A Fleurieu & KI Sound Map recording. 
Additional information can be found here: http://www.tristanlouthrobins.com/fleurieu_soundmap/sites/LYB006.html

Another 20-30 metres out, I find a chain of deep pools filled with clear water, seagrass and kelp. I’m almost out at another section of the reef’s fringes and there is more of the reef to explore, but since tidal activity is now picking up, I don’t want to chance going further out. After all, I nearly walked straight into one of these deep pools with my equipment!

These are beautiful pools to just gaze into. They’re filled with dense clusters of Sargassum, Crystophora, Grapeweed and kelp. I spot a few perch and a leatherjacket darting about below, and sheltering in the many outcrops and nooks at the base of the pools. I find a large, deep pool and position two hydrophones a few metres apart. One of the first things I note is the clear, distinct pops that emanate from both channels, with a regularity and patterns, forming an assumption that there’s maybe some call and response going on. Again, much like the preceding three environments, it’s difficult (nigh on impossible without deeper knowledge of these marine environments) to understand what is specifically creating these sounds. Amongst these pops, finer sonic details can be heard: a fine texture of crackles, occasional rivulets of water swirling around and low frequency vibrations.

FKISM: Two tidal pools, Lady Bay reef (southern region)- January 2021

This will be fun! 

I built a patch in kontakt consisting of two voices that seemed to compliment each other and ran a simple midi pattern triggering both. There's a lot of texture and hiss, maybe too much but hopefully others might find some use in this. Feel free to chop, mangle or do what you like with this one, just make sure i get to hear it!


More on this 591st weekly Disquiet Junto project, The Loneliest Number (The Assignment: Record the first third of a trio), at: https://disquiet.com/0591/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0591-the-loneliest-number/

Locrian X [disquiet0591]

Fractal Guitar Trio (https://linktr.ee/fractal_guitar_trio): Miguel Ángel Rivera, Raúl Rocha, Ramón Hernández Mendiola
Registro audiovisual: Rodrigo Villaseñor
Gravação realizada no Piso 16 - Laboratorio de Iniciativas Culturales da UNAM em maio de 2023 como resultado do Prêmio Ibermúsicas de Composição e Estreia de Obra 2022.
Partitura: https://www.babelscores.com/catalogs/instrumental/7985-teledescante-n-27985
Vídeo: https://www.youtube.com/watch?v=GPQ4WCW-gzY
Spotify: https://open.spotify.com/track/0tSIMlzkMPRuRbSyLj6sro

Teledescante Nº2 (Там, вдали за рекой), per trio di chitarre (2021)

A spiralling journey where metaphysical rodents fight against the erosion of ethics in modern media and the Junkyard of Silenced Poets accidentally invent Acid Strauss music…

"Trademark spy movie guitars and jerking, fluid polyrhythms abound while the piano plays semi-atonal choppy chords and the percussion track involves a variety of unusual noises. There is some classic sixties-influenced jazz-tinged cinematica happening here. Indie Noir perhaps or Alt Noir. It is a fine piece of instrumental exploration either way." -- Neil March (Trust The Doc, Edition 81, June 2023)

Selected as one of the tracks in Bulzara's Guest Curator Eclectic Picks for Signal Committee over on Tom Robinson's Fresh On The Net:

https://freshonthenet.co.uk/2023/06/eclectic-492/

Played on the very first Live Show on AsonicA Radio

"the alternative universe of Junkyard of Silenced Poets" -- Lyonsy (Punk and Indie Show, SLE Radio)

music composed and performed by Junkyard of Silenced Poets - copyright and all rights reserved

image pv66

Junkyard of Silenced Poets:

"Killer groove" & "Irresistible jam" Tom Robinson (musician & BBC Radio 6 Music broadcaster)

“Banging beat” Dipesh Parmar (President - Ministry of Sound Records)

“Super unique!” Jaguar (Broadcaster, Journalist & DJ BBC Radio One & Mixmag )

“Gritty and authentic; makes me want to hear more” Emerald Rose Lewis (DJ & Presenter BBC Radio 1Xtra & Rinse FM)

“Nice down tempo vibes” Steven Braines (co-founder of HE.SHE.THEY. collective)

"Dystopian psychedelic jazz" Lyonsy (Punk and Indie Show, SLE Radio)

