My first submission to Disquiet Junto. 

Stems: https://static.stefanbohacek.dev/music/disquiet-junto/0609/stems.zip

More on this 609th weekly Disquiet Junto project, Speed Limit Pt 1 (The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it), at: https://disquiet.com/0609/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0609-speed-limit-pt-1/

On The Way (disquiet0609)

More on this 609th weekly Disquiet Junto project, Speed Limit Pt 1 (The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it), at: https://disquiet.com/0609/ 1

About the Disquiet Junto: Disquiet Junto F.A.Q. – Disquiet

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0609-speed-limit-pt-1/

Disquiet0609 60bpm

Disquiet Junto Project 0610: Speed Limit Pt 2
The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed.

Step 1: In the previous Disquiet Junto project, participants recorded a variety of tracks at a standard pace of 60 BPM.

Step 2: Select two or more tracks from the provided ones, slow them to half their original pace — that is, to 30 BPM — and use editing techniques to combine them into one new piece of music.

=============

Track notes:

It was difficult not to reflect on Steve Roden this morning in Adelaide. So inevitably my thoughts were concentrated very much on his wonderful body of work, especially his aesthetic of 'lowercase' music. Lawrence English put it so well last night in a FB post that Steve Roden would "cherish  the minor, the incidental, the unexpected, the hushed"

In this spirit, I used tracks from @henklass and @leonclowes and reformatted them to 30bpm. I used two segments of henklass's kick pulse and waves of noise/random notes and layered these with leonclowes meander of resonant, sustained tones. Against this, I used an archived recording of my own (some radio static) and pitched this so that it harmonised with the other two audio sources.

I experimented with the volume levels until I achieved an equilibrium of sorts. Then I put the bounced audio file onto my phone and took it downstairs to my kitchen. With our Bluetooth speaker atop the toaster (its usual spot), I placed an ambisonic recorder on a mug next to the sink. With the recorder running, I then went to the adjoining laundry room and started the track's playback from the Bluetooth speaker.

Along with the quiet ambience of the kitchen space, this morning there were the traces of stormy weather from overnight, so gusts of wind were brushing through the trees in our courtyard. Inside, the fridge hummed gently, and to my surprise, the stronger notes from leonclowes track resonated the interior of the toaster that the Bluetooth speaker was positioned on top of.

[Disquiet_Junto_0610] The Ongoing Moment - for Steve Roden (30 bpm)

Done for Disquiet Junto 0610

This was fun. This is mostly a quick sample of a percussive 4//lIGhT's 60 bpm Stomp bit, repeated excessively, with a tiny guitar-sounding bit from @tristan_louth_robins 's Refactored Drift. Filled out with @XHG 's Acrostic Speed Limit and some from a 4th one, but I forget.

Instructions:

Step 1: In the previous Disquiet Junto project, participants recorded a variety of tracks at a standard pace of 60 BPM. Listen to the resulting material on the Lines discussion board and the SoundCloud playlist:

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0609

Step 2: Select two or more tracks from the provided ones, slow them to half their original pace — that is, to 30 BPM — and use editing techniques to combine them into one new piece of music.





More on this 610th weekly Disquiet Junto project, Speed Limit Pt 2 (The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed), at: https://disquiet.com/0610/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0610-speed-limit-pt-2/

Swrolds Amay - disquiet0610

For this week's submission, I combined three tracks from last week's prompt:

https://soundcloud.com/analoc/0923-disquiet-junto-609-blink?si=de59a57c8d6d43e4b13a3d568fb7b648&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
https://soundcloud.com/fake-genius/disquiet0609-60-not-64-or-is-it?si=c00cfb88076d4070b2c248da9063f444&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
https://soundcloud.com/melondruie/outbound-to-titan-disquiet-0609?si=9547631c6c0345059c559442f8e4520c&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Each track was slowed to 30bpm. I left Analoc's track intact, then chopped and changed Melondruie's, and Fake Genius' tracks to suit. All the sounds in the recording come from these three tracks.
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More on this 610th weekly Disquiet Junto project, Speed Limit Pt 2 (The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed), at: https://disquiet.com/0610/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0610-speed-limit-pt-2/

tri deg (disquiet0610)

This was my contribution for the collaborative Disquiet Junto Project 0610: Speed Limit Pt 2

Here’s a copy of my post on the Disquiet Junto 0610 discussion thread:

Ended up using part 1 compositions by @Timshel0, @dequalsrxt, and @tristan_louth_robins for this piece since they all seemed to work well with the Basinski style vibe I had in mind. I layered them into Ableton Live at 60 BPM and edited the audio in various ways by stretching, warping, chopping and looping the samples. Thank you to the three creators for the opportunity to use these creations, but also apologies for my excessive manipulation and mangling of your source audio.  

I recorded the mix onto a Panasonic RN-125 microcassette recorder and then, played it back into Ableton at half speed. Final tempo should be around 30 BPM. Added plugin effects from Arturia Rev Intensity (reverb), Phonolyth Cascade (reverb), Soundghost Drift (for more tape effects) and AudioThing Noises to the final mix.

The ambiguous title was inspired by reflecting on news headlines referencing "...a fragile peace" in conflict areas around the world.   

More on this 610th weekly Disquiet Junto project, Speed Limit Pt 2 (The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed), at: https://disquiet.com/0610/
About the Disquiet Junto: https://disquiet.com/junto/
Subscribe to project announcements: https://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0610-speed-limit-pt-2/

A Fragile Piece [disquiet0610]

Contains samples of the following:
https://soundcloud.com/red_robin/disquiet_junto_0603-refactored-drift-60-bpm
https://soundcloud.com/winterer/catnip-in-60bpm-disquiet0609
https://soundcloud.com/sunbear-323538505/disquiet0609

More on this 610th weekly Disquiet Junto project, Speed Limit Pt 2 (The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed), at: https://disquiet.com/0610/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0610-speed-limit-pt-2/

Three Passengers (disquiet0610)

Credits to the originators of the tracks being combined here:
@he_nu_ri @Aaron_Taylor-Waldman and @noodletwister

[disquiet0610] Half - Time Triple

Icarus 2ID2

In My Head (Shapes Are Forming A New Horizon Mix)

Made for Naviar Records' 607th Haiku Challenge

Untouched by the Sun [naviarhaiku 607]

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).