Listen carefully, dance sensually, let loose in the embrace of SpeLL.

red bean enthusiast 
@sure_thing

EU/UK: tal@klsbookings.com
world/contact: surethinginfo@gmail.com

Amsterdam-based event series focused on collectively getting lost and finding meaning on the dancefloor. 

Next up: 
- NYD 01/01

BOOKINGS/INFORMATION: Claudia@brainsurgeryhq.com

+++ I DO NOT CHECK MESSAGES HERE
+++ I DO NOT FEEDBACK YOUR TRACKS OR MIXES
+++ PLEASE DON'T SEND UNSOLICITED PROMOS
THANKS!

latest chart Dec 24 https://www.juno.co.uk/charts/dj/3488-Jane_Fitz/13060926-Chart//?ref=janefitz

Horst blends & celebrates the worlds of arts, architecture & music.

Asiat Park, Vilvoorde.
www.horstartsandmusic.com

Founded by https://soundcloud.com/severja in 2014, Midgar Records aims to bring innovative features into modern techno, and to deliver a new and meaningful sound loaded with positive energy. Leaving the trends behind, Midgar has a wide range of interests spanning from Techno to Ambient, IDM and Drum 'n' Bass. A sound that tells stories as people dance.

Midgar Label Nights

17.01.26 - Midgar x Onyro . Berlin

26.12.25 - Midgar x Dilate . Melbourne
12.12.25 - Midgar x Oomycota . Sydney
23.08.25 - Midgar x Acid Reflux . Berlin
14.08.25 - Midgar x Wigwam . Berlin
05.07.25 - Midgar x useless seconds . Berlin
15.03.25 - Midgar & Friends . Berlin
18.01.25 - Midgar x Mostra . Berlin
08.01.25 - Midgar x Nali . Changsha

07.12.24 - Midgar at Mothership . Sydney
06.12.24 - Midgar at Miscellania . Melbourne
29.11.24 - Midgar x Wigwam . Shanghai
23.11.24 - Midgar x yisekai 易世界 . Hong Kong
02.11.24 - Midgar x Amenthia at Fitzroy . Berlin
25.10.24 - Midgar x Useless Seconds . Paris
06.07.24 - Midgar x Patterns of Perception . Berlin
15.06.24 - Midgar x High Above . Trekanten . Oslo
08.06.24 - Midgar x Mantis . Amsterdam
23.03.24 - Midgar x Domus . Bari
16.03.24 - Midgar x Amenthia at Fitzroy . Berlin

14.10.23 - Midgar x Nigma . San Sebastian
09.09.23 - Midgar x Under The Rug . Berlin
01.07.23 - Midgar x Monument . Berlin
08.04.23 - Polygonia, Leena, Lara Palmer . Oslo

12.11.22 - Severja, Wata Igarashi at Acquario . Milano
08.10.22 - Severja, Konduku at Gare . Porto
24.07.22 - Midgar x Harmony Rec . Berlin
05.03.22 - Severja, Forest Drive West . Porto

02.10.21 - Midgar x Harmony Rec . Pereira
01.10.21 - Midgar x Harmony Rec . Medellin

09.11.19 - Forest Drive West, Nuel, Retina.it at . Berlin
31.05.19 - Nuel, Jacopo at Utop14 . Madrid
15.02.19 - Von Grall, Jacopo at Moog . Barcelona
18.01.19 - Nuel, Jacopo at Moog . Barcelona

14.12.18 - Ruhig, Jacopo at Moog . Barcelona
08.12.18 - Wata Igarashi, r2π, Ground Tactics . Berlin
17.11.18 - r2π, Ground Tactics at Fuse . Brussels

27.01.18 - Nuel, Ruhig, r2π at Gare . Porto

02.12.17 - Wata Igarashi at Acquario . Milano
20.10.17 - Shaded Explorer . Krakow
15.04.17 - Wata Igarashi at G . Okinawa
12.04.17 - Wata Igarashi at Dommune . Tokyo
08.04.17 - Wata Igarashi at Vurt . Seoul

Support me on Bandcamp ❤️
https://swap-shop.bandcamp.com/

in between dream and reality, color and sound

Through her constant research for self-expression, Costanza approaches the world of sound with utmost sincerity and passion. Born and raised in Rome and now based in Berlin, her sonic identity is shaped by an inherent introspective drive—where the process of creation, in all its forms and through all senses, becomes a portal to self-awareness. A space dedicated to understanding the complexities of the mind, and a language that has resonated across some of the most revered festivals and dancefloors, including Draaimolen (NL), or Berlin’s Säule (Berghain), RSO, and Watergate. 

Her creative practice moves fluidly between sound, visual language, and writing, forming a cohesive expression of her evolving sensibilities. Musically, she explores the intricacy of texture and percussion, shaped by deep, low-end-focused techno aesthetics. There’s a distinct trace of Italy’s electronic lineage woven into her approach, revealed in selections that move between liquid atmospheres and the softness of ambient drones, to club terrains marked by a hypnotic, organic essence.

Art is Costanza's personal, synesthetic expression of a world created all in the inside. And all the rest doesn't matter.

bookings: maria@sourceartists.net

The future:

08/11 Ormside, London (UK)
21/11 NE x Headframes, Kiruna (SE)
12/12 Tresor, Berlin (DE)
19/12 Under Bron, Stockholm (SE)
20/12 Astron, Athens (GR)
31/01 Industrial Copera, Granada (ES)
13/02 TBA Tblisi (GE)
06/03 Under Bron, Stockholm (SE)


Requests/Booking:

booking@northernelectronics.se

The cohesive array of depth charged devices that Anthony Linell has produced is formidable. From his opening statements as Abdulla Rashim on his early label of the same name, right through to his recent work that puts his aliases aside, there is a robust and rigorous intent that compounds the elemental strategies of techno's models to apprehend his singular vision.

Presiding over Stockholm's Northern Electronics label with Varg (Jonas Rönnberg), Linell dispenses with mechanisms of attention on all fronts. Marked by an indefatigable self-reliance, the label presents exactly what it means to display, and no more. Carving an idiosyncratic platform for his music is as great of a warning as there could be that Linell's leveraging little toward the benefit of the audience. By his measure, the familiarity and comfort of contemporary techno is stripped back to its rushing heart, the senses left tailgating the strobe in a fit of intuition over decision. The greater this is exposed the colder it gets, and its in these extremes that Linell's caustic rhythmic precision hits. Live, it comes off as a galvanizing strike from the outside; analysing the room as a DJ, it's a case of being pursued through the dark.

Just as the brevity of Linell's output in the eyes of techno is exalted as it is brought into focus, the background to this blurs as you start to decipher his other projects. Lundin Oil skirts the fringes of noise and experimental music, and in collaboration with Varg as Ulwhednar, this is perhaps even more pronounced.

Purposively ricocheting between the techno world and experimental electronic music, Linell forges a distinct passage that gathers the aesthetically uncompromising motifs and missions from across this spectrum. It's this combination and resolve that's brought Linell to the world's attention, however little that attention has been solicited.

Ratherlost is following