Man with a Movie Camera (excerpt) -Dziga Vertov 1929 - live sound in Timișoara, Ro

Sergiu Cătană - drums
Irinel Cârlan -saxophone
Emil Kindlein -guitar
Shanyio - tape mix & prepared cimbalom

Man with a Movie Camera (excerpt) - live sound

I found two tracks, each named by the default naming protocol of my recorder. So one file was poetically name "240315_001" and the other, even more evocatively, "241212_0001." The first is a sparse piece using just the wing pinger, with almost as much space as sound. The second is equally restrained, but darker and more properly ambient. I can't recall how I created that track or what instruments were used. The two tracks seem to complement one another with each filling in the empty spaces of the other. Minimal effects were added in Logic - mainly just some reverb with motion algorithms. For fun, I asked Chat GPT to use the two numbers to create a title and image for the track and among the suggestions was "Voltage Bloom," which seems rather fitting. 

disquiet720

A combination of two unpublished electronic sequences I have recently been working on, sounds form various sources.

More on the 720th weekly Disquiet Junto project, One from Two — The Assignment: Combine a pair of your recent tracks — at https://disquiet.com/0720/.

Two into One Will Go (disquiet0720)

“After everything that's happened, how can the world still be so beautiful? Because it is.”

Atwood

- 

(early ver)

Because it is

This was my contribution for Disquiet Junto Project 0720: One from Two. The Assignment: Combine a pair of your recent tracks.

Here’s a copy of my post on the Disquiet Junto 0720 discussion thread on Lines:

I have a collection of audio odds and ends stored on my laptop. The files are comprised of field recordings, instrument recordings, unfinished modular synth and Ableton Live noodlings.  I took two of the more recent experimental sketches that were created in Ableton Live and combined them the best I could, adjusting the pitch as needed. I added an additional track that has heavily processed sliced bits from one of the recordings to try to create more depth to the piece. 

More on the 720th weekly Disquiet Junto project, One from Two — The Assignment: Combine a pair of your recent tracks — at https://disquiet.com/0720/.

Fickle Diptych [disquiet0720]

reminding me not to forget
a toad goes out
to the verdant world

Fusae Fubasami (1914–2014) was a Japanese poet from Tokyo. In 1944, she became associated with Dakotsu Īda and the haiku journal Unmo (雲母), later joining Yatsuka Ishihara’s group Aki (“Autumn”) in 1961.

Haiku by Fusae Fubasami
Picture by Johannes Plenio

The Naviar haiku music challenge invites artists to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre. To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

SONG 123 - NaviarHaiku615 - Reminding Me Not to Forget

Submission for Disquiet Junto #0720 - a combination of two cassette recordings from September 2023.

Crowded Ether (disquiet0720)

Slow slider moves on the Buchla Music Easel with looper.

SlowScape

aka We could open the window, 2025 version

Superbloom - Make sure to wave Hello to all of the smiling people down below

This ambient album immerses the listener in a calm, expansive soundscape shaped by deep drones and soft, emotionally resonant pads. Slowly evolving layers drift through a quiet atmosphere where time feels suspended, allowing space for reflection, stillness and inner presence. The absence of rhythm and percussion gives each composition room to breathe, unfolding with a fragile sense of intimacy and depth.

Between gentle shadows and faint light, the sound shifts from darker, enveloping tones to brighter, almost weightless passages. Beneath the surface, a subdued sense of contemplation emerges — echoing moments where thoughts linger a little longer than intended, yet remain quiet, softened by warmth and subtle harmony.

A tranquil journey through atmosphere and emotion, designed for late-night listening, creative focus or moments of peaceful solitude.

Listen on Spotify

Drowned in Memories (Ambient Version)

abandoned

Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental abstract animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.

Two into One Will Go (disquiet0720)

ray_cobley