Deadline: 15th November 2023

All submissions to Haiku 514:

https://www.naviarrecords.com/2023/11/08/naviarhaiku514-gale-in-the-mountains/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us/

haiku #514: gale in the mountains – / watch how the fallen blossoms / carpet the water

I've been exploring scanned synthesis - and this is a glitchy little number using that approach to interpret the latest haiku from Naviar Records ... Enjoy!

gale in the mountains –
watch how the fallen blossoms
carpet the water

Haiku by: Den Sutejo [Translated by Makoto Ueda] https://wkdhaikutopics.blogspot.com/2007/03/den-sutejo.html

More information: https://www.naviarrecords.com/about/naviar-haiku

more halF unusuaL

halF carpeteD [naviarhaiku514]

naviarhaiku514 – gale in the mountains

gale in the mountains –
watch how the fallen blossoms
carpet the water

A contemporary of Basho, Den Sutejo was the eldest daughter of a distinguished samurai family living in the mountainous area northwest of Kyoto. After her husband’s death, she became a nun and spent the final years of her life as a Zen devotee.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 15th November 2023

Haiku by: Den Sutejo [Translated by Makoto Ueda] https://wkdhaikutopics.blogspot.com/2007/03/den-sutejo.html

Picture by Gariele Wright https://unsplash.com/photos/closeup-photo-of-pink-petaled-flower-uSkJ0rk9OBE

flores courgette - naviarhaiku514

This track was created for the Naviar Haiku group.
514
https://www.naviarrecords.com/2023/11/08/naviarhaiku514-gale-in-the-mountains/

2023-11-10

Gale In The Mountains   (Naviarhaiku 514 )

An electronic composition, sounds from various sources.

Mountain Gale (naviarhaiku514)

11Nov23

My naviarhaiku514 submission;
https://www.naviarrecords.com/2023/11/08/naviarhaiku514-gale-in-the-mountains/
:D

watch how the fallen blossoms carpet the water [naviarhaiku514 ]

Naviar Haiku 514

gale in the mountains –
watch how the fallen blossoms
carpet the water

A contemporary of Basho, Den Sutejo was the eldest daughter of a distinguished samurai family living in the mountainous area northwest of Kyoto. After her husband’s death, she became a nun and spent the final years of her life as a Zen devotee.

To participate visit https://www.naviarrecords.com/about/naviar-haiku

Haiku by: Den Sutejo [Translated by Makoto Ueda] https://wkdhaikutopics.blogspot.com/2007/03/den-sutejo.html

Picture by Gariele Wright https://unsplash.com/photos/closeup-photo-of-pink-petaled-flower-uSkJ0rk9OBE

Ballroom Mountain

Ballroom Mountain (NaviarHaiku514)

“Symphony for Chamber Orchestra - 1st Movt: Allegretto" was completed in August 2024 in Fairview, TX. Performance time is about 12 and 3/4 minutes. Printed and electronic copies of the score and parts will be available soon from www.CreativeSpiritOnline.com.

About this recording:
The present virtual recording was produced using Finale 27.4.1 and the Garritan Personal Orchestra 5 virtual instrument library. For the best listening experience, high quality headphones are recommended. This recording was mastered by EMastered.

Instrumentation:
Flute. Oboe, Bb Clarinet, Bass Clarinet, Bassoon, Horn in F, Trumpet in C, and Strings

Performance notes:
• Tempo, expression, and dynamic markings should be strictly observed.
• There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
• Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
• Passages marked fff or ppp indicate playing as loudly and as quietly as possible, respectively.
• Double-bass “C-extension” is required.

Contact information:
Robert John Brooks, Fairview, Texas USA
Email: robtjbrooks@yahoo.com
Web: www.CreativeSpiritOnline.com
Web: eMastered.com/profile/robtjbrooks

