djsasha.com
Merchandise:  www.lnoearth.com

Booking Contacts: 
Ian Hindmarsh // ian@analog-a.com (Europe/South America/Rest Of World)
Emma Hoser // Emmahoser@paradigmagency.com (US/North America)

Find Sasha on: 
instagram.com/djsashaofficial/ 
facebook.com/sasha 
twitter.com/sashaofficial 
youtube.com/djsasha 
https://play.spotify.com/user/djsashaofficial 

Find Last Night On Earth on:
lastnightonearth.co.uk/
facebook.com/LastNightOnEarthMusic
twitter.com/LNOE_label
soundcloud.com/last-night-on-earth

Join us as we ride off into the future...

Find all the Fixtapes for download here:

http://www.solebicycles.com



The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


My new single Charma - Out now 
https://EDXmusic.lnk.to/Charma

More Infos & Requests only here:
- Worldwide Booking: Ashley - SirupArtistAgency.com
row(a)edx.world
- Management: NoXcuses Productions Ltd.
mgm(a)edx.world
- Remix management: 
Ashley Mendes - helveticnerdz(a)gmail.com

One of the most dedicated, hard-working figures in the industry, Grammy-nominated DJ, producer and label head, EDX, has spent almost three decades at the forefront of electronic music. Founding the internationally renowned record company Sirup Music in 2002, his imprints have chartered hits by iconic acts including Avicii, Armin van Buuren, Steve Angello, Tiësto and more. Establishing a joint-venture with Enormous Tunes, his Helvetic Nerds crew (including Nora En Pure, Daniel Portman, Croatia Squad and Sons of Maria) have seen global domination with their distinct sound. Aside from playing a crucial role in nurturing many successful artist careers over the years, his own vast catalogue of chart-topping original productions and remixes have amassed one billion streams on Spotify alone, and attracted an adoring international fan-base in the process.
 
His revered NoXcuses radio show on iHeart (formerly on SiriusXM’s Electric Area) is broadcast to over 40 countries twice a week, and hosts events around the planet under the same name, including during Miami Music Week and an annual New York yacht party. His international touring schedule often sees him traversing multiple countries and continents each week, holding residencies at some of the world’s most iconic clubs (Space Ibiza, Privilege Ibiza and Wynn Las Vegas to name a few) while consistently performing at the most esteemed festivals on the global circuit. 
 
The forced hiatus in international touring during much of 2020 and 2021 allowed EDX to channel his creativity and energy into other parts of his business. He spent considerable time with his label and management teams in Zürich to navigate the turbulent period and ensure a smooth and quick transition out of lockdown. 
 
Back in full force, 2022 was one of his most prolific years to-date, boasting an array of releases on prestigious imprints, including Don’t Be Afraid with Allie Crystal and sampling Dennis Parker’s iconic Like An Eagle in Holy Wood with Frey. Continuing this momentum in 2023, EDX released Renascence, and reunited with Frey to revisit an all-time dance classic The Rhythm Of The Night, receiving special permission from the original’s creator Roberto Zanetti. 
 
Entering 2024 ready to showcase the magic he has been cooking up in the studio, EDX brought his first single of the year to light titled Vividra. Dedicated to experimenting with new sounds, while maintaining his indomitable EDX production quality, his next release Setema breathes modern flair into his globally adored sound. Tried and tested from Miami to Ibiza over recent months, it has formed an instant connection with audiences in every set. His impressive musical output keeps him at the helm of the scene, and is one of the most cherished acts in dance music; a position that he has held for almost three decades. 

2024-06 © Sirup Music

Beginning as a late night musical outlet during the last year of college in Philadelphia for John Helmuth in 2010, Crozet was formed with the much needed help from long-time friend and musician Sean Lee. Creating an epic wall of sound, built out of huge drums, creamy layered synths, reverb-drenched vocals and rich guitar tones, Crozet’s musical direction blends emotional John Hughes style film scores with an influential synth-rock background. 2022 brings new material from the band titled “Suburbia”. Lyrics speaking of love and loss, music evoking the innocence of childhood and teenage angst with a timeless blend of vintage and modern production.

🚨REBORN✨ - New album out: http://linktr.ee/kavinsky

Official Store: http://store.kavinsky.com
> Varsity & satin jackets, t-shirts...

This is the Dimitri From Paris official Soundcloud page. The purpose of this page is to act as a showreel for my skill as an artist, producer, remixer or editor. 
Please note that due to the host's strict copyright policies NO DOWNLOADS will be possible unless I have a written authorisation from copyright holders.

Washington, D.C.-based music producer and DJ. I've been making music since I was a kid.

https://willeastman.bandcamp.com

Upcoming performances:


Past:

CANCELLED March 13 DC - U Street Music Hall, Blisspop Disco Fest presents SG Lewis and Will Eastman
CANCELLED March 21 DC - Mirror Company at Backbar with Sam Burns
Jan 10 DC - Backbar with Mighty Mouse (Glitterbox/UK) and Rose Corps (Blisspop/DC)
Dec 31 NYE DC - Mirror Company (Ken Lazee/Ozker/Nick Garcia/Will Eastman b2b) at U Street Music Hall
Nov 16 DC - U Street Music Hall, Blisspop Disco Fest presents Will Eastman b2b Ozker b2b Nick Garcia with Too Free (Live)
June 29 DC - Backbar with Melvo Baptiste (Glitterbox/UK) and Rose Corps (Blisspop/DC)
May 19 DC - Lincoln Theater with Chromeo
May 22 Fairfax - Transit with DJ 0bscure b2b Oddson, DJ Al, and Katalyst
March 16 DC - U Street Music Hall BREATHE record release party with Ken Lazee and Ozker
NYE DC U Street Music Hall with Ken Lazee, Rawle Night Long, Ozker, and Kundalini
Nov 30 DC U Street Music Hall with RAC
Dec 1 DC Black Cat Backstage, Will Eastman's birthday & one last party on the Backstage!
Oct 6 DC - Flash Rooftop with Ozker and Kundalini
Sept 1 DC - Blisspop Disco Fest 9:30 Club with Giorgio Moroder and Ultra Naté
June 15 DC - Ten Tigers with Kidnap
June 1 DC - U Street Music Hall with Classixx
April 28 DC - U Street Music Hall open-to-close with special surprise guests, Hilo (Remixed) record release party
May 4 NYC - Elsewhere with Kidnap
April 21 DC - Rock and Roll Hotel, DC Brau 7 year anniversary
April 7 DC - U Street Music Hall with Claptone
Nov 11 NYC - Elsewhere with Moon Boots
Oct 28 DC - U Street Music Hall, U HELL with Amtrac
July 28 DC - U Street Music Hall b2b with Ayes Cold
June 23 DC - Kennedy Center Millennium Stage

randar82 is following