Name: Erratic (naviarhaiku413) by ray_cobley
Duration: 5 min 14 s
Description: Live electronic sequence created in Pure Data.

The Stormy Ghost Night

the shimmering haze
above
the wet stone

haiku by Fukuda Chiyo-ni http://haikukan.city.hakusan.ishikawa.jp/english/about/index.html

picture by Olga Thelavart https://unsplash.com/@olga_o

For more information visit http://www.naviarrecords.com/about/naviar-haiku

harming himself

halF shimmerinG [naviarhaiku398]

(Sharbaugh)
Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ]: keyboard synthesizers and 'found sounds'
Composed and Recorded ca. [?] to May 18, 2000.
(REG) [E4TK] [circa 2000].

IDEA | SKETCH: "Oriental  ['ORIE'] #30"(REG) [E4TK] [circa 1990] - Michael Ash Sharbaugh

naviarhaiku405:
A day of rainbows
As Summer gives way to the
Damp days of Autumn

haiku: John Hinks https://soundcloud.com/flownblue
image: Dewang Gupta https://unsplash.com/@dewang

Damp Days [NaviarHaiku405]

This wouldn’t sound out of place as a chart run down backing track, that’s the idea anyway.  I wrote this on the iPad using Korg Gadget v2, im heavily influenced by 80s bands like New Order, Heaven 17, Howard Jones, OMD etc

Nasty Glass (Final Edit - 4m53s)

"The voice may well be the key to the presence of the present and to an unalloyed interiority, but it conceals in its bosom that inaudible object voice which disrupts both. (...) This object embodies the very impossibility of attaining auto-affection; it introduces a scission, a rupture in the middle of the full presence, and refers it to a void—but a void which is not simply a lack, an empty space; it is a void in which the voice comes to resonate."

(Mladen Dolar, The Voice and Nothing More, MIT Press, 2006)


This is my contribution to Disquiet Junto project #0515: Talking Cure. This week, the prompt consisted in creating a piece of music that you imagine hearing in a therapist's waiting room.

More on this 515th weekly Disquiet Junto project — Talking Cure (The Assignment: Write music for a psychotherapist’s waiting room) — at: https://disquiet.com/0515/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0515-talking-cure/

Disquiet Junto #0515 - Talking Care

Le sujet-supposé-savoir (disquiet0515)

2021-12-02

NLS - 2021 - 12 - 02

Part 3 of this assignment (after recording bits of ‘nature’ and of ‘civiliztion’ in parts 1 and 2): Combine sounds of nature and civilization.

Going through the recordings people submitted for parts 1 and 2, I really fell in love with the sounds of Sandhill Cranes someone recorded for part 1: https://soundcloud.com/morgulbee/chatters-and-honks-disquiet0516
I combined these chattering birds with the sound of chattering  students in a college atrium: https://soundcloud.com/lazenbeeindustries/civilisation-disquiet0517aiff
And added a bit of these (delightfully odd) vocal samples as well:
https://soundcloud.com/psycolapso/voice-and-communication

So, what’s going on here? Are there birds in this atrium? Are the students and birds talking to each other? Are the chanting?

More on this 518th weekly Disquiet Junto project — Inside Out (Co/Exist 3 of 3) (The Assignment: Combine sounds of nature and civilization) — at: https://disquiet.com/0518/

Extending Boundaries (Disquiet 0518)

Live electronic sequence created in Pure Data.

Erratic (naviarhaiku413)

This week's Disquiet Junto prompt was to take the sounds of “nature” and “civilization” as recorded by other members of the Disquiet Junto and combine them into one single piece of music/sound. 

I picked two sounds at random: Bick Brannigan's recording of Ginger represented the sounds of nature (https://soundcloud.com/bick-brannigan-840174692/ginger-disquiet0516) and undermulden's Christianshavn Rush Hour represented civilization (https://soundcloud.com/undermulden/christianshavn-rush-hour-disquiet0517).

I listened to the two tracks in isolation, trying to pick out the interesting bits to make the sections of the song. The white noise of the rush hour made an excellent hi-hat, and a low motorcycle vroom provided us with a bassline and transitions (it was also incredibly hard to mix!).  Ginger's excellent sense of melody put her in the lead. I used Melda's MUnison plug-in to simulate double-tracking, which really made the dog's barks "pop" and be in the front of the mix. Neat trick!

I livestreamed the process, and will try to get the video up on YouTube ASAP!

* * * * * *
More on this 518th weekly Disquiet Junto project — Inside Out (Co/Exist 3 of 3) (The Assignment: Combine sounds of nature and civilization) — at: https://disquiet.com/0518/

This is the third and final stage of a three-part project sequence. You needn’t have participated in either of the two preceding stages to do this one. Thanks to Alan Bland and Mark Lentczner for having proposed the project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0518-out-and-in-co-exist-3-of-3/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Gingerly Driving (disquiet0518) - Nate Trier

Ogura Hyakunin Isshu 6-10

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Erratic (naviarhaiku413)

ray_cobley

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