Engraving by the composer
Artwork by the composer
Copyright 2024

Symphony for Chamber Orchestra - 1st Movt: Allegretto

method: basic sequence on a minilogue xd, adornments via vc 340, further adornments created by sounds in front of microphones, incl my voice, an interview sample and a field recording taken at a supermarket parking lot .... and then Jeff picked up his guitar ....
narration: there are literature tourists following the traces of the likes of Shakespeare and Kafka. some places consider those travellers in two worlds a good source of income. There is also a different kind of tourism on the magic-realistic tracks of the likes of Borges ;-)
image: copyright jo richter

poem / copyright jo richter:

sleeping on rocks out in the desert
imagine time and no way to clock it
events settle as smell on the tongue of a lizard
I took hidden notes inside of my pocket

doubling-up life in another attention
sit in the wind and learn not to block it
jenga sticks and the law of cohesion
I took hidden notes inside of my pocket

field notes

field notes - the stonerjazz version: re-release

This is the lyrics version of my piano piece (https://soundcloud.com/konrad-spittelberg/the-clap-of-one-hand). (Roughly) same melody, but now with lyrics. 
If the melody left you puzzled about the title, maybe the lyrics will connect the dots. Hope you enjoy it — drop me a comment, I’m curious what you think!

---------------------------------------------------------------------------
The Clap of One Hand - Lyrics
---------------------------------------------------------------------------

The high priest looked the monk straight into the eyes 
“You search for wisdom, want to see through disguise 
Then hear the clap of only one hand, 
Imagine tasting the kiss of only one lip!”

The monk was puzzled, did not know what to make of this question 
His mind was racing without the slightest suggestion 
The meaning was hiding so deep 
He could as well go to sleep

And as he lay down he thought and he thought some more, 
And soon he’d snore a Monkish snore 
Deep in his dream he saw the cosmic law 
As it is and will be and has been before

To find the truth you need to see the world through different frames,
As place and motion, time and energy play Heisenberg’s games
The one single truth, the clap of one hand deceives the ancient lore

And then his dream shifted to our world
Where flags of dogma are unfurled
Where it’s en vogue to scorn the views of those 
Whose minds are differently curled

They yell their slogans convinced that it's only their kind who knows truth
They silence doubt and debate to keep everything smooth
They vote in blocs convinced others mean harm
They don't want to discuss they don’t want to disarm
They spit poison and phlegm - 
Them is us, us is them

The monk awakened quite surprisingly rested – and something like pride filled his chest 
The dream had opened his eyes and he knew the deep meaning that the koan expressed 
And so as fast as his feet could carry him he ran to the temple ground Requesting to see the high priest and as soon as he met him he told him the solution he found:

“Avoid the clap of one hand 
'Cause you can not understand 
The world in all its true colors if your mind cannot bend 

Every Current or Tide 
Must with others collide, 
A single stream is quite boring, nothing happens inside.

Seek out the voices that are not like your own – 
Don’t guard your comfort like a dog protects its chewed upon bone 
Be cautious if all of your friends do agree – 
You might discover greeater insights without cheap harmony

A field of only one crop may spark in sunlight like gold, 
But slight disease might turn these fragile monoculture to mold 
No coral alone can just survive with it’s kind – 
Reefs only thrive when hundredthousand curious creatures entwine

Don’t flatten the ground so that your pace can be faster –
'Cause if you don’t train your balance each false step means disaster 
All life, all vision needs to ripple and bend – 
Not frozen in uniformity but free to transcend”

The monk fell silent, his speech was complete - 
He wanted praisal, but the priest kept his seat. 
An awkard silence filled slowly the air, 
The priest just sat there with a calm, timeless stare

“I like your thinking—it rings wise, it rings bold, 
It has reason, it's crafted, it's gold. 
But, dear monk, there might be one subtle twist: 
There is one aspect that you seem to have missed.

You see the truth where opinions compete, 
That wholeness only grows where none is complete. 
But if no single view should stand out alone 
Then even your own view must be overthrown

You praise duality, the joining of two - 
But what if your view in itself is not true? 
What if the world isn't built as you claim? 
What if we’ll never know the rules of the game?"

Hear the clap of one hand 
Avoid the clap of one hand 
Hear the clap of one hand 
Avoid the clap of one hand 
Hear the clap of one hand 
… Reflect on the clap of one hand

The Clap of One Hand (Piano Poetry)

Summer is marked by certain experiences, from swimming, to strolls along boardwalks, to...well...waiting in queues of all kinds as summer sees people fill outdoor spaces. Keith has a keen eye for observing these experiences and finding humour and stories in  all of it.

