The “catch your breath” project got me thinking. All living things on this planet breathe, at least in one form or another, with some of us breathing in what others breathe out and vice versa. In that regard breathing is a kind of planetary feedback loop, constantly inhaling and exhaling. So, that inspired the first step in setting up my sonic palette: patching my “Barp 2500” to establish a slow oscillation. The output was fed into a tape looper effect on the Zoia which was then sent into the Cosmos, which were routed via a patch pay so that they fed back into each other. The combined audio was sent to my mixer, where additional feedback was added via the aux sends. After importing this into Logic, motion effects were used to create various forms of spatial movement. The final touch involved manually adding fade in and outs which became further and further apart and, eventually falling into silence when the breathing finally stops.

disquiet0687

An electronic composition, sounds created using Pure Data and Audacity.

Scorched Fields (naviarhaiku582)

another contribution to the great haiku challenge of naviar records

here and there
upon scorched fields
wild violets

- Arii Shokyu-Ni -

scorched earth (naviarhaiku582)

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. https://www.naviarrecords.com/naviarhaiku582-here-and-there/

SONG 76 - Naviarhaiku582

Feature-reel here: https://www.instagram.com/p/DHUYcO2tL66/

Lingering in a monastery of his own, heavy with history—perhaps light with what’s to come. Molt traces a crucial transformation.

Enjoy!


molt

More on the 691st weekly Disquiet Junto project, Un-Ravel — The Assignment: Make a recording of a string quartet fall apart — at https://disquiet.com/0691/

more halF unusuaL

halF unravelleD [disquiet0691]

paperweights
on the store’s comicbooks –
spring breeze

The author of the week is Takai Kito, a disciple of Yosa Buson. Despite becoming a professional haikai master in 1771, Kito remained one of Buson's most trusted disciples until the death of the great master and was the de facto coordinator of Buson's haikai group.

haiku by Takai Kito: https://rehaanengineer.weebly.com/semi-mechanical-moons-to-accompany-an-edo-period-haiku-by-takai-kit333.html

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

halF comiC [naviarhaiku587]

16May25
My naviarhaiku593 track
https://naviarlab.tumblr.com/post/783511547156774912/naviarhaiku593-cloud-and-mist-alike
:D

cloud and mist alike [naviarhaiku593]

Dronehead

I feel like I could dive right into your arms.
I      like                         you      .
I feel                              you      .
I fe l l                 right into your arms.
I                l   ive       in   you      .
I fe l l      co ld            in   your arms.
I feel like I could di  e      in   your arms.
            I could di  e                    .
                                    your    s.

blackout poetry.

Dark ambient Soundscapes for your pleasure. Relax, chillout and enjoy.

DARK AMBIENT - BEHOLD AND FEAR

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Scorched Fields (naviarhaiku582)

ray_cobley