This week we celebrate the 500th Naviar Haiku weekly challenge. My first response to the Naviar Haiku challenge was on week 3. Naviar Haiku is my muse and I have submitted over 60 pieces in response to the challenge over the last 500 weeks. Thanks Marco, for building a great community around this idea!

Celebrating 500 Naviar Haiku

Deadline: 24th May 2023

All submissions to Haiku 489:

https://www.naviarrecords.com/2023/05/17/naviarhaiku489-dividing-the-autumn-sky/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us/

haiku #489: Dividing the autumn sky / Into two / A huge chinquapin tree

Hawk's Flight

Hawk's Flight [Naviarhaiku003 - Pale Sun]

Prehistoric civilization under extraterrestrial influence.

Primogenitor

Primogenitor (Naviarhaiku004 - New Radio)

Full of Dreams (Naviarhaiku008 - Empty Seashell)

Winter Ghosts (Naviarhaiku 009 - Winter Ghosts)

This piece was planned on the Haiku: "They encounter a cathedral of ice at the end of the world".  The seed of inspiration started with the thought of wind, cracking ice and what the inside of an ice cavern might sound like.
The composition is 4/4, 120 BPM, and in Cm.  There are 7 tracks of laser gun zaps, time stretched, reversed, chopped and screwed, mostly providing the wind-like sounds and some sub harmonics.  I used 3 tracks of Ice cracking Foley.  Everything is done in the box on a MacBook Pro, using Logic Pro X, Native Instruments Kontakt for singing bowls and the strings, Massive for bass, and Absynth for the melody and an FX track.  The large drum, cymbal roll, and sweep are from Quantum Leap Storm Drum 2.  The tuba, trombone section, and horn section are EastWest Hollywood Brass. I used Izotope Alloy 2 and Ozone 5 for mixing and mastering.

More on this 117th Disquiet Junto project — “Compose an original piece of music in response to a haiku” — at:
http://disquiet.com/2014/03/27/disquiet0117-naviarjunto/

More on the Disquiet Junto at:
http://disquiet.com/?p=16588

Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/

Join the Naviar Haiku Project at:
https://soundcloud.com/groups/naviar-laboratory

More on Naviar at:
http://naviarlab.tumblr.com/

Haiku by Nite Rote, more from whom at:
http://niterote.com/

Image associated with this Junto project is by William Warby, via a Creative Commons license:
https://flic.kr/p/8HqHv9

Frozen in the End of All - (Naviarhaiku012-They Encounter) (disquiet0117-naviarjunto)

Seramind - Chinkapin Shii (naviarhaiku489) [Ambient, Chillout, New Age]

https://www.naviarrecords.com/2023/05/17/naviarhaiku489-dividing-the-autumn-sky/

naviarhaiku489 – Dividing the autumn sky

Dividing the autumn sky
Into two
A huge chinquapin tree

Takahama Kyoshi was a Japanese poet active during the Shōwa period of Japan. He was the editor of the haiku magazine Hototogisu (previously edited by Shiki), where he promoted a more traditional style of haiku, as opposed to other popular schools which did not follow the pattern of seventeen syllables at that time.

Kyoshi also highlighted the symbolic function of the kigo (the seasonal reference), even though the more modern trends were already tending towards seasonless haiku.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 24th May 2023

Haiku by Kyoshi Takahama https://www.masterpiece-of-japanese-culture.com/literatures-and-poems/haiku/takahama-kyoshis-haiku-poems

Picture by Will https://unsplash.com/photos/x1JObX8KM8w

Visit my other pages:

Spotify: https://open.spotify.com/artist/22xH66OU00shKM5kcwbAeK
SoundCloud: https://soundcloud.com/seramind
Discogs: https://www.discogs.com/artist/4709745-Seramind
Bandcamp: https://seramind.bandcamp.com
Facebook: https://www.facebook.com/seramind
YouTube: https://www.youtube.com/@seramind

Chinkapin Shii (naviarhaiku489)

This track was created for the Naviar Haiku group.
489
https://www.naviarrecords.com/2023/05/17/naviarhaiku489-dividing-the-autumn-sky/

2023-05-18

Dividing The Autumn Sky  ( Naviarhaiku 489 )

Check out the visuals on YouTube @ https://youtu.be/sM6-qQL5CNo

Dividing the autumn sky
Into two
A huge chinquapin tree

Haiku by Kyoshi Takahama https://www.masterpiece-of-japanese-culture.com/literatures-and-poems/haiku/takahama-kyoshis-haiku-poems

Picture by Will https://unsplash.com/photos/x1JObX8KM8w

For more information visit http://www.naviarrecords.com/about/naviar-haiku

visuals (YouTube)

halF dividinG [naviarhaiku489]

18May23

My naviarhaiku489 submission;
https://www.naviarrecords.com/2023/05/17/naviarhaiku489-dividing-the-autumn-sky/
:D

Dividing the autumn sky [naviarhaiku489]

Dividing the autumn sky
Into two
A huge chinquapin tree
(Takahama Kyoshi)
https://www.naviarrecords.com/2023/05/17/naviarhaiku489-dividing-the-autumn-sky/
Komposition975 KlavierTschzE-Bass

TschZ (naviarhaiku489)

https://youtu.be/nFlCmypblQo
Naviar Haiku 489

Dividing the autumn sky
Into two
A huge chinquapin tree

Takahama Kyoshi was a Japanese poet active during the Shōwa period of Japan. He was the editor of the haiku magazine Hototogisu (previously edited by Shiki), where he promoted a more traditional style of haiku, as opposed to other popular schools which did not follow the pattern of seventeen syllables at that time.
Kyoshi also highlighted the symbolic function of the kigo (the seasonal reference), even though the more modern trends were already tending towards seasonless haiku.

Trees and Tangents

Trees and Tangents (Naviarhaiku489)

I'm a composer, working from a 3' x 5' studio (some may call it a dinette) in a 5th wheel camper, while traveling the United States. I've been on the road for six years, so most of my recent work will have come from a different state (of mind and location) during my travels.

Music makes me feel better about everything. I don't know that I'm ever happier than when I am creating. I sometimes wonder if creativity isn't one of the primary keys to happiness. Do you ever feel better than when you say, "Look what I did."? This phrase magically conjures the purest sense of childlike joy.

Music works for every part of our lives. We all have music for when we are sad, happy, celebrating, meeting others, when we are alone, and even when we are lonely. Did a song come to mind as you read each of those situations? I remember the first song I ever heard on the radio, on my first bus ride to kindergarten. One of my favorite musical memories is playing in a band for steel beach on the flight deck of the aircraft carrier USS Nimitz.

I love telling stories with music. Everybody loves John Coffey in the Green Mile, but Mr. Jingles should have a song commemorating his reaching and joining the circus at Mouseville. If you agree, join me for this and similar journeys. The music here is synthetic, but as real as you would choose to have it.

My music most often lands on Soundcloud first and is inspired by one of my favorite communities, Naviar Haiku:
https://www.naviarrecords.com/about/naviar-haiku
I find writing to a Haiku prompt sufficiently limiting and exquisitely inspiring.

Trees and Tangents (Naviarhaiku489)

Raymond Stull