Bookings:
EU/UK: paul@mbartists.co.uk / dec@mbartists.co.uk
North America: mpuliz@corsonagency.com

Bookings⬇️
EU/UK: clara@mbartists.co.uk
North America: Posij@decibel.life

Label: @EvolutionChamberOfficial

Bookings (Solo): tom@esp-agency.com
(EC Nights): bookings@evolutionchamber.audio
(EC Nights): jana@evolutionchamber.audio
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What is a story without a plot? A journey without a destination? A movie without a soundtrack? A song without emotion?

These are the questions that carve Rustam Mansurov and James Peacock’s unique dynamic signature as Magnetude, an act with one of the most distinctive, exciting and dramatic sounds in contemporary drum & bass.

On a much deeper level, these questions are what magnetised the Anglo/Russian duo together in the first place. Born thousands of miles apart - and seemingly kept apart through an array of life complications - they remain kindred spirits connected through a series of shared passions, visions and creative ideologies.

Both sharing rich histories in music – Rustam was playing piano aged 9, James was playing violin aged 12 – they’re both heavily inspired by the importance of detail, orchestral dynamics and story-telling in music. Moved by the works of composers ranging from Ennio Morricone and Danny Elfman to Amon Tobin, John Williams to Ilya Beshevli, no amount of distance can quench the duo’s synergy and energy.

It’s a synergy that began in 2010 when they met on VKontake, and developed when Rustam was signed to Close 2 Death, a label James was A&R for at the time. In 2015 it evolved into a much stronger energy when the pair left Close 2 Death and started to collaborate on their own music. By 2016 the ‘Hyperdrive’ EP was born and Magnetude was ready to reveal to the world. It was delivered by one of most influential, innovative stables in the heavier D&B pastures at the time – Lifted Music.

Quickly appearing on some of the most prominent imprints in drum & bass culture such as Eatbrain, Renegade Hardware, Viper and RAM Records, their music has gone on to appear on games such as Project Cars and Freaked Fleapit, and between them they’ve torn dancefloors apart from Creamfields to Let It Roll, Pirate Station to XOYO. Most recently, they’ve co-founded the exciting forward-thinking, community-minded collective @EvolutionChamberOfficial alongside like-minded fusionists @TaskHorizonAudio and @ReceptorMusic.

Reminding the scene of the importance of strength in numbers and how the best things happen when people come together, Magnetude’s creative signature grows stronger. The plot thickens, the journey continues…

All Enquiries: management@evolutionchamber.audio

From the moment Mitya Veshchunov first began pouring over his brother’s jungle record collection, the man who’d soon become Receptor was hooked on the genre. First it was Aphrodite, then it was Pendulum’s ‘Another Planet’ which would later shape his path into the genre; soon followed by his discovery of the more tech-influenced tracks of Noisia and Konflict. He immersed himself within this subsection, leading him then onto the expansive catalogue of Lifted Music, one of the most notable contemporary labels which flourished during this period. Lifted Music presented itself as a different flavour with no boundaries and it became a mecca for Receptor’s own musical tastes as they were evolving – later reflected through his own work. 

At the age of ten, Receptor was gifted a Yamaha PSR-740 synthesiser by his father, due to his son’s growing interest in music. Despite never being educated musically, he learned musical notation through a friend and over the course of six months his skills exploded, with him laying his hands on a plethora of DAWs through the internet. From EJay to FL Studio, his production knowledge increased at an astounding rate – something which would soon be more widely recognised after his move to Moscow, a central hub for drum & bass both in Russia and on the global stage. 

Receptor has always endeavoured to inject his music with the Slavik roots that have been a primary inspiration for him. Emulating the sonics featured on ‘Pirate Station’ stages and across the ‘Therapy Sessions’ compilations, his amalgamation of styles enabled him to build an extensive audience. From ‘Rhyno’ on Lifted Music’s sister-label Breed 12 Inches, through to ‘Kurchatov’ in 2009 on Obsessions (the first label from Black Sun Empire) and his ‘Girls’ EP on John B’s Beta Recordings, Receptor’s discography was proving to be as formidable as his fan base.  He was later called on to perform remix duties for Black Sun Empire’s ‘Dawn of a Dark Day’ ft. Foreign Beggars and Noisia’s ‘Alpha Centauri’, highlighting a definitive part of his career, with the producers being a central part of his founding interest in drum & bass. In the space of a decade, Receptor had catapulted himself from the role of fan, to standing amongst his idols as their counterpart. 

After a long hiatus, Receptor now returns and is planning to push his name into the direction he’d always planned. This will represent a more experimental approach to sound design, something which will develop through his release’s forthcoming on Evolution Chamber, an imprint he’s leading alongside Task Horizon and Magnetude. With tour dates set to be announced throughout 2020, Receptor is delivering the same energy which has been seen previously during his sets at Pirate Station, Ultra Music Russia and the 10-year anniversary of World of Drum & Bass. Receptor is offering some of his biggest selections to date, which many listeners have been waiting for patiently; the music he brings along with him makes this wait worthwhile.

Pre-save 'Respawned' -> https://lnk.to/THRespawned01

Eatbrain | Blackout | Evolution Chamber

Bookings: bookings@evolutionchamber.audio

Music label - vinyl and digital, festival, podcast.
Owner Kovar 1/2 TNTKLZ @tntklzmusic

We're on the hunt for new unsigned music!
Share yours with us via our simple upload tool here: https://forms.gle/fx8kfEhcBzCSdGC87

The discography includes releases by artists: Agressor Bunx, NickBee, Receptor, ChaseR, Gydra, Tobax, Focusfire, TNTKLZ, oneBYone, Kije, Encode, Cod3x, Razlom, Aznok, Gilas, Abstractonia, Ozma, Dextems, Fatloaf, Mayel, Ntechnique, MJ Free, Julia Marks, Grinder, Zombie Cats (Germany)

What matters is not how much darkness surrounds us all, but how much light we give. Welcome to the Ignescent family!

For All Bookings Contact  bookings@supasubs.com

Firing up the bassbins and hitting you hard with a dose of raggamuffin junglist energy is what Ed Solo is all about. From Glastonbury to Canada's Shambhala, from dirty Brixton back rooms to Spanish arenas, Ed has travelled the globe throwing down his unique brand of ruffneck bassline bravado for more than a decade. 

Ed's knack for the rudest of hooks is equalled only by his sublime studio skills. He cut his teeth in the mid '90s engineering at the notorious SOUR Records studios, going on to lay down a series of groundbreaking collaborations with jungle kingpin DJ Brockie. In 2007 Ed released ‘Random Acts of Kindness’ alongside Skool of Thought, featuring ‘When I Was A Yout’ and ‘We Play The Music’ among others. A 10th anniversary remix package drops in 2017.

Ed’s partnership with Jungle Cakes partner in crime Deekline has thrown up some of the most memorable tunes of the decade. The pair recently mixed the chart-topping 5th edition of their Welcome to the Jungle series.

Saint Robbers (St-Petersburg, Russia)
Labels: Neuropunk , Evolution Chamber , Ignescent , TON , Ozriderz
Contact: saintrobbers@gmail.com
or telegram - saintrobbers

Receptor is following