Name: Flowing Colours (naviarhaiku533) by ray_cobley
Duration: 5 min 33 s
Description: An electronic composition, sounds created in Pure Data.

This track was created for the Naviar Haiku group.
533
https://www.naviarrecords.com/naviarhaiku533-flowing-along/

2024-03-21

Flowing Along ( Naviarhaiku 533 )

An electronic composition, sounds created in Pure Data.

Flowing Colours (naviarhaiku533)

A collaboration with @alanblip and @rabmusiclab. Thank you both :)
More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Droning Sheep {with Alanblip & RabMusicLab(disquiet0638)

Submission for Naviar Haiku challenge 533:

Flowing along
changing its colors
a soap bubble.

A fairly paired back generative virtual modular patch assembled using VCV Rack, more or less played itself although I did map physical controls so I could guide the overall shape.

Details of the Naviar Haiku challenges here: https://www.naviarrecords.com/haiku-music-challenge/

Flowing Along - (NaviarHaiku - 533)

Flowing along
changing its colors
a soap bubble.

Takashi Matsumoto was a Japanese poet originally from Tokyo. Born into a family deeply interested in nō theater, he also devoted himself to it in his youth until 1921, when he came into contact with Hototogisu magazine and haiku poetry. Beginning the following year, Matsumoto became a student of Takahama Kyoshi. In 1946, he launched the magazine Fue 笛 ('The Flute').

Flowing along changing its colors (naviarhaiku533)

Remix of the previous collaborative work for the Disquiet Project:
https://soundcloud.com/merlebardenoir/the-middle-path-disquiet0638

Assignment: https://disquiet.com/2024/03/28/disquiet-junto-project-0639-center-4-of-3/

Merle Bardenoir, he_nu_ri & blaaroed - The Middle Path [disquiet0639]

Assembled on 28 Mar 2024 and mixed, mastered on 29 Mar 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

Music distributed under CC BY-NC-SA 3.0 DEED

Process notes - 

I didn't really think too much about this. Every time I worked, I worked quickly with a good flow going.

Starting with this track…
Disquiet0638 - Fakeg3nius+Glitcher Ftrg Samplair - EGsquared by SAMPLAIR
https://soundcloud.com/user-248104983/disquiet0638-fakeg3niusglitcher-ftrg-samplair-egsquared

…and following the pathway back to…
Fake Genius’s [disuquiet0637] EGEG - ModMix
https://soundcloud.com/fake-genius/disuquiet0637-egeg-modmix

…and then finally this…
Bassline Collab (disquiet0636) by Noodle Twister
https://soundcloud.com/noodletwister/bassline-collab-disquiet0636

- I used FL Studio’s ability to extract stems from the two collaboration tracks
- Imported all of this into a Live Session to have 11 tracks to work with.
- Bounced and split each stereo file to mono files
- Applied various effects - mainly Live’s native ones - and then let it sit for a few hours
- Came back to it very late at night into the morning to stretch, chop, arrange and apply another generation of effects - this time mainly M4L devices, with a few odd VSTs - until it sounded "complete" to me. I didn't need to add anything more to this.

Artwork: Edit and additions to disquiet’s original using Adobe Photoshop 2024 and Q’MIC-Qt.

---

This original version of “Sleepless Motor  Pathways” was submitted as part of Disquiet Junto Project 0639: Path Ways (4 of 3). The Assignment: Rework musical trios using the constituent parts — one of two ways.

More on the Disquiet Junto at: [disquiet.com/junto/](http://disquiet.com/junto/)

Subscribe to project announcements here: [tinyletter.com/disquiet-junto](http://tinyletter.com/disquiet-junto)

More on the 639th weekly Disquiet Junto project, Path Ways (4 of 3) — The Assignment: Rework musical trios using the constituent parts — one of two ways — at https://disquiet.com/0639/

Sleepless Motor Pathways (disquiet0639remix) by Fakeg3nius, Glitcher, SAMPLAIR & Jimmy Lem

HAIKU MUSIC CHALLENGE

Naviarhaiku 541

heat in waves ̶
in the stones
angry reverberations

Katō Kyōtai was a poet from Nagoya who entered the world of haikai in 1759. His work shares with Buson a careful observation, not just of nature itself, but also of the complex emotions and reactions that characterize human existence.


haiku by Katō Kyōtai

picture by Jonatan Pie

Submission deadline: 22nd May 2024

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Reverberations

Reverberations (naviarhaiku541)

Emergence

in my heart

heavy is the head that wears the crown (ovheda on all plats) x9

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Flowing Colours (naviarhaiku533)

ray_cobley

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