

Space  –  the final frontier.
These are the adventures of SPACE CAT, his continuing mission to explore strange new worlds, to seek out new life and new civilizations – to boldly go where no cat has gone before.

Inspired by Star Trek, Copyright CBS Studios Inc. / Paramount Pictures

Parsimonious Trichords

Ramon Capsada Blanch