Music played on BBC Radio 6 Music, BBC Radio Nottingham, BBC Derby & BBC Leicester; SLE Punk & Indie Show; The Psychedelic Jukebox; Johnny (Pigs Pigs Pigs Pigs Pigs Pigs Pigs) Hedley's Base Frequencies; etc

Selected as the first track on Signal Committee’s Eclectic Picks at Fresh On The Net – & other triumphant returns

Fresh Fave over on Tom Robinson's Fresh On The Net: Feb 2023, July 2022, March 2022 & Feb 2021

Musical collaborations w/ Uncle Kid & Gorstey Lea Street Choir

Guest Curator of Eclectic Picks

Contributor to The Dark Outside

Memorial Device Alternative National Treasure

Multi-Directional "Choose Your Own Adventure" Audio-Visual album at Signal Committee's Yoghurt Pot >>

www.yoghurtpot.co.uk/manchineel/automata

The Twice Nice Mice versus The Suppression of Free Agency

More on this 598th weekly Disquiet Junto project, Mixmaster Mic (The Assignment: Record the same sound with multiple mics; mix the results), at: https://disquiet.com/0598/



About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0598-mixmaster-mic/

Harbour's Twin (disquiet0598)

Grabación de campo en el "Salón" de las Grutas de Salamanca, Maldonado, Uruguay; parte del proceso de investigación del proyecto Tierra Quemada: Memorias y resonancias. 

Investigación y escritura: Rafael J.Sarasqueta & Matías Ygielka
Fotografías: Mery Arias Simonovis
Grabaciones de campo: Matías Ygielka
Producción editorial: Rafael J.Sarasqueta

TQ: Investigación artística orientada a indagar en la diversidad cultural de nuestra región a partir de la memoria indígena, sus cosmovisiones y las nociones implícitas de territorio a través de un abordaje interdisciplinario; en un proceso de creación de nuevas narrativas referidas a la memoria histórica.
Como parte del proceso de investigación se realizó un trabajo de campo en determinadas localidades del interior del país, así como entrevistas con científicas y especialistas de diversas disciplinas.

El libro publicado reúne las derivas y reflexiones escritas, junto con fotografías y grabaciones de campo.

Esta registro sonoro corresponde al capítulo de las Grutas de Salamanca, página 73. Se recomienda escuchar mientras se lee el libro (con auriculares)

Link al libro (pdf, gratis): https://archive.org/details/tierra-quemada-ygielka-juarez/mode/2up
Link al libro físico:

Grutas de Salamanca (Proyecto de investigación Tierra quemada)

Source sound is a very nice recording of a bathroom stall hinge: https://freesound.org/people/Valk17/sounds/706939/

The Love Of Three Hinges

Coincidence

My continuing experiments with frequency shifted/ring modulated shakuhachi controlling my Buchla 200 Electronic Music Instrument. Video of similar experiments here: https://youtu.be/9MDbqCx72gk?si=lpfZvokXuTHAIsPp

Analog Breathing

Tountharu_02

Tristan Louth-Robins is a South Australian artist working principally in the medium of sound art and field recording. Ideas of sound and its signification are key elements in Louth-Robins' practice, traversing the space between the visual and aural his work is realised through the mediums of recordings, installation, visual art and performance. He is interested in sound and its associative implications - including its relationship to objects, technology, urban space, memory and the natural world. 


Since 2005, Louth-Robins has presented work in Australia and internationally as a solo artist, whilst also collaborating with artists, writers, researchers, musicians and performers. 

Working across a vast array of activities encompassing composition, sound design, installation art, field recording and workshops, his work has been featured in events such as the Adelaide Festival of Arts (2006), The National Regional Arts Festival (2012), Mildura-Wentworth Arts Festival (2013), Fairfax Festival (2013) and Adelaide Fringe Festival (2014); and selected works exhibited at galleries including The Australian Experimental Art Foundation (2009), SASA Gallery (2012, 2015), Light Square Gallery (2012) and FELT Space (2015). His audio works have been broadcast on radio including Radio National, Classic FM, The BBC (UK), Acoustic Frontiers (USA) and RBB (Germany).

FKISM: Two tidal pools, Lady Bay reef (southern region)- January 2021

Tristan Louth-Robins

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