Name: Meridian by Red Dust Of Mars in Red Dust of Mars
Duration: 3 min 26 s
Description: Melodic progressive metal with brass jazz infusion from the debut self-titled album by Red Dust of Mars

Damn I didn’t know Chuck Mangione was part of this band haha

Nice one ! have a nice week ! good drop ! great !

Drums on fire 🔥🔥🔥 Real banger sounds great 💯🙌🏻

Ah, enfin de la variété musicale et j'adore ça !

You guys definitely are different, in a good way. I like the fusion with the wind instruments

This is awesome!  Needs to be a soundtrack on the new Tron movie with Jared Leto

The debut self-titled album by Red Dust of Mars, blending progressive metal with brass jazz fusion

Red Dust of Mars

Recorded in 1986 on a barely audible tape.
Digitally brought it back to life in 2022.
Ron Snyder - Guitar
Joe Storino - Bass
Drum Machine

Snyder & Storino - BIG BASS BLUES (1986 Instrumental)

FJ (Chef), Music Producer, LP collector.
I produce different genres of music. My interest in music dates back to my childhood, but only started producing music actively from this year. Year of 2023.

I hope you find my music to a perfect partner for your daily routines.

Be,Live,Create

Regards,
:: MaloM :..

...all right reserved©2023...

The Beauty Of Life

Buy NOW!!!

Glory

Melodic progressive metal with brass jazz infusion from the debut self-titled album by Red Dust of Mars

Meridian

Chronos Kairos

Umbra

Atlas

Myriads

Animata

Faixa antissistema! Barulho torto contra o fascismo!

Invasão Comunista

Hank Rusch's new single, "Laid To Waste," tells the story of a man blissfully aware that he's just another conquest in a woman's lustful pursuit. Undeterred, he is drawn like a moth to a flame, finding himself unable to resist the pull of her vortex of passion. The song is rich with references to addiction, highlighting the compulsive nature of his desire. Hank’s growly vocals sound even grittier on this track, as if there's an extra cubic yard of gravel adding raw intensity to his voice. Powerful chords, big drums, Hank really hits the groove on this one.

LAID TO WASTE
by Hank Rusch

Laid, Laid to waste
I wanted it all she'd only give me a taste
Laid, Laid to waste
I took a sip I took a step, I fell on my face

Well, I remember she came pretty well armed
With Stiletto Heels and a bullet bra
Peroxide hair, with dishwater roots
I started chargin' like a bull comin' out of the chute

Her skirt was so tight it couldn't get much higher
Her thighs were rubbin' so hot I thought they'd catch on fire
She shot'em all down one by one
But I was cocked and locked like a ... a loaded gun

She's a hundred proof
You got to dilute
You can't just take her down straight
She's a witches brew
She'll put a spell on you
She'll make any good man break

Laid, Laid to waste
I wanted it all she'd only give me a taste
Laid, Laid to waste
I took a sip I took a step, I fell on my face

We danced all night then we went to her place
I followed her home behind her BSA
Exhaust and Chanel was all I could smell
My heart was rockin' like a pumpjack well

When we got in the door we started huggin' and kissin'
That's when I knew it was pure ignition
She bit her lips and she moaned and moaned
We kept on doin' it all night long

It was just a drop
It hit the spot
It had me ruttin' like a stallion
But the tables turned
and soon I learned
I just had enough to just hold on

It was a lethal dose
I went comatose
I've never ever had that kind of lovin' before
Just one hit
and that was it
I got to go back for more

Laid
Laid to waste now baby
You laid me to waste
Ohhhhhh! You laid me to waste now baby
You laid, you laid, you laid, you laid, you laid
You laid me to waste
You laid me to waste now baby
Ohhhh! and I can't get enough
You laid me, You laid me, You laid me, You laid me to waste
You laid me, You laid me to waste,
Ohhhhhhh! baby

Laid To Waste

Captivity is not about heartbreak — it’s a chilling descent into real psychological imprisonment. Identity is stripped away, reality rewritten, and freedom itself begins to feel dangerous.

Drawing on captivity trauma theory, Stockholm Syndrome, and behavioral conditioning, Exzenya transforms her voice and production into a cinematic portrait of control and isolation. The track opens with a haunting reinterpretation of the folk refrain “Down in the valley…” delivered in a rare, resonant low vocal, paired with hollow wind that feels like a broken transmission through an old radio. From there, the song builds into a dark, minor-key arrangement where vocals climb into plaintive highs, mirroring the push and pull of despair and yearning.

Captivity isn’t just a song — it’s a haunting story set to music. Opening with the ghostly echo of “Down in the valley” and a chilling wind, Exzenya pulls listeners into a dark world of isolation and control. Her deep, resonant lows and emotional highs make every line feel like a cry from the inside of a locked room. Cinematic, eerie, and unforgettable — this is storytelling that feels like a film score trapped inside a pop song.

FFO: Billie Eilish, Halsey, Aurora, Lorde
Tone: Dark, haunting, emotional, surrendering

Captivity

NickJC Lonely Ft Frank Zozky

The First Minute opens 12 Minutes — a short ambient classical journey by composer Jeremias Langsämmer. Soft strings meet choral textures to create a space of stillness and reflection. Designed for focus, calm, and cinematic listening, this piece captures the breath between thought and silence.

🎧 From the forthcoming album 12 Minutes, a suite of short ambient classical works for piano, strings, and quiet contemplation.

For fans of: Max Richter, Jóhann Jóhannsson, Ólafur Arnalds, Nils Frahm, Hammock

#ambientclassical #modernclassical #cinematicmusic #pianoandstrings #relaxingmusic #soundtrackmusic #focusmusic #calmmusic #jeremiaslangsammer #maxrichter #olafurarnalds #johannjohannsson #nilsfrahm #hammock

Jeremias Langsämmer – The First Minute | Ambient Classical Strings & Choral Calm

Watch "Rome" Official Music Video: https://youtu.be/bMtgegGapwA?si=tQ7YRstTAS2TsVJ_

Rome

Open Dreams

Melodic progressive metal with a brass jazz infusion

Meridian

Red Dust Of Mars

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