Welcoming our special guest voice - Sheila - the server at the window , whose calming, inquiring presence makes the  lineup tolerable ;)

Note: the term "poutine" on the side of the chip truck makes this a uniquely Canadian flavour  :)

Track 5 from the Wigmore Allen Gibbons album called SHYLING found at https://www.terrywigmore.com/wigmore-allen-gibbons

Busy at the Chippy

    I was standing in the queue 
    And there was more than quite a few
    That to be … perfectly blunt
    Wanted to murder the guy…the guy at the front
    
   5  cod and chips…3 fries with garlic dips
    A lamb shish kabab…and a happy meal for that bugger at the back”
    It was busy at the Chippy…so busy at the Chippy
    It was busy at the Chippy…Ooh baby tonight

    Well I kept on standing there
    Feeling hungry right in there
    When I could be doing something…
    Something much better on a Saturday night. 
    Than waiting for…

    5 cod and chips…3 fries with garlic dips
    A lamb shish kabab…and a happy meal for that bugger at the back”
    Chippy woman: “We don’t do salad…Do’ya want salt ‘n vinegar on them love?
    How’s your Mary’s feet? … Oooooh, I know”

    (INST)

    (CHORUS)
    “…oh and I want 4 scampi and salad…5 haddock lightly battered
    3 sausages in a lovely curry…and a happy meal for that bugger in a hurry”
    Chippy woman: “That’ll be £226 and 10p for a carrier bag, love! ...
    Will ya need that in dollars pet?”

Wigmore: Music, Production
Allen: Lyrics, Guitars, Bass, Vocals
Special Guest:  Sheila (vocals/lyrics)

Busy at the Chippy

I can't seem to put down the guitar now that I've picked it back up! Played around with layering some kind of simple repetitive loops to create a hypnotic atmosphere on this one.

Image by Paul Bica (CC BY 2.0)

Sky Above Clouds

Thank you for listening.
Already registered on each distribution site
compositions/ sdmk 
arrangement /sdmk
Sample Sound / sdmk
 Instrumental  Mastering / sdmk

Fragments of life

The Way You Look Tonight" is a song from the film Swing Time that was performed by Fred Astaire and composed by Jerome Kern with lyrics written by Dorothy Fields. It won the Academy Award for Best Original Song in 1936.

With a little help from my friends

Stewart Roberts - guitar
Karen "Kiki" Jackson - vocal

We hope you'll enjoy ☀️

The Way You Look Tonight (Swing Time - Jerome Kern / Dorothy Fields - Kiki, Stu and Rob Jam)

this is the cover song for the Movie "the ninth gate"
one of my favorite movies in the "psychological thriller" genre 🎞️

Mix & Mastering by @bahram-dashtii 🙏

The Ninth Gate

Moonbase Six Implosion

Composed, arranged, performed, and produced by:
Carlos Vivanco
https://youtu.be/2QnczhGqEzY

Suspiros Del Alma

Danza De Cuerdas

I'm a composer, working from a 3' x 5' studio (some may call it a dinette) in a 5th wheel camper, while traveling the United States. I've been on the road for six years, so most of my recent work will have come from a different state (of mind and location) during my travels.

Music makes me feel better about everything. I don't know that I'm ever happier than when I am creating. I sometimes wonder if creativity isn't one of the primary keys to happiness. Do you ever feel better than when you say, "Look what I did."? This phrase magically conjures the purest sense of childlike joy.

Music works for every part of our lives. We all have music for when we are sad, happy, celebrating, meeting others, when we are alone, and even when we are lonely. Did a song come to mind as you read each of those situations? I remember the first song I ever heard on the radio, on my first bus ride to kindergarten. One of my favorite musical memories is playing in a band for steel beach on the flight deck of the aircraft carrier USS Nimitz.

I love telling stories with music. Everybody loves John Coffey in the Green Mile, but Mr. Jingles should have a song commemorating his reaching and joining the circus at Mouseville. If you agree, join me for this and similar journeys. The music here is synthetic, but as real as you would choose to have it.

My music most often lands on Soundcloud first and is inspired by one of my favorite communities, Naviar Haiku:
https://www.naviarrecords.com/about/naviar-haiku
I find writing to a Haiku prompt sufficiently limiting and exquisitely inspiring.

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Ballroom Mountain (NaviarHaiku514)

Raymond Stull

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