Absolute zero: the locust sings:
summer’s caught in eternity’s rings:
the rock explodes, the planet dies,
we shovel up our verities.

The razor rasps across the face
and in the glass our fleeting race
lit by infinity’s lightning wink
under the thunder tries to think.

In this frail gourd the granite pours
the timeless howls like all outdoors
the sensuous moment builds a wall
open as wind, no wall at all:

while still obedient to valves and knobs
the vascular jukebox throbs and sobs
expounding hope propounding yearning
proposing love, but never learning

or only learning at zero’s gate
like summer’s locust the final hate
formless ice on a formless plain
that was and is and comes again.More on this 543rd weekly Disquiet Junto project — Technique Check (The Assignment: Share a tip from your method toolbox) — at: https://disquiet.com/0543/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0543-technique-check/

Summer BY CONRAD AIKEN (disquiet0543)

Since contributors use a wide variety of methods & equipment, which can be fairly incomprehensible to those using totally different ones, I thought I would keep to something simple that can be performed with any sound editor. 
Step 1: open a track then duplicate it.
Step 2 : add fx of choice to one or both
Step 3:  swap stereo channels of one 
Step 4: play both simultaneously & export as one track
The track I use here is an unaltered live electronic sequence created in Pure Data together with a heavily modified duplicate.

More on this 543rd weekly Disquiet Junto project – Technique Check (The Assignment: Share a tip from your method toolbox) – at: https://disquiet.com/0543/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0543-technique-check/

Double Up (disquiet0543)

https://www.naviarrecords.com/about/naviar-haiku/

for a moment
I hold my breath–
hummingbird wings
(Lafcadio) 
https://www.naviarrecords.com/2022/08/10/naviarhaiku449-for-a-moment/
Translated into Japanese with Deepl
 ひととき
息を止めて...
ハチドリの羽が
and set to audio with 
https://play.ht/text-to-speech-voices/japanese/



Oorlab - Mix - 14 - 8-2022=mr - Aud

For a moment - NaviarHaiku449

Naviarhaiku 449 – For a Moment

An electronic sequence, sounds created in Pure Data.

Mountain Snow (naviarhaiku450)

Ludecke

Electronic composition, sounds created in Pure Data.

Quixotic (naviarhaiku467)

This track was created for the Naviar Haiku group.
469 week haiku
https://www.naviarrecords.com/2022/12/28/naviarhaiku469-new-years-day/

2022-12-29

New Year’s Day  ( Naviarhaiku 469 )

Decisive Battle

Day 25.

Image by suraj-kardile: https://unsplash.com/@suraj09

Jamuary 25th 2023 Details

七尺八

Check out the visuals on YouTube @ https://youtu.be/sM6-qQL5CNo

Dividing the autumn sky
Into two
A huge chinquapin tree

Haiku by Kyoshi Takahama https://www.masterpiece-of-japanese-culture.com/literatures-and-poems/haiku/takahama-kyoshis-haiku-poems

Picture by Will https://unsplash.com/photos/x1JObX8KM8w

For more information visit http://www.naviarrecords.com/about/naviar-haiku

visuals (YouTube)

halF dividinG [naviarhaiku489]

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Double Up (disquiet0543)

ray_cobley

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