A storm is a musical composition in itself. Taking inspiration from this week's Disquiet Junto project, I created improvised music to accompany Bruno Auzet's (@user-876924050) excellent field-recording, enhancing the inherent emotions and sounds of the original.

You can find the field recording on Freesound at freesound.org/people/bruno.auzet/sounds/713953/ under a Creative Commons 0 licence. My thanks go to Bruno Auzet for providing this wonderful recording.

The photograph was taken in Cornwall, not in Brittany - around 40 years ago.

More on the 721st weekly Disquiet Junto project, Well Weathered — The Assignment: Play along with a storm — at https://disquiet.com/0721/.

L'Automne en Bretagne  (Disquiet0721)

KEY VII

Part of the Liminal Spaces series - a collection of pulsing, harmonic, atmospheric ambient works exploring thresholds, transitions, and evolving soundscapes. Each track exists in a state of flux, blurring the line between movement and stillness, structure and abstraction.

Produced and mastered by Zsolt Zsigmond (ambiMatter).

Listen in full for an immersive, evolving experience.

#ambient #drone #liminalspaces #atmospheric #harmonic #experimental #soundscape

Liminal Spaces – Threshold

Little song forSaitō Sanki haiku:

"An autumn nightfall
the skeleton of a huge fish
drawn back by the sea."

I translate the title to my language, catalan. "Drawn back by the sea" is "Arrossegat per la mar" on my island. In Catalonia, they say: "Arrossegat pel mar". The Balearic form is more poetic for me.

Arrossegat per la mar (naviarhaiku617)

Another beautiful collaboration with my fellow ambient producers from Studio Obscura.

Lead synths: Blooming Rains
Synths, Pad, Vocals: Enea Gorè
Pads: Our Forgotten Future, Ellipses, Outerlab
Guitars: dreamwarper, Enea Gorè
Ambiences, tones, metals, texture: Outerlab, Ellipses, Bleeptwig, Our Forgotten Future 
Production, mastering: Bleeptwig

On concrete fields

A piece from the last year archive reworked in these days

Metropolis (everyday life of common people)

02 The Eternal Return Of The Same-Marco Lucchi,Siegfried Grundmann RMX

the harp player
moves under cover
market day

kjmunro cultivates poetry on the traditional territories of the Kwanlin Dün First Nation & the Ta'an Kwäch'än Council in Whitehorse, Yukon Territory, Canada. She founded & facilitates ‘solstice haiku', a monthly haiku discussion group in Whitehorse, & manages a weekly blog feature for The Haiku Foundation called Haiku Dialogue. She is the recipient of the 2023 Borealis Prize – The Commissioner of Yukon Award for Literary Contribution, her work has been nominated for the Pushcart Prize, & her debut poetry collection is contractions (Red Moon Press, 2019).

haiku by kjmunro

Picture by Indira Tjokorda

The Naviar haiku music challenge invites artists to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre. To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

SONG 125 - NaviarHaiku618 - The Harp Player

2025-11-06

something is ringing here

2025-11-10

to emerge from the fog

An electronic composition combining eight sequences created in real time using Pure Data.

More on the 724th weekly Disquiet Junto project, Work It — The Assignment: The year’s almost over. Do that thing you’ve been meaning to do — at https://disquiet.com/0724/.

Ad Hoc (disquiet0724)

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Ad Hoc (disquiet0724)

ray_